While romancing a beautiful Russian countess, a captain in the Austrian intelligence service is assigned to capture "K-14", a clever spy who has so far managed to remain undetected. What ... See full summary »
This is Not a Ball is a documentary that follows the creative process of acclaimed Brazilian artist Vik Muniz in the months leading up to the 2014 World Cup as he plans and creates a major new artwork made of 10,000 soccer balls.
Billy Bates is a portrait of a troubled artist who seeks solace in a beautiful singer, Kaia. Throughout their kaleidoscopic journey through underground parties and true love, Billy creates ... See full summary »
Joséphine de La Baume,
Seth Parker takes in Robbie Turner and protects him from his cruel father Rube. When the father disappears, Seth intends to raise Robbie as his own son. The vindictive father attacks Mary ... See full summary »
William A. Seiter
In 1923, Gregory Vance, a widower with two children, is a former scholar who has turned from book-to-bottle. He works, slightly, as a night-watchman and his children, who know him for what ... See full summary »
A free-spirited bartender on a tropical island has a reputation as a "pagan lady", who hops from man to man and bed to bed. The young son of the island's fire-and-brimstone evangelist ... See full summary »
John Francis Dillon
Vicki Meredith, an American ballet student in Paris, falls in love with Randall Williams, another American studying architecture in Paree, and they set up some light housekeeping together ... See full summary »
William K. Howard was given the task of turning a popular radio serial into a movie, and succeeded. A carefully-written script that actually paid attention to the way cases are tried was the first step. Some great support, particularly Skeets Gallegher and the always fascinating Zasu Pitts helps. A restless camera helps keep up speed, and some interesting sets -- particularly the nightclub set -- make this a fine movie, even if the leads, who became lovers more than twenty years later, had no memory of working together on this one.
I wish to call your attention, if you ever have the chance to see this movie -- it is very rare and the one print I saw was a 16 mm. print, blurry as you would expect -- to the swish cuts. A swish cut is when the camera starts to pan away, then the illusion of high speed movement starts and when the camera slows down it is panning into a new shot -- maybe a quarter second elapses. It adds tremendous excitement to a sequence and Howard uses a lot of them here.
Unhappily, a lot of editing techniques for shot changes were on their ways out. By about 1935, Hollywood had settled on the now-standard techniques, except for a few movies which attempt to evoke the older movies. A loss to film grammar, but what can we do about it now, except to enjoy these techniques when we see them?
May 20 2010: I just noticed a modern use of the swish cut: any Doctor Who fan out there should take a look at Season 5 Episode 4 for the use of one, four minutes into the proceedings.
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