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Three on a Match (1932)

7.3
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Ratings: 7.3/10 from 2,019 users  
Reviews: 39 user | 19 critic

Although Vivian Revere is seemingly the most successful of a trio of reunited schoolmates, she throws it away by descending into a life of debauchery and drugs.

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Cast

Complete credited cast:
Virginia Davis ...
...
...
Vivian Revere as a Child (as Dawn O'Day)
...
Betty Carse ...
...
Warren William ...
Robert Kirkwood
...
Michael Loftus
...
Harve
...
Dick
...
Ace
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Storyline

Three women who were childhood schoolmates take different paths in life. Vivian marries a very wealthy lawyer and has an adorable boy. Mary, on the other hand, takes the hard road through reform school. After a superstitious faux pas, Vivian's luck turns. She strays from her steadfast husband to a life of debauchery and alcoholism. Meanwhile, Mary turns her life around and not only wins the heart of Vivian's ex-husband, but also becomes a loving step-mother to Vivian's only child. Then Vivian's worthless boyfriend makes a desperate move. Written by Gary Jackson <garyjack5@cogeco.ca>

Plot Summary | Add Synopsis

Genres:

Crime | Drama | Romance

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

29 October 1932 (USA)  »

Also Known As:

Hans hustrus brott  »

Box Office

Budget:

$444,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Vitaphone)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The set of Vivian's ocean liner cabin was used the following year in _Baby Face_. See more »

Goofs

Ruth Wescott's name is misspelled Westcott in the opening titles. See more »

Quotes

Junior (Kirkwood boy): Please don't hurt my mommy!
Harve: I'll bear that in mind.
See more »

Connections

Referenced in Jeopardy!: Episode #22.206 (2006) See more »

Soundtracks

The Sidewalks of New York
(1894) (uncredited)
Music by Charles Lawlor
Played during opening scene at the playground
See more »

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User Reviews

 
Mom's Not Quite Herself Today
8 March 2008 | by (Claremont,USA) – See all my reviews

Another neglected eye-opener from the pre-Code era. No doubt, this cynical essay on wanton motherhood helped bring down the wrath of the censors two years hence. Ann Dvorak is a bored upper-class matron who flees to Europe with toddler son in tow, seeking excitement and a sexual adventure she can't admit to herself. She finds them in the person of shady character Lyle Talbott, with whom she shacks-up neglecting her boy in the process. Dvorak shines in those scenes that graphically chart her growing degradation, which I take from her appearance to include heavy drug use. The ending is frankly pretty predictable, Code or no Code.

The movie is no unmixed triumph. The Blondell--William relationship seems highly improbable, while Bette Davis's contrived role as the third girl on the match remains largely a waste. In fact, the movie's second half comes nowhere near the vitality or subtlety of the first half-- note the nuances of that early bedroom scene where we become privy to Dvorak's failing marriage. It's a little gem. The second half, on the other hand, is not helped by the caricatured gangsters, especially in their final scene which unlike the rest of the movie is also poorly directed. Nonetheless, the 60 minutes comes as a revelation to those of us accustomed to the conventions of a 30-year Code period.

Thanks be to TCM for rescuing these sleepers. I doubt they were shown anytime during the censorship era, and by the time they could be shown, they were too dated and obscure. But now film buffs have a chance to discover a Hollywood era most of us didn't know existed. Three on a Match may not be the most compelling product of that time, but it does prove one thing-- despite the opinion of some, sex was not an invention of the 1960's.


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Such a GOOD movie willowtara
Can someone tell me: What are those things on the table?! atomickiwi
Dvorak Excellent in 'Three on a Match'. The Daz
DVD??? willowtara
Why did Loan Shark fellas (Bogart and co.) ruthlessroddy
Theme song in the beginning of the movie. manhattan777
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