Lieutenant Niki of the Austrian royal guard has a new girlfriend, Franzi. He's crazy about her and is smiling at her while on duty in the street. King Adolf and his daughter Princess Anna ... See full summary »
The small kingdom of Marshovia has a little problem. The main tax-payer, the wealthy widow Sonia (who pays 52 0f the taxes) has left for Paris So Count Danilo is sent to Paris, to stop her ... See full summary »
Edward Everett Horton
Amateur plumber Cluny Brown gets sent off by her uncle to work as a servant at an English country estate. While there, she becomes friendly with Adam Belinski, a charming Czech refugee. She... See full summary »
High class European thief Gaston Monescu meets his soul mate Lily, a pickpocket masquerading as a countess. The two join forces and come under the employ of Mme. Colet, the beautiful owner of the Colet perfume company. Gaston works as Mme. Colet's personal secretary under the alias Monsieur Laval. Rumors start to fly as 'M. Laval' steals Mme. Colet away from her other suitors. When the secret of his true identity catches up to him, Gaston is caught between the two beautiful women. Written by
Gary Jackson <firstname.lastname@example.org>
The most widely known of director Ernst Lubitsch's films. The "Lubitsch touch" as his style was called, emphasized subtlety and elegance, expressive of good taste, and being economical about what does and doesn't need to be shown, relying on the audience to tell the difference See more »
(at around 10 mins) A very clearshadow of a boom mic moves against the wall/screen behind Lily, anticipating her next action (rising and moving toward Gaston). See more »
You know, if I like a man I remember him... and if I don't like him I never forget him.
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In the opening credits the words 'Trouble in' appear and then a bed before the word 'paradise,' subliminally indicating that sex is at least part of the film's plot. It was done so subtly for the time that censors didn't notice it until the film's attempted re-release in 1935. See more »
The epitome of romantic and sophisticated Thirties comedy.
Pay no attention to "littlesiddie" - the one naysayer in this group. All the others are raves and rightly so. This is the most elegant and sophisticated romantic comedy ever committed to celluloid. The pacing is perfect, the performances enchanting, the plot priceless, and shame on the Academy for ignoring it. An absolute must-see!
Edward Everett Horton and Charles Ruggles as comic rival suitors for the hand of Kay Francis are so adept one might have thought they had been playing together in stand up vaudeville for decades. Francis is wry, experienced, and in it for the romance, not the entanglement, as is Herbert Marshall- they are a match. Miriam Hopkins is the perfect foil for them both.
The famous Lubitsch touch is never more evident. A masterpiece.
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