Lieutenant Niki of the Austrian royal guard has a new girlfriend, Franzi. He's crazy about her and is smiling at her while on duty in the street. King Adolf and his daughter Princess Anna ... See full summary »
The small kingdom of Marshovia has a little problem. The main tax-payer, the wealthy widow Sonia (who pays 52 0f the taxes) has left for Paris So Count Danilo is sent to Paris, to stop her ... See full summary »
Edward Everett Horton
Circa 1861, Angelina, ruling countess of an Italian principality, is at a loss when invaded by a Hungarian army. Her lookalike ancestress Francesca, who saved a similar situation 300 years ... See full summary »
Douglas Fairbanks Jr.,
Minutes before her wedding to Duke Otto Von Seibenheim, Countess Helene Mara flees, on a whim, to Monte Carlo, where she hopes her luck will save her poor financial state. There, Count ... See full summary »
High class European thief Gaston Monescu meets his soul mate Lily, a pickpocket masquerading as a countess. The two join forces and come under the employ of Mme. Colet, the beautiful owner of the Colet perfume company. Gaston works as Mme. Colet's personal secretary under the alias Monsieur Laval. Rumors start to fly as 'M. Laval' steals Mme. Colet away from her other suitors. When the secret of his true identity catches up to him, Gaston is caught between the two beautiful women. Written by
Gary Jackson <firstname.lastname@example.org>
One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. See more »
(at around 10 mins) A very clearshadow of a boom mic moves against the wall/screen behind Lily, anticipating her next action (rising and moving toward Gaston). See more »
See here, my good man. You've been saying good-bye for the last half hour and staying on. I wish you'd say "How do you do" and go.
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In the opening credits the words 'Trouble in' appear and then a bed before the word 'paradise,' subliminally indicating that sex is at least part of the film's plot. It was done so subtly for the time that censors didn't notice it until the film's attempted re-release in 1935. See more »
Although this film is greatly valued by critics, film historians and its many fans, it still does not receive the respect it is due. Turner Classic Movies broadcasts Casablanca, Now Voyager, Citizen Kane, Philadelphia Story, Adam's Rib, African Queen and Bringing Up Baby 10 times for every time this film is shown. It is an injustice that this film is shown so rarely. (I would recommend to TCM that they show their "classics" less frequently and a number of less well-known films such as this more often.)
Trouble in Paradise is a comedy counterpart to a melodrama; it is a romantic melo-comedy. It is unlike any other Lubitsch film with which I am familiar. In fact, it is difficult for me to think of any film with which to compare this masterpiece. The cast is outstanding, each delivering dialog in mock melodramatic style. The soundtrack, the editing, and especially the sublime writing all combine to produce a unique, satirical melodrama parody. Perhaps this film was the model for many later films that hoped to attain the same comic irony, but seem humorless to me. The key seems to be that the actors do not take themselves seriously, but they portray characters who do.
Everything about this film is fabulous. I cannot fathom how anybody could suggest this film is outdated in any manner because it captures the ambiance of an era so perfectly. The era is past, but not this film! Do period films made today seem outdated to them? I do not need to heap redundant praise on a film that other commentators have described so well. So that you know where I'm coming from - I admit to being a HUGE Lubitsch fan. The Shop Around the Corner and Ninotchka are also among my very favorite films.
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