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The Woman from Monte Carlo (1932)



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Cast overview, first billed only:
Lottie Corlaix
Captain Corlaix
Lieutenant d'Ortelles
Cmdr. Brambourg
Le Duc
Matt McHugh ...
Chief Petty Officer Vincent
Frederick Burton ...
President of Courtmartial
Frank Leigh ...
Warner Richmond ...
Reginald Barlow ...
Defense Attorney
Oscar Apfel ...
Dr. Rabeouf
Ben Hendricks Jr. ...
Chief Engineer


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Plot Keywords:

remake | based on play | See All (2) »







Release Date:

9 January 1932 (USA)  »

Also Known As:

A Dama de Monte Carlo  »

Company Credits

Production Co:

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Technical Specs


Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?


Captain Corlaix: When you've spent your whole life on the sea, there's little reward except the honors we pile up slowly for our old age. We hold on because of the stripes we hope to wear and the respect we get at the finish.
Captain Corlaix: [Glancing over at a model of a wooden ship] That little ship... I used to sail it over in the lagoon. Even then I considered it was a frigate and I was in command. My mother gave it to me. In the afternoons, I'd get my nurse to take me down to the waterfront, so I could be with the sailors....
See more »


Remake of Night Watch (1928) See more »

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User Reviews

spectacular is the word for Lil
31 January 2015 | by (United States) – See all my reviews

Too bad Lil Dagover made only one Hollywood movie, but at least it's not lost, and English- speaking audiences get a chance to savor her without the distraction of subtitles.

There is a lot of plot ellipsis in this story about a lady with a past trying to settle into respectability as the wife of a French naval officer (Walter Huston). Unfortunately, the husband is at sea most of the time and when his ship finally comes into port and she arrives on board for a welcoming party World War One suddenly begins, the party is called off and the ship is torpedoed. Romantic rivalry (involving Warren William as an officer subordinate to Huston) and a threatening figure from her past (John Wray) are also mixed up in the mayhem.

However, the film is mostly about Lil. Her charm, her poise, her jewels, her costumes, her legs, her profile, her ivory skin, her raven hair, her captivating smile—all on display in generous close-ups. If this all seems reminiscent of Dietrich in the von Sternberg films, this exposure of Dagover was probably intended by the executives at First National who imported her, probably as their version of Dietrich or possibly Garbo, whose manner resembles hers. Her rather thick German accent is difficult to understand at times, and creates problems in some scenes, but she hits all of the required emotional notes, especially when playing the frustration of an abandoned wife.

The final fadeout is particularly striking.

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