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I Was Born, But... (1932)
"Otona no miru ehon - Umarete wa mita keredo" (original title)

 -  Comedy | Drama  -  3 June 1932 (Japan)
7.8
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Ratings: 7.8/10 from 2,551 users   Metascore: 91/100
Reviews: 19 user | 39 critic | 4 from Metacritic.com

Two young brothers become the leaders of a gang of kids in their neighborhood. Their father is an office clerk who tries for advancement by playing up his boss. When the boys visit the boss... See full summary »

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(scenario), (adaptation), 1 more credit »
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Title: I Was Born, But... (1932)

I Was Born, But... (1932) on IMDb 7.8/10

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Cast

Cast overview, first billed only:
Tatsuo Saitô ...
Chichi
Tomio Aoki ...
Keiji (as Tokkan-Kozou)
Mitsuko Yoshikawa ...
Haha (Yoshi's Wife)
Hideo Sugawara ...
Ryoichi
Takeshi Sakamoto ...
Juuyaku (Iwasaki, Executive)
Teruyo Hayami ...
Fujin (Iwasaki's wife)
Seiichi Katô ...
Kodomo (Taro) (as Seiichi Kato)
Shoichi Kofujita ...
Kozou (Delivery boy)
Seiji Nishimura ...
Sensei (Teacher)
Zentaro Iijima ...
Asobi nakama (Friend)
Shôtarô Fujimatsu ...
Asobi nakama (Friend)
Masao Hayama ...
Asobi nakama (Friend)
Michio Sato ...
Asobi nakama (Friend)
Kuniyasu Hayashi ...
Asobi nakama (Friend)
Akio Nomura ...
Asobi nakama (Friend)
Edit

Storyline

Two young brothers become the leaders of a gang of kids in their neighborhood. Their father is an office clerk who tries for advancement by playing up his boss. When the boys visit the boss' house with their father, they discover that their dad has been making a fool of himself to please his boss, who's son is an outwitted member of the boys' gang. The brothers' revolt claiming that hierarchy should be based on ability, not on social background. Ozu's charming film is a social satire that draws from the antics of childhood as well as the tragedy of maturity. Written by Peter Renoir Nakai

Plot Summary | Add Synopsis

Genres:

Comedy | Drama

Certificate:

Not Rated

Parents Guide:

 »
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Details

Country:

Release Date:

3 June 1932 (Japan)  »

Also Known As:

Children of Tokyo  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Connections

Referenced in The Life and Works of Yasujiro Ozu (1983) See more »

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User Reviews

By Threes?
19 September 2002 | by (Oakland, California) – See all my reviews

Several days ago I saw a perfect print provided to the PFA by the Japan Foundation, with benshi Midori Sawato accompanying. The performance, of course, was exquisite, if sedate in keeping with the film and Ozu's reputation. Whether by chance or ingenuity the PFA placed Sawato on a raised platform, so you couldn't look at her face without also seeing the film, or the film without seeing her. Her male intonations, though with at least no obvious satire, rival those of Laurie Anderson or Lily Tomlin. But I've been wondering what on earth to say about Ozu. He hadn't discovered yet his low camera angle, and the pacing's not quite as slow as it would become. I'm afraid all that's stayed with me that anyone else might not say, is that, perhaps oddly for a film about a typical family of four, Ozu's camera again and again frames groups of three. I can't remember whether he does this later. Maybe Ozu just liked an image size that makes three optimum. Already, without the formality to come, his frame was beginning to solidify. Don't know. Something to think about is all.


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