8.2/10
10,053
65 user 73 critic

Trouble in Paradise (1932)

Passed | | Comedy, Crime, Romance | January 1933 (Japan)
A gentleman thief and a lady pickpocket join forces to con a beautiful perfume company owner. Romantic entanglements and jealousies confuse the scheme.

Director:

Writers:

(screenplay), (adaptation) | 1 more credit »
Reviews

On Disc

at Amazon

2 wins. See more awards »
Learn more

People who liked this also liked... 

Certificate: Passed Comedy | War
    1 2 3 4 5 6 7 8 9 10 8.2/10 X  

During the Nazi occupation of Poland, an acting troupe becomes embroiled in a Polish soldier's efforts to track down a German spy.

Director: Ernst Lubitsch
Stars: Carole Lombard, Jack Benny, Robert Stack
Ninotchka (1939)
Certificate: Passed Comedy | Romance
    1 2 3 4 5 6 7 8 9 10 8/10 X  

A stern Russian woman sent to Paris on official business finds herself attracted to a man who represents everything she is supposed to detest.

Director: Ernst Lubitsch
Stars: Greta Garbo, Melvyn Douglas, Ina Claire
Comedy | Romance
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

A woman cannot decide between two men who love her, and the trio agree to try living together in a platonic friendly relationship.

Director: Ernst Lubitsch
Stars: Fredric March, Gary Cooper, Miriam Hopkins
Certificate: Passed Comedy | Drama | Romance
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

Two employees at a gift shop can barely stand each other, without realizing that they are falling in love through the post as each other's anonymous pen pal.

Director: Ernst Lubitsch
Stars: Margaret Sullavan, James Stewart, Frank Morgan
The Lady Eve (1941)
Comedy | Romance
    1 2 3 4 5 6 7 8 9 10 8/10 X  

A trio of classy card sharps targets the socially awkward heir to brewery millions for his money, until one of them falls in love with him.

Director: Preston Sturges
Stars: Barbara Stanwyck, Henry Fonda, Charles Coburn
Certificate: Passed Comedy | Romance | Musical
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

An amorous lieutenant is forced to marry a socially awkward princess, though he tries to keep his violin-playing girlfriend on the side.

Director: Ernst Lubitsch
Stars: Maurice Chevalier, Claudette Colbert, Miriam Hopkins
Comedy | Drama | Fantasy
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

An old roué arrives in Hades to review his life with Satan, who will rule on his eligibility to enter the Underworld.

Director: Ernst Lubitsch
Stars: Gene Tierney, Don Ameche, Charles Coburn
Angel (1937)
Comedy | Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

A woman and her husband take separate vacations, and she falls in love with another man.

Director: Ernst Lubitsch
Stars: Marlene Dietrich, Herbert Marshall, Melvyn Douglas
Certificate: Passed Comedy | Musical | Romance
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

An unhappily married couple try to come between a happy one.

Directors: Ernst Lubitsch, George Cukor
Stars: Maurice Chevalier, Jeanette MacDonald, Genevieve Tobin
Comedy | Drama | Romance
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

A scatterbrained socialite hires a vagrant as a family butler...but there's more to Godfrey than meets the eye.

Director: Gregory La Cava
Stars: William Powell, Carole Lombard, Alice Brady
Crime | Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

Wrongly convicted James Allen serves in the intolerable conditions of a southern chain gang, which later comes back to haunt him.

Director: Mervyn LeRoy
Stars: Paul Muni, Glenda Farrell, Helen Vinson
Certificate: Passed Adventure | Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

A loose woman rediscovers a former lover during a dangerous train ride to Shanghai.

Director: Josef von Sternberg
Stars: Marlene Dietrich, Clive Brook, Anna May Wong
Edit

Cast

Complete credited cast:
...
...
...
Gaston Monescu
...
The Major (as Charlie Ruggles)
...
François Filiba
...
Adolph J. Giron
Robert Greig ...
Jacques, Mariette's Butler
Edit

Storyline

High class European thief Gaston Monescu meets his soul mate Lily, a pickpocket masquerading as a countess. The two join forces and come under the employ of Mme. Colet, the beautiful owner of the Colet perfume company. Gaston works as Mme. Colet's personal secretary under the alias Monsieur La Valle. Rumors start to fly as 'M. La Valle' steals Mme. Colet away from her other suitors. When the secret of his true identity catches up to him, Gaston is caught between the two beautiful women. Written by Gary Jackson <garyjack5@cogeco.ca>

Plot Summary | Plot Synopsis

Genres:

Comedy | Crime | Romance

Certificate:

Passed | See all certifications »
Edit

Details

Country:

Language:

| | | |

Release Date:

January 1933 (Japan)  »

Also Known As:

The Golden Widow  »

Filming Locations:

 »

Box Office

Budget:

$519,706 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
See  »
Edit

Did You Know?

Trivia

Cary Grant was also considered to play the leading part, but in 1932 he was still too young for the part. Ernst Lubitsch wanted the touch of experience in the actor face, so he chose the 42-year-old Herbert Marshall and 33-year-old Kay Francis to supply that look. See more »

Goofs

(at around 10 mins) A very clearshadow of a boom mic moves against the wall/screen behind Lily, anticipating her next action (rising and moving toward Gaston). See more »

Quotes

The Major: See here, my good man. You've been saying good-bye for the last half hour and staying on. I wish you'd say "How do you do" and go.
See more »

Crazy Credits

In the opening credits the words 'Trouble in' appear and then a bed before the word 'paradise,' subliminally indicating that sex is at least part of the film's plot. It was done so subtly for the time that censors didn't notice it until the film's attempted re-release in 1935. See more »

Connections

Referenced in One, Two, Three (1961) See more »

Soundtracks

Colet and Company
Music by W. Franke Harling
Lyrics by Leo Robin
Sung by Tyler Brooke on radio
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
So funny, sexy, subtle and sublime, this film only gets better with each viewing, BUT it's not available in ANY format! WHY?
20 September 2002 | by (Culpeper, VA) – See all my reviews

So funny, sexy, subtle and sublime, this film only gets better with each viewing, BUT it's not available in ANY format! WHY?

