An old woman finds a baby among the cauliflowers in her garden. She takes care of the orphan, and calls him Totò. When she dies, he is sent to an orphanage, which he leaves as a teenager. ... See full summary »
Vittorio De Sica
Junta is hated by the people in the village where she lives, especially by the women, who suspect her of being a witch. Only she can climb the nearby mountains to a cave high up, whence a ... See full summary »
E' l'adattamento cinematografico della omonima novella. Napoli, ai tempi della dominazione spagnola. Il governatore della città vorrebbe conquistare una bella contadina e, perciò, fa ... See full summary »
Eduardo De Filippo,
Peppino De Filippo,
Based on a Pirandello play, Vittori De Sica plays a wealthy young social lion who has to constantly fight off a horde of women who are eager to marry him because of his position and money. ... See full summary »
Vittorio De Sica,
Vittorio De Sica, heir to a large sum of money and owner of a newspaper vending stall, makes enough money out of his business to take a vacation at a fashionable resort. He is given a ... See full summary »
Nice, small scale romantic comedy, already offering an appealing star couple and many of the features of later Italian Realism.
Dismissed as "Signor Biciclette" by the perfume shop girls, cloth cap mechanic Vittorio borrows the car he's repairing at the garage and collects the appealing Lia Franca for a run, ending at the riverside cafe, where the old couple have put a coin in the proto juke boy, which plays "Love's last Word Is Spoken," for Vittorio and Lia to dance but their idyllic afternoon is disturbed by the boss' wife who has spotted the car and sees this as a lift home, stranding Lia.
Calamities and misunderstanding accumulate, with the leads finally working at a Milanese Industrial Fair. This generates a rather winning ending to this advanced, agreeable, light weight.
The film more than stands comparison with contemporary product (eg. the films of René Clair,) shooting material in real locations, which would have been done in a studio in Hollywood or Paris, and foregrounding working class characters, anticipating the neo realist films. There's even an unemployment sub-plot.
De Sica is billed under Franca, the lead of RESURRECTIO, the first Italian sound film. It's probably his first talkie and he's perfectly relaxed and natural. Designer Medin will accompany him on his career.
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