A poor student rescues a beautiful countess and soon becomes obsessed with her. A sorcerer makes a deal with the young man to give him fabulous wealth and anything he wants, if he will sign... See full summary »
When Edgar sees his girlfriend Betty getting up close and personal with his best friend Carl, he murders Carl in a jealous rage and hides the corpse under the floor of his piano room. Comes... See full summary »
A complicated dash of the police, headed by Ted Knight, in a really good performance. Knight is chasing down a killer of blondes and the chase runs through the mystifying puzzle of the toll... See full summary »
This remake of West of Zanzibar (1928) made four years later tries to outdo the Lon Chaney original in morbidity. From a wheelchair a handicapped white man rules an area of Africa as a ... See full summary »
After the old-books shop closes, portraits of the Strumpet, Death, and the Devil come to life and amuse themselves by reading stories--about themselves, of course, in various guises and ... See full summary »
Richard Oswald uses Harald Paulsen as a reporter in pursuit of German horror star Paul Wegener to stitch together three stories. They are Poe's "The Black Cat", his "The System of Dr. Tarr and Professor Fether" (as close as Poe came to a comedy) and Robert Louis Stevenson's "The Suicide Club".
Horror was coming into prominence as a movie genre in the early 1930s. Universal Pictures would begin with its production of FRANKENSTEIN. Wegener who had been appearing in this sort of role since the Teens, was a natural, and the similarities of some of the trial sequence here to that of Lang's M, is worth noting. Oswald, like Lang, had to leave the country eventually, but this doesn't have any political content so far as I can see. I know that standard film history would have it that every German movie from about 1924 on is supposed to be a commentary on fascism, but I don't see it.
Unfortunately, while the techniques of movie-making and the performances are fine, the movie is padded. Everyone moves slowly in this movie, and the insane move even slower. The sloth may have been intended to allow the audience the terror of anticipation. Unfortunately, it only rouses a sense of impatience. Twenty minutes could have been cut from this movie by movement and some judicious editing.
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