The railroad engineer Andrea Marcocci has been working with his partner and friend Gigi Liverani for thirty years and feels happy and proud with his work, drinking wine after hours with his... See full summary »
Luisa Della Noce,
Under provincial Italian law at the time, once a roof is erected, the occupants cannot be evicted from a building. This comedy follows the efforts of a family to erect the roof on a house ... See full summary »
Vittorio De Sica
1945. Enrico Corsi, in Rome, reflects on his relationship with his eight year younger brother, Lorenzo Corsi, following Lorenzo's recent passing from a long and debilitating illness at age ... See full summary »
Vittorio De Sica, heir to a large sum of money and owner of a newspaper vending stall, makes enough money out of his business to take a vacation at a fashionable resort. He is given a ... See full summary »
Tribute to Naples, where director De Sica spent his first years, this is a collection of 6 Napolitean episodes : a clown exploited by a gangster ; an inconstant pizza seller (Sofia) loosing... See full summary »
Vittorio De Sica
Eduardo De Filippo
A cynical millionaire announces that he intends to disguise himself as a hobo and give a million lire to anyone who treats him nicely. As a result, every bum in Rome is given the royal ... See full summary »
Vittorio De Sica,
Nice, small scale romantic comedy, already offering an appealing star couple and many of the features of later Italian Realism.
Dismissed as "Signor Biciclette" by the perfume shop girls, cloth cap mechanic Vittorio borrows the car he's repairing at the garage and collects the appealing Lia Franca for a run, ending at the riverside cafe, where the old couple have put a coin in the proto juke boy, which plays "Love's last Word Is Spoken," for Vittorio and Lia to dance but their idyllic afternoon is disturbed by the boss' wife who has spotted the car and sees this as a lift home, stranding Lia.
Calamities and misunderstanding accumulate, with the leads finally working at a Milanese Industrial Fair. This generates a rather winning ending to this advanced, agreeable, light weight.
The film more than stands comparison with contemporary product (eg. the films of René Clair,) shooting material in real locations, which would have been done in a studio in Hollywood or Paris, and foregrounding working class characters, anticipating the neo realist films. There's even an unemployment sub-plot.
De Sica is billed under Franca, the lead of RESURRECTIO, the first Italian sound film. It's probably his first talkie and he's perfectly relaxed and natural. Designer Medin will accompany him on his career.
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