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Three on a Match (1932)

Unrated | | Crime, Drama, Romance | 29 October 1932 (USA)
Although Vivian Revere is seemingly the most successful of a trio of reunited schoolmates, she throws it away by descending into a life of debauchery and drugs.

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(screen play), (story) | 1 more credit »
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Cast

Cast overview, first billed only:
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Linda
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Naomi
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Ace
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Bobby
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Defense Attorney
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Storyline

Three women who were childhood schoolmates take different paths in life. Vivian marries a very wealthy lawyer and has an adorable boy. Mary, on the other hand, takes the hard road through reform school. After a superstitious faux pas, Vivian's luck turns. She strays from her steadfast husband to a life of debauchery and alcoholism. Meanwhile, Mary turns her life around and not only wins the heart of Vivian's ex-husband, but also becomes a loving step-mother to Vivian's only child. Then Vivian's worthless boyfriend makes a desperate move. Written by Gary Jackson <garyjack5@cogeco.ca>

Plot Summary | Add Synopsis

Genres:

Crime | Drama | Romance

Certificate:

Unrated | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

29 October 1932 (USA)  »

Also Known As:

Hans hustrus brott  »

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Box Office

Budget:

$444,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(Vitaphone)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The set of Vivian's ocean liner cabin was used the following year in _Baby Face_. See more »

Goofs

Ruth Wescott's name is misspelled Westcott in the opening titles. See more »

Quotes

Dick: Did you get the dough?
Harve: Naw, what a runaround!
Dick: What happened?
Harve: We drove by the place in a laundry truck, me peakin' out of hole in the side. See, I spotted four Dicks I knew by sight. No tellin' how many more were staked out.
Dick: Was the package there?
Harve: Surrrrrrrrrrrrre! And 18 Bulls ready to grab any sucker that gets within 10 yards of it.
See more »


Soundtracks

Some of These Days
(1910) (uncredited)
Written by Shelton Brooks
Played on piano by Harry Seymour
Danced to by Ann Dvorak
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User Reviews

See this for Ann Dvorak
26 May 2011 | by See all my reviews

I highly recommend this Pre-Code film, an early directorial effort by Mervyn LeRoy. "Three on a Match" is more frank about life than many other films from that early era. Though Bette Davis is in it, she was still an ingénue with a very small part. She makes no major impact, but the real star of the show is Ann Dvorak (pronounced Vorzhak in case you didn't know).  I have only recently gotten acquainted with this exquisite actress and have yet to see a bad performance in the half dozen or so films I've seen of hers.  She was amazing in "Match," just so very natural, believable, one of the best at making not great dialog zing.  And her eyes!!  Wow!   The concept of the film comes from a superstition that grew during WWI about three soldiers lighting cigarettes from the same match being bad luck for one of the three.  This is not a war film. The girls are civilians, who at one point light up cigarettes with one match, recalling that superstition. The three are:  Ann Dvorak, Bette Davis and Joan Blondell (she's also good). What is surprising is how their lives change and how straightforward the film is in depicting one woman's downfall. It's very intense, with a shocking and heartbreaking ending. We get to know three girls as children first and then see them again years later when they reconnect after becoming young women. As children they were very different. As adults their lives take different paths. The film is segmented by yearly dates, jumping ahead every few years to see where they are and how things have changed. The story becomes a bit predictable, but it's still very much worth sticking with because of how honest the portrayals are and how good Dvorak is. She made an even bigger impact not too long after this by playing Paul Muni's sister in Howard Hawks' "Scarface." "Three on a Match" is worth seeing for a view into a short period of early sound films when they approached their subject matter fearlessly, and had more realistic female characters. Once the production code was instated, female roles became more constrained. This is one of the must-see Pre-Code films.


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