IMDb > This Is the Night (1932)

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Release Date:
8 April 1932 (USA) See more »
A married woman, her husband and her lover. | Add synopsis »
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User Reviews:
THIS IS THE NIGHT (Frank Tuttle, 1932) *** See more (14 total) »


  (in credits order)
Lili Damita ... Germaine

Charles Ruggles ... Bunny West

Roland Young ... Gerald Gray

Thelma Todd ... Claire Mathewson

Cary Grant ... Stephen Mathewson
Irving Bacon ... Sparks
rest of cast listed alphabetically:
Davison Clark ... Studio Official (uncredited)

Gino Corrado ... Manager of Neopolitan Hotel (uncredited)
Claire Dodd ... Chou-Chou (uncredited)
Alex Melesh ... Porter (uncredited)
Donald Novis ... Singing Gondolier (uncredited)
Tiny Sandford ... Porter (uncredited)
Rolfe Sedan ... Boulevardier (uncredited)
Harry Semels ... Man in the Manhole (uncredited)

Directed by
Frank Tuttle 
Writing credits
(in alphabetical order)
Henry Falk  play "Pouche" (as Henri Falk)
Benjamin Glazer 
Avery Hopwood  play "Naughty Cinderella"
George Marion Jr. 
René Peter  play "Pouche"

Produced by
Benjamin Glazer .... associate producer (uncredited)
Original Music by
Ralph Rainger 
W. Franke Harling (uncredited)
John Leipold (uncredited)
Cinematography by
Victor Milner 
Sound Department
Jack A. Goodrich .... sound (uncredited)
Camera and Electrical Department
Fred Archer .... still photographer (uncredited)
Lucien Ballard .... assistant camera (uncredited)
William C. Mellor .... camera operator (uncredited)
William Rand .... camera operator (uncredited)
Guy Roe .... assistant camera (uncredited)
Costume and Wardrobe Department
Eugene Joseff .... costume jeweller (uncredited)
Music Department
Rudolph G. Kopp .... composer: additional music (uncredited)
Arthur Lange .... composer: additional music (uncredited)
Other crew
Jean Negulesco .... technical director (uncredited)

Production CompaniesDistributors

Additional Details

Also Known As:
80 min
Black and White (partially tinted)
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (Western Electric Noiseless Recording)

Did You Know?

Some prints of film have blue-tinted night scenes.See more »
Boom mic visible: When Bunny and Stephen, carrying his javelins, after arriving back unexpectedly from his trip to the Olympics, go into the next room, a large shadow of the boom microphone can be seen moving on the doorway and wall behind it.See more »
Bunny West:1. Am I a pal or am I a pal?
Gerald Gray:2. I don't know which
See more »
Movie Connections:
Remake of Good and Naughty (1926)See more »
This Is the NightSee more »


This FAQ is empty. Add the first question.
THIS IS THE NIGHT (Frank Tuttle, 1932) ***, 19 January 2014
Author: MARIO GAUCI ( from Naxxar, Malta

Cary Grant's film debut (which I now watched on the 110th anniversary of his birth) is hardly ever discussed but, recently, a fellow American movie-buff friend of mine rated it a startling ***1/2 (for the record, Leonard Maltin accords it a more modest **1/2 in his guide) and I also found it listed in the "Wonders In The Dark" website's poll of the "All- Time Top 3000 Movies"!

A very typical "frothy" Paramount effort from this era, and one that obviously apes the famed Lubitsch touch then in full force (even going so far as to borrow two of his alumni for the male leads, namely Charlie Ruggles and Roland Young). Grant is a singing javelin-thrower(!) married to Thelma Todd (who is constantly getting her clothes caught in doors and torn clean off her!); the latter has a fling with bachelor Young (this emanates from an era where the audience did not question the considerable age difference in a relationship – but, then, an older Grant would often be guilty of that as well!) and, when caught by Grant, pal Ruggles invents a wife for Young which Grant then asks to meet! They all end up on vacation in Venice (also partly the setting of Lubitsch's masterpiece TROUBLE IN PARADISE, made the same year and also featuring Ruggles!) with down-on-her-luck actress Lily Damita filling the part of devoted spouse to Young.

While the woman's supposed charms did not brush off on me (this is the first I have ever seen of her), the same cannot be said of her co-stars, all of whom vie for her attentions at some point or another – or, for that matter, the likes of Michael Curtiz and Errol Flynn who would make her their wife in real life (though both marriages ended in divorce)! Anyway, while the film definitely has a style and sophistication to it (not entirely typical of director Tuttle, whose forte would eventually be hard-boiled thrillers), the intermittent songs – another shameless borrowing from Lubitsch (not to mention Rene' Clair) – do come off as forced and a regrettable intrusion! The situations, while hardly inspired, are mostly engaging and the whole offers an entertaining ride despite finding all concerned not quite in their best form. Here, too, the use (or, should I say, misuse) of Italian comes into play – especially when Ruggles tries to leave Damita's room via a ladder on the point of being removed by a couple of local policemen and, consequently, falls into the canal below and is taken by the representatives of the law for a burglar, Grant, however, intercedes and, when he tells them Ruggles is actually the lady's lover, the two "guardie" burst into a litany of pardons (love, apparently, does conquer all) – which causes Ruggles to subsequently dub them "the 'Scusi' brothers"!

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