Alice in Wonderland (1933)In Victorian England a bored young girl dreams that she has entered a fantasy world called Wonderland populated by even more fantastic characters. Director:Norman Z. McLeod |
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Alice in Wonderland (1933)In Victorian England a bored young girl dreams that she has entered a fantasy world called Wonderland populated by even more fantastic characters. Director:Norman Z. McLeod |
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| Cast overview, first billed only: | |||
| Richard Arlen | ... | ||
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Roscoe Ates | ... | |
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William Austin | ... | |
| Gary Cooper | ... | ||
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Leon Errol | ... | |
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Louise Fazenda | ... | |
| W.C. Fields | ... | ||
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Alec B. Francis | ... | |
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Richard 'Skeets' Gallagher | ... |
Rabbit
(as Skeets Gallagher)
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| Cary Grant | ... | ||
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Lillian Harmer | ... | |
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Raymond Hatton | ... | |
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Charlotte Henry | ... | |
| Sterling Holloway | ... | ||
| Edward Everett Horton | ... | ||
On a boring winter afternoon, Alice dreams, that she's visiting the land behind the mirror. This turns out to be a surrealistic nightmare, with all sorts of strange things happening to her, like changing her size or playing croquet with flamingos. Written by Stephan Eichenberg <eichenbe@fak-cbg.tu-muenchen.de>
Whilst it's undoubtedly true to say that few (if any) members of the cast were ever again to play such weirdly offbeat roles, the performances generally rate as both captivating and fascinating. Adults will be enthralled. The film may, however, be regarded as too grotesque for children.
Mary Boland, Bing Crosby and Charles Laughton were originally scheduled for the cast, while Jack Oakie was slated to play both Tweeledum and Tweedledee. Charlotte Henry was chosen to play Alice from over seven thousand applicants.
Although the official writing credit is divided between Menzies and Mankiewicz, what Menzies actually did was to illustrate the script which Mankiewicz combined from the two Carroll novels. When I interviewed Mankiewicz, he was justifiably proud of the fact that he used Carroll's original dialogue and followed the original characters and incidents without the slightest deviation, except for the omission of the Lion and the Unicorn, the Live Flowers and the episode on the train in Chapter Three of "Looking Glass". (We were speaking, of course, about the original 90 minutes version, not the ruthlessly truncated parody that formerly plagued television airings).
A striking film in every respect, this version also anticipates Disney with its excellent cartoon sequence, "The Walrus and the Carpenter".