High class European thief Gaston Monescu meets his soul mate Lily, a pickpocket masquerading as a countess. The two join forces and come under the employ of Mme. Colet, the beautiful owner of the Colet perfume company. Gaston works as Mme. Colet's personal secretary under the alias Monsieur La Valle. Rumors start to fly as 'M. La Valle' steals Mme. Colet away from her other suitors. When the secret of his true identity catches up to him, Gaston is caught between the two beautiful women. Written by
Gary Jackson <firstname.lastname@example.org>
The 100,000 francs Gaston see that Madam Colet keeps in her safe would equal $3,925 at the time, or nearly $70,000 in 2016. See more »
(at around 10 mins) A very clearshadow of a boom mic moves against the wall/screen behind Lily, anticipating her next action (rising and moving toward Gaston). See more »
Do you remember the man who walked into the Bank of Constantinople, and walked out with the Bank of Constantinople?
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In the opening credits the words 'Trouble in' appear and then a bed before the word 'paradise,' subliminally indicating that sex is at least part of the film's plot. It was done so subtly for the time that censors didn't notice it until the film's attempted re-release in 1935. See more »
Although this film is greatly valued by critics, film historians and its many fans, it still does not receive the respect it is due. Turner Classic Movies broadcasts Casablanca, Now Voyager, Citizen Kane, Philadelphia Story, Adam's Rib, African Queen and Bringing Up Baby 10 times for every time this film is shown. It is an injustice that this film is shown so rarely. (I would recommend to TCM that they show their "classics" less frequently and a number of less well-known films such as this more often.)
Trouble in Paradise is a comedy counterpart to a melodrama; it is a romantic melo-comedy. It is unlike any other Lubitsch film with which I am familiar. In fact, it is difficult for me to think of any film with which to compare this masterpiece. The cast is outstanding, each delivering dialog in mock melodramatic style. The soundtrack, the editing, and especially the sublime writing all combine to produce a unique, satirical melodrama parody. Perhaps this film was the model for many later films that hoped to attain the same comic irony, but seem humorless to me. The key seems to be that the actors do not take themselves seriously, but they portray characters who do.
Everything about this film is fabulous. I cannot fathom how anybody could suggest this film is outdated in any manner because it captures the ambiance of an era so perfectly. The era is past, but not this film! Do period films made today seem outdated to them? I do not need to heap redundant praise on a film that other commentators have described so well. So that you know where I'm coming from - I admit to being a HUGE Lubitsch fan. The Shop Around the Corner and Ninotchka are also among my very favorite films.
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