Lieutenant Niki of the Austrian royal guard has a new girlfriend, Franzi. He's crazy about her and is smiling at her while on duty in the street. King Adolf and his daughter Princess Anna ... See full summary »
The small kingdom of Marshovia has a little problem. The main tax-payer, the wealthy widow Sonia (who pays 52 0f the taxes) has left for Paris So Count Danilo is sent to Paris, to stop her ... See full summary »
Edward Everett Horton
Andre and Colette Bertier are happily married. When Colette introduces her husband to her flirtatious best friend, Mitzi, he does his best to resist her advances. But she is persistent, and... See full summary »
High class European thief Gaston Monescu meets his soul mate Lily, a pickpocket masquerading as a countess. The two join forces and come under the employ of Mme. Colet, the beautiful owner of the Colet perfume company. Gaston works as Mme. Colet's personal secretary under the alias Monsieur Laval. Rumors start to fly as 'M. Laval' steals Mme. Colet away from her other suitors. When the secret of his true identity catches up to him, Gaston is caught between the two beautiful women. Written by
Gary Jackson <firstname.lastname@example.org>
The scenes in which Herbert Marshall is running up and down the stairs at Madame Colet's were done with a double who is only seen from the rear. Mr. Marshall lost a leg in WWI and although it was almost impossible to notice that he used a prosthesis, he could not perform any action that called for physical agility. See more »
(at around 10 mins) A very clearshadow of a boom mic moves against the wall/screen behind Lily, anticipating her next action (rising and moving toward Gaston). See more »
In the opening credits the words 'Trouble in' appear and then a bed before the word 'paradise,' subliminally indicating that sex is at least part of the film's plot. It was done so subtly for the time that censors didn't notice it until the film's attempted re-release in 1935. See more »
First of all, let me say that this film is as close to perfection as one can get---look at the "throw away gags", the play with words, the wardrobe (Miriam Hopkins stole the show; especially in the Opera scene when she comes out of the "Parlour des femmes" & asks her "Sugar Daddy" for some "francs" to give to the ladies room attendant---that black dress was haute couture at its best!), the gait of the actors, the snappy dialogue. They all look so-o sophisticated & worldly.
It took me 5 years to get this film & it was worth every minute! This is MY FAVORITE film!
37 of 42 people found this review helpful.
Was this review helpful to you?