Thirteen women who were schoolmates send to a swami for their horoscopes. Little do they realize that Ursula, a half-breed Asian, is using her hypnotic powers over the swami and them to ... See full summary »
Jenny Wren coerces banker Priam Andes to have a dinner party at his shorefront estate Crestwood, and instructs him to invite three other men, each of whom she plans to extort money from. ... See full summary »
Englishmen race to find the tomb of Genghis Khan. They have to get there fast, as the evil genius Dr. Fu Manchu is also searching, and if he gets the mysteriously powerful relics, he and ... See full summary »
Lil works for the Legendre Company and causes Bill to divorce Irene and marry her. She has an affair with businessman Gaerste and uses him to force society to pay attention to her. She has ... See full summary »
In 1898, composer Sid Barnett manages to get his sweetheart, Adeline the beer-garden singer, to sing the lead in his new Broadway operetta; this infuriates Elysia, the erstwhile star. But ... See full summary »
A wealthy but neurotic Southern belle finds herself trapped in the hideout of a gang of vicious bootleggers. The gang's leader lusts after her, and is determined not to let anything stand in the way of his having her.
Jack La Rue
13 years before the movie opens, there was a dinner party, at which the 13th guest failed to show up. The master of the manner has died, and left the bulk of his estate to this 13th guest, ... See full summary »
J. Farrell MacDonald
A popular young student finds herself accused of a series of murders that have occurred on the college campus. Her boyfriend, a reporter for the local newspaper, knows she didn't do it, and and sets out to prove her innocence and catch the real killer.
J. Farrell MacDonald
Thirteen women who were schoolmates send to a swami for their horoscopes. Little do they realize that Ursula, a half-breed Asian, is using her hypnotic powers over the swami and them to lead them or their families to their deaths. It seems that she too went to their school, but was forced to leave by their bigotry, and is exacting revenge. Will she be stopped in time to save Laura's son, Bobby? Written by
Robert Tonsing <firstname.lastname@example.org>
Zita Johann disliked what she considered some of the more tawdry aspects of the script and asked and received her release from her RKO contract. See more »
After the swami falls in the subway, a passenger train passes by. The bell on top is ringing, but it makes no sound. Perhaps the bell was turned off, like a telephone ringer, because that person does not want to be disturbed. See more »
Irene Dunne vs. Myrna Loy square off in a terror train.
This fascinating, hypnotic RKO 'A' film bombed so badly that the studio withdrew it from release, chopped out 15 minutes (from 74 to 59), and disposed of it on the bottom end of double bills. The question is: Why?
Even after 70 years, "Thirteen Women" is an eerie, lushly produced thriller that provides more genuine chills than in any of today's counterparts. For movie buffs, the real treat is seeing Irene Dunne and Myrna Loy (both of whom within a year or two would emerge as two of Hollywood's most bankable and respected leading ladies) slumming in a nasty pre-Code creeper about a half-caste sorority girl (Loy) who enlists the aid of a sinister spiritualist to exact revenge on the prejudiced campus "ladies" who expelled her from their club a few years earlier. One by one, and by devious means, Loy (still playing slant-eyed fiends, but not for much longer, thank God!)meticulously plots and carries out the not-for-the-squeamish deaths of her victims--until the last one alive, Irene Dunne, happily married with an adorable young son, remains her sole surviving target. After her plans to poison the toddler go awry, Loy goes bonkers