Wallingford is a con-man whose specialty is taking money from suckers. His partners are Schnozzle, a pickpocket and car thief; and Blackie, who has played the game for years. Jimmy's latest... See full summary »
Marge is a capable secretary, but her bosses are more interested in her than her abilities. This causes her to be frequently unemployed. To get a job, she changes her look to make herself ... See full summary »
High class European thief Gaston Monescu meets his soul mate Lily, a pickpocket masquerading as a countess. The two join forces and come under the employ of Mme. Colet, the beautiful owner of the Colet perfume company. Gaston works as Mme. Colet's personal secretary under the alias Monsieur Laval. Rumors start to fly as 'M. Laval' steals Mme. Colet away from her other suitors. When the secret of his true identity catches up to him, Gaston is caught between the two beautiful women. Written by
Gary Jackson <firstname.lastname@example.org>
"Little" Mary Pickford, the silent film star, liked Ernst Lubitsch's tasteful touches of suggestiveness enough to ask him to direct her in a film that would help her show more maturity on screen. But she did not get along with Lubitsch himself nor did she appreciate 'Rosita,' the film they made together. In later years she usually ranked it with her worst films. See more »
(at around 10 mins) A very clearshadow of a boom mic moves against the wall/screen behind Lily, anticipating her next action (rising and moving toward Gaston). See more »
See here, my good man. You've been saying good-bye for the last half hour and staying on. I wish you'd say "How do you do" and go.
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In the opening credits the words 'Trouble in' appear and then a bed before the word 'paradise,' subliminally indicating that sex is at least part of the film's plot. It was done so subtly for the time that censors didn't notice it until the film's attempted re-release in 1935. See more »
Please read the other reviews for the full measure of this treasure - I will just string together my observations:
Amazingly deft display of international sophistication for such an early film - who knew? Pre-code comedy of adult realities, without a hint of exploitive sensationalism.
Herbert Marshall as a romantic lead, every bit as good as, say, Cary Grant or Ronald Coleman - at absolute top of form, like everyone in the cast. Again, who knew? Miriam Hopkins, just stunning. Pure chemistry with Marshall.
Kay Francis, new to me, but gorgeous and utterly believable.
And all the supporting players - C. Aubrey Smith, Edward Everett Horton, Charlie Ruggles, even Robert Grieg, the butler (as also in The Lady Eve, a film of similar polish) - each familiar from many other films, but scarcely if ever seen in better form.
I truly do not understand why this film is not better known to me and everyone. I had to see it in a film class, and was frankly expecting much worse considering it was made scarcely three or four years into the "talkie" era. This is a polished many faceted gem, criminally under-circulated. It makes you wonder what Hollywood might have accomplished without an over-restrictive Production Code.
I see DVD became available only in 2003? This is a MUST SEE!
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