8.2/10
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65 user 73 critic

Trouble in Paradise (1932)

Passed | | Comedy, Crime, Romance | January 1933 (Japan)
A gentleman thief and a lady pickpocket join forces to con a beautiful perfume company owner. Romantic entanglements and jealousies confuse the scheme.

Director:

Writers:

(screenplay), (adaptation) | 1 more credit »
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2 wins. See more awards »
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Cast

Complete credited cast:
...
...
...
Gaston Monescu
...
The Major (as Charlie Ruggles)
...
François Filiba
...
Adolph J. Giron
Robert Greig ...
Jacques, Mariette's Butler
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Storyline

High class European thief Gaston Monescu meets his soul mate Lily, a pickpocket masquerading as a countess. The two join forces and come under the employ of Mme. Colet, the beautiful owner of the Colet perfume company. Gaston works as Mme. Colet's personal secretary under the alias Monsieur La Valle. Rumors start to fly as 'M. La Valle' steals Mme. Colet away from her other suitors. When the secret of his true identity catches up to him, Gaston is caught between the two beautiful women. Written by Gary Jackson <garyjack5@cogeco.ca>

Plot Summary | Plot Synopsis

Genres:

Comedy | Crime | Romance

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

| | | |

Release Date:

January 1933 (Japan)  »

Also Known As:

The Golden Widow  »

Filming Locations:

 »

Box Office

Budget:

$519,706 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The scenes in which Herbert Marshall is running up and down the stairs at Madame Colet's were done with a double who is only seen from the rear. Mr. Marshall lost a leg in WWI and although it was almost impossible to notice that he used a prosthesis, he could not perform any action that called for physical agility. See more »

Goofs

(at around 10 mins) A very clearshadow of a boom mic moves against the wall/screen behind Lily, anticipating her next action (rising and moving toward Gaston). See more »

Quotes

Gaston Monescu: Madame Colet, if I were your father, which fortunately I am not, and you made any attempt to handle your own business affairs, I would give you a good spanking - in a business way, of course.
Mariette Colet: What would you do if you were my secretary?
Gaston Monescu: The same thing.
Mariette Colet: You're hired.
See more »

Crazy Credits

In the opening credits the words 'Trouble in' appear and then a bed before the word 'paradise,' subliminally indicating that sex is at least part of the film's plot. It was done so subtly for the time that censors didn't notice it until the film's attempted re-release in 1935. See more »

Connections

Referenced in Midnight Movies: From the Margin to the Mainstream (2005) See more »

Soundtracks

O Sole Mio
Written by Eduardo Di Capua, Giovanni Capurro and Alfredo Mazzucchi
Sung by an unidentified garbage man
Variations reprised often as part of the score to suggest Venice
See more »

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User Reviews

 
sparkling diamond of a film
14 March 2007 | by (Tinseltown, USA) – See all my reviews

Please read the other reviews for the full measure of this treasure - I will just string together my observations:

Amazingly deft display of international sophistication for such an early film - who knew? Pre-code comedy of adult realities, without a hint of exploitive sensationalism.

Herbert Marshall as a romantic lead, every bit as good as, say, Cary Grant or Ronald Coleman - at absolute top of form, like everyone in the cast. Again, who knew? Miriam Hopkins, just stunning. Pure chemistry with Marshall.

Kay Francis, new to me, but gorgeous and utterly believable.

And all the supporting players - C. Aubrey Smith, Edward Everett Horton, Charlie Ruggles, even Robert Grieg, the butler (as also in The Lady Eve, a film of similar polish) - each familiar from many other films, but scarcely if ever seen in better form.

I truly do not understand why this film is not better known to me and everyone. I had to see it in a film class, and was frankly expecting much worse considering it was made scarcely three or four years into the "talkie" era. This is a polished many faceted gem, criminally under-circulated. It makes you wonder what Hollywood might have accomplished without an over-restrictive Production Code.

I see DVD became available only in 2003? This is a MUST SEE!


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