Ernst Lubitsch used Laszlo Aladar's play The Honest Finder as a springboard for one of his most delightful early-1930s Paramount confections. Herbert Marshall and Miriam Hopkins play Gaston and Lily, a pair of Parisian thieves, both disguised as nobility, who decide to rob lovely perfume company executive Mariette Colet (Kay Francis); Gaston gets a job as Mariette's confidential secretary, while Lily installs herself as the woman's typist. Love rears its head, forcing Gaston to choose between marriage to Mariette and a fast getaway with Lily. Filled with marvelous throwaway gags and sophisticated innuendo, Trouble in Paradise was described by one critic as "as close to perfection as anything I have ever seen in the movies."

For over seven decades this film has been unmatched in the realm of sophisticated farce. Films from THE AWFUL TRUTH to THE LADY EVE to SOME LIKE IT HOT are sublime on their more modest social scale and in their basic Americanness. By contrast, TROUBLE IN PARADISE has all the class and Continental elegance one associates with the Paramout of the 1930s. Made before the Production Code clampdown of 1934, this Lubitsch masterpiece shows his talent for sly sexual innuendo at its most witty and polished. The result is pure caviar, only tastier. The story tells of two jewel thieves, Gaston (Marshall) and Lily (Hopkins), who together work at bilking a merry widow, Mariette Colet (Francis), out of a small fortune. They secure jobs as her secretary and maid, but trouble begins in paradise when Gaston starts falling for his lovely prey and when one of her many suitors (Horton), a former victim of Gaston's, begins to recognize Mme. Colet's new secretary. The many laughs in this consistently delightful souffle come not only from Raphaelson's marvelous screenplay but also from Lubitsch's supple visual wit. On one hand there's delightful repartee about a former secretary who enjoyed an antique bed a bit too much, and on the other we have the sexy silhouette of Gaston and Mariette cast over a chaise lounge. From the opening shot of an operatic gondolier who turns out to be a garbageman to a police report about theft and tonsils translated for Italian officials, this film is full of unforgettable moments of merriment. The cast, too, is peerless. In one of his earliest Hollywood efforts, Herbert Marshall does the greatest work of his career. Too often maligned for playing stodgy consorts to dynamic star actresses such as Garbo, Davis, and Shearer, Marshall here gets to display his impeccable timing and supple grace. Frequently hilarious, his quiet approach and crushed velvet voice still let him remain suave throughout. Even Cary Grant would be hard pressed to match this portrayal. (He'd be too frantic.) Kay Francis, too, that popular sufferer of countless "women's films" with her "twoublesome" r's, gives of her very best. With her sleek, glamorous style and elegantly wry line readings, she is light, sexy, and totally captivating. Her doorway caresses and her finger-snapping seduction of Gaston are priceless. Miriam Hopkins was luckier in that she had many more chances to display her comic flair in film. Today one of the most underrated and unfairly maligned stars of the 1930s, the brittle, feisty Hopkins can rattle off witty banter at a breakneck pace or she can be deliciously languorous and coy. Her enjoyment of her own sexuality is heady even today and the thieving competition between Gaston and Lily, in which escalating crimes turn into escalating passion, remains one of the greatest scenes of foreplay ever caught on film. Ruggles and Horton prove yet again that they are two of the greatest farceurs in Hollywood, and the rest of the cast is equally choice. (One standout is Leonid Kinskey, whose bit as a leftist radical only foregrounds the satiric anarchy of the entire film.) Beautifully handled from start to finish, gleamingly shot and full of Dreier's incredible Art Deco designs, TROUBLE IN PARADISE is Lubitsch's greatest film and one of the indisputable highlights of comic cinema Directed by Ernst Lubitsch, the master of sophisticated comedy, Trouble in Paradise (1932) is the most accomplished example of the "Lubitsch Touch" for stylish innuendo and sly wit. With a script by Samson Raphaelson and Grover Jones, Lubitsch derives sparkling humor from the lusty (Pre-Code) love triangle among two jewel thieves, Lily and Gaston, and their intended victim, Mme. Colet. From the opening image of a garbage gondola's gliding through the picturesque Venice canals, Lubitsch makes light of the notion that amorality lies beneath the glossy exteriors of the rich. Elegantly sending up idealized movie romance, Gaston and Lily fall in love as they attempt to rob each other blind over an intimate dinner, sealing a bond between two scoundrels. Such Lubitsch details as a hand's hanging a "Do Not Disturb" sign on a doorknob and the shadow of a couple cast on a bed neatly communicate the nature of Gaston's relationships with Lily and Mme. Colet, complementing the clever dialogue, spiked with nimble come-ons and ripostes, and delivered with aplomb by Herbert Marshall, Miriam Hopkins, and Kay Francis. Praised for its smoothly imaginative technique and comic invention, Trouble in Paradise burnished Lubitsch's reputation as Paramount's premier purveyor of 1930s Continental class, and it is still considered one of the best adult comedies ever made.


57 of 72 people found this review helpful.  Was this review helpful to you?

Contribute to This Page

Create a character page for:
?