In modern day Mexico, a man on the street is supernaturally killed after hearing the eerie sound of a wailing woman. We then arrive at the manor of an upper class family, who are ... See full summary »
After the old-books shop closes, portraits of the Strumpet, Death, and the Devil come to life and amuse themselves by reading stories--about themselves, of course, in various guises and ... See full summary »
Paul Wegener, in his first talkie film, plays an evil inventor who is pursued by investigative journalist (Harald Paulsen) through four famous horror tales. The first is based on Edgar Allen Poe's 'The Black Cat'. Wegener kills his wife and hides her behind a wall in his basement. The reporter, who hears the wife's screams as he is passing by, calls in the police days later after she is reported missing. The journalist and the police eventually find her body thanks to her meowing cat, which was also accidentally walled with the body.
The inventor escapes, only to hide in a wax museum (spoofing Paul Leni's 'Waxworks'), where a sinister game of cat and mouse develops. The chase soon moves to an asylum (taken from another Poe story, 'The System of Dr. Tarr and Prof. Fether') and later, to a strange gentlemen's club which runs a sinister suicide game (from Robert Lewis Stevenson's 'The Suicide Club').
This is a remake of the director's own 'Eerie Tales' (1919), which also included adaptations of 'The Black Cat' and 'The Suicide Club'. All three stories here have been filmed since as well - 'Tales of Terror' (1962), 'Curse of the Stone Hand' (1964) and 'Dr. Tarr's Torture Dungeon' (1973) stand out as examples so this may all feel quite familiar. Despite this, it's still very entertaining.
The novel approach of linking the separate well-known short stories into one adds a new dimension to the horror anthology sub-genre. It's intended as a spoof of Germany Expressionism, but while it may not exactly have your sides splitting, it still works as a creepy, atmospheric melodrama.
It's always fun to see Wegener, whose three silent portrayals of the Golem have ensure his place in horror history. He's great here as the villain; his stony face and narrow eyes make him appear every bit the devious killer. The rest of the less well know cast do well too.
Austrian Director Oswald, who is accredited with directing the first vampire film in 1916 ('A Night of Horror' - now lost), does a fine job of creating a different atmosphere for each story. Of particular note is the 'Dr. Tarr' segment, in which a whole host of lunatics attempt to put our hero on trial.
This is a very difficult film to find which is a real shame. Highly recommended for fans of early horror.
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