In Israel there is neither civil marriage nor civil divorce. Only rabbis can legitimize a marriage or its dissolution. But this dissolution is only possible with full consent from the ... See full summary »
The wealthy Van Dyke family are constantly in the media for outrageous behavior, much to the frustration of patriarch Dan Van Dyke. His self-centered, bubble-headed wife has a fondness for ... See full summary »
Katherine Chandler lives in an apartment house that has been purchased by the local college for a boy's dormitory. She refuses to vacate, certain that her son, who was a wild boy and ... See full summary »
John H. Auer
College sweethearts Julie and Ives have planned to marry as soon as school is over. Their plans go amiss when Julie meets a weak writer and runs off to marry him. After her husband dies, ... See full summary »
The work of a progressive female psychiatrist and her colleague at a mental hospital is threatened by the arrival of a conservative new supervisor, who disapproves of both her methods and the fact that she is a woman in a "man's field."
Gregory La Cava
Buck Boswell and his all-girl troupe are stranded in Paris, but Buck manages to con the manager of the 'Hotel de Navarre' in furnishing accommodations for his group, but the proprietor's ... See full summary »
Dr. Bill Crawford, on a hunting trip to Canada, is attacked by a bear and his guide, Joe Easter, saves his life and takes the badly-mauled Crawford to his cabin home, where he lives with ... See full summary »
Two members of a crew of "sandhogs", men who work on an underwater tunnel project, battle each other over the same woman and a rival team of sandhogs to see who will finish their half of ... See full summary »
William K. Howard was given the task of turning a popular radio serial into a movie, and succeeded. A carefully-written script that actually paid attention to the way cases are tried was the first step. Some great support, particularly Skeets Gallegher and the always fascinating Zasu Pitts helps. A restless camera helps keep up speed, and some interesting sets -- particularly the nightclub set -- make this a fine movie, even if the leads, who became lovers more than twenty years later, had no memory of working together on this one.
I wish to call your attention, if you ever have the chance to see this movie -- it is very rare and the one print I saw was a 16 mm. print, blurry as you would expect -- to the swish cuts. A swish cut is when the camera starts to pan away, then the illusion of high speed movement starts and when the camera slows down it is panning into a new shot -- maybe a quarter second elapses. It adds tremendous excitement to a sequence and Howard uses a lot of them here.
Unhappily, a lot of editing techniques for shot changes were on their ways out. By about 1935, Hollywood had settled on the now-standard techniques, except for a few movies which attempt to evoke the older movies. A loss to film grammar, but what can we do about it now, except to enjoy these techniques when we see them?
May 20 2010: I just noticed a modern use of the swish cut: any Doctor Who fan out there should take a look at Season 5 Episode 4 for the use of one, four minutes into the proceedings.
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