IMDb > White Zombie (1932)
White Zombie
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White Zombie (1932) More at IMDbPro »


Overview

User Rating:
6.5/10   5,590 votes »
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Director:
Writers:
Garnett Weston (story)
Garnett Weston (dialogue)
(more)
Contact:
View company contact information for White Zombie on IMDbPro.
Release Date:
4 August 1932 (USA) See more »
Genre:
Tagline:
The Dead Walk Among Us! See more »
Plot:
A young man turns to a witch doctor to lure the woman he loves away from her fiance, but instead turns her into a zombie slave. Full summary » | Full synopsis »
Plot Keywords:
User Reviews:
A Classic For Some Reason, A Good One at That See more (125 total) »

Cast

  (in credits order) (verified as complete)

Bela Lugosi ... 'Murder' Legendre

Madge Bellamy ... Madeline Short Parker
Joseph Cawthorn ... Dr. Bruner
Robert Frazer ... Charles Beaumont
John Harron ... Neil Parker
Brandon Hurst ... Silver
George Burr Macannan ... Von Gelder - Zombie (as George Burr MacAnnan)
Frederick Peters ... Chauvin - Zombie
Annette Stone ... Maid
John Printz ... Ledot - Zombie
Dan Crimmins ... Pierre - Witch Doctor
Claude Morgan ... Zombie
John Fergusson ... Zombie
Velma Gresham ... Tall Maid
rest of cast listed alphabetically:

Clarence Muse ... Coach Driver (uncredited)

Directed by
Victor Halperin 
 
Writing credits
Garnett Weston (story)

Garnett Weston (dialogue)

William B. Seabrook  novel "The Magic Island" (uncredited)

Produced by
Edward Halperin .... producer
Phil Goldstone .... producer (uncredited)
 
Cinematography by
Arthur Martinelli 
 
Film Editing by
Harold McLernon  (as Howard McLernon)
 
Art Direction by
Ralph Berger 
 
Makeup Department
Carl Axzelle .... makeup artist (as Carl Axcelle)
Jack P. Pierce .... makeup artist (as Jack Pierce)
 
Second Unit Director or Assistant Director
William Cody .... assistant director
Herbert Glazer .... assistant director
 
Art Department
Conrad Tritschler .... sets
 
Sound Department
L.E. Clark .... sound engineer
 
Special Effects by
Howard A. Anderson .... special effects (as Harold Anderson)
 
Camera and Electrical Department
Charles Bohny .... assistant camera (uncredited)
Jockey Arthur Feindel .... camera operator (uncredited)
Enzo A. Martinelli .... assistant camera (uncredited)
 
Music Department
Abe Meyer .... music supervisor (uncredited)
 
Other crew
Herbert Farjeon .... dialogue director
Sidney Marcus .... assistant to producer
 
Crew verified as complete


Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
Runtime:
69 min | USA:67 min (Roan restoration) | Canada:85 min (Ontario)
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (RCA Photophone Noiseless Recording)
Certification:
Australia:PG | Canada:G (Manitoba/Nova Scotia/Quebec) | Finland:K-18 (2004) (self applied) | UK:A (original rating) | UK:PG (video rating) (1991) | USA:Passed (National Board of Review)

Did You Know?

Trivia:
This film was shot in only eleven days, completed March 1932.See more »
Goofs:
Continuity: When Madeline is removed from the crypt, the pallbearer zombies carry her open casket head first. Cut to the procession going up the hill outside the crypt, she is now feet first.See more »
Quotes:
[first lines]
Neil Parker:Looks like a burial.
Madeline:In the road?
See more »
Movie Connections:
Referenced in Metal Gear Solid 3: Snake Eater (2004) (VG)See more »
Soundtrack:
In the DepthsSee more »

FAQ

This FAQ is empty. Add the first question.
11 out of 14 people found the following review useful.
A Classic For Some Reason, A Good One at That, 12 June 2006
Author: gavin6942 from United States

I'm not entirely sure why this film is considered a horror classic. But having seen many other horror films from the 1930s, I would have to agree it's definitely one of the better ones.

The plot: a Frenchman in Haiti makes a deal with Bela Lugosi to turn a beautiful young woman (Madge Bellamy, the finest 1930s woman by far) into a zombie. But then he becomes disillusioned and Bela Lugosi strikes back at the Frenchman. Oh ,and there are other zombies, an absent-minded professor and a really annoying screeching vulture.

This film has some of the strangest transitions between scenes. I forget the word for when the screen slides over, but it does it a number of times in short succession in some strange shapes (like curtains, or diagonally). And there is a weird fascination with showing Bela Lugosi' eyes and his hand gestures repeatedly. The eyes reveal what seems to me some of the fakest eyebrows ever glued to a forehead.

But if you like Lugosi or classic horror, or Madge Bellamy... yeah, you should see this film. So much crap is pumped out of theaters and studios these days in the horror genre, why not see the roots that inspired all this before it went bad?

Was the above review useful to you?
See more (125 total) »

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Revival of true horror liledgar21
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Favorite Part (spoliers) jimbojone22
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