Wealthy, powerful sweatshop owner falls in love with employee's teenage daughter, who feels obligated to marry him after he shares his wealth with her parents, though she actually loves a young Marxist unionizer.




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Credited cast:
Maurice Schwartz ...
Judith Abarbanel ...
Mascha Melnick
Mark Schweid ...
Aaron Melnick
Sam Gertler ...
Sam, Moses' Nephew
Zvee Scooler ...
Rebecca Weintraub ...
Rubin Goldberg ...
Moses' Father
Leon Seidenberg ...
Michael Gibson ...
Moishe Gross
Wolf Goldfaden ...
Abe Sinkoff ...
Rest of cast listed alphabetically:
Ben-Zion Katz ...
Schmiel Yossel
Jacob Mestel ...
Michael Rosenberg
Sally Schorr ...


"Uncle" Moses is a wealthy garment store owner in the Lower East Side. He lords his wealth and its attendant power over the neighborhood, dispensing noblesse oblige and conducting casual affairs with numerous women. When he falls in love with the beautiful young daughter of one of his employees, he discovers what it is like to be beholden to another person. He convinces her to marry him, but she does so out of financial and social obligation, and Moses' love remains distressingly unrequited. At the same time, the growing labor movement attacks him for his exploitative employment conditions, and Moses begins to doubt the truth of the American Dream he thought he had achieved. Written by Dan Gilman <dgilman@haverford.edu>

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Drama | Romance





Also Known As:

Onkel Moses  »

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Featured in Almonds and Raisins (1984) See more »

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User Reviews

valuable as a historical document
12 January 2011 | by (United States) – See all my reviews

One of the few surviving Yiddish language films from the early sound era is, despite painstaking restoration, a historian's artifact, of interest more to students of Jewish culture than to film buffs. The rarity of the feature is its primary virtue, and watching it is like opening a time capsule to a now-forgotten age of streetcars and gaslights, when Eastern European immigrants toiled away in the sweatshops of New York City's Lower East Side for petty despots opposed to unionization. One such tyrant is the title character (flamboyantly played by stage actor Maurice Schwartz), who may not be as noble as his Old Testament namesake, but still manages to prove by the end of the film that his heart is larger than his stomach. It might look stale after all these years, but with a generous sampling of romance, tragedy, and labor unrest the film can still be entertaining to viewers attuned to the style of such early sound relics.

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