IMDb > Two-Fisted Law (1932)

Two-Fisted Law (1932) More at IMDbPro »

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Overview

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5.8/10   181 votes »
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Down 65% in popularity this week. See why on IMDbPro.
Director:
Writers:
William Colt MacDonald (story)
Kurt Kempler (continuity)
Contact:
View company contact information for Two-Fisted Law on IMDbPro.
Release Date:
8 June 1932 (USA) See more »
Genre:
Tagline:
His Latest and Greatest Outdoor Romance
Plot:
After Rob Russell steals Tim Clark's ranch, Clark starts prospecting for silver. Full summary » | Add synopsis »
Plot Keywords:
User Reviews:
Saving Little Nell See more (5 total) »

Cast

  (in credits order) (verified as complete)
Tim McCoy ... Tim Clark
Alice Day ... Betty Owen
Wheeler Oakman ... Bob Russell
Tully Marshall ... Sheriff Malcolm
Wallace MacDonald ... Artie

John Wayne ... Duke

Walter Brennan ... Deputy Sheriff Bendix
Richard Alexander ... Henchman Zeke Yokum
rest of cast listed alphabetically:
Hank Bell ... Barfly (uncredited)
Rube Dalroy ... Townsman (uncredited)
Jack Evans ... Townsman (uncredited)
Jack Hendricks ... Barfly (uncredited)
Merrill McCormick ... Green, the Agent (uncredited)
Bud Osborne ... Henchman Jiggs Tyler (uncredited)
Arthur Thalasso ... Bartender Jake (uncredited)

Directed by
D. Ross Lederman 
 
Writing credits
William Colt MacDonald (story)

Kurt Kempler (continuity)

Produced by
Irving Briskin .... producer
 
Original Music by
Irving Bibo (uncredited)
Milan Roder (uncredited)
 
Cinematography by
Benjamin H. Kline  (as Benjamin Kline)
 
Film Editing by
Otto Meyer 
 
Stunts
Jack Hendricks .... stunts (uncredited)
 
Music Department
Mischa Bakaleinikoff .... composer: stock music (uncredited)
Sam Perry .... composer: stock music (uncredited)
 

Production CompaniesDistributors

Additional Details

Also Known As:
Runtime:
64 min
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (Western Electric Sound System)

Did You Know?

Trivia:
One of over a hundred Columbia features, mostly Westerns, sold to Hygo Television Films in the 1950s, who marketed them under the name of Gail Pictures; opening credits were redesigned, with some titles misspelled, the credit order of the players rearranged, some names misspelled, and new end titles attached, thus eliminating any evidence of their Columbia roots. Apparently, the original material was not retained in most of the cases, and the films have survived, even in the Sony library, only with these haphazardly created replacement opening and end credits.See more »
Movie Connections:
Referenced in The War at Home (1979)See more »

FAQ

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8 out of 9 people found the following review useful.
Saving Little Nell, 11 February 2007
Author: bkoganbing from Buffalo, New York

Though in the film John Wayne is second billed to star Tim McCoy he actually has very little to do. Wayne is in the unaccustomed role of sidekick.

Wayne and Wallace MacDonald are the last two ranch hands working for Tim McCoy. He's lost is ranch to crooked banker Wheeler Oakman, but being the good boss and friend he is to Wayne and MacDonald he finds them jobs with neighbor and sweetheart Alice Day.

That might be short term employment for Oakman has designs on the ranch and on Day. Those designs on Day ain't covered by the cowboy code.

McCoy goes off prospecting for a couple of years and no sooner is he back than he's framed for an express company holdup and killing resulting from same. The rest of the movie is McCoy's fight to prove his innocence and save Day from a fate worse than death.

Wheeler Oakman seems to be enjoying his role as villain, he's hamming it up in the best Snidely Whiplash tradition. And Day makes a perfect Little Nell.

Tim McCoy, a silent western star, seems to have made the transition to sound easily enough. He's a stern and upright hero who's bound and determined prove his innocence.

Note good performances by Tully Marshall as the father figure sheriff of the area who believes in McCoy and a young Walter Brennan as his less than scrupulous deputy.

My VHS of this film is 58 minutes and I note that the running time is 64 minutes. That might explain some gaps in the story and maybe it was John Wayne who got cut out.

This was the last Columbia movie that John Wayne ever appeared in. It seems as though Harry Cohn thought Wayne was putting the moves on a young starlet who rejected Cohn's advances even though Wayne wasn't involved. But after the Duke became a star and a legend, there wasn't enough money in the world that would get him to appear in a Columbia Studios film.

But realizing this is a B western, it's not the worst one I've ever seen although somehow I doubt we'll ever see a director's cut.

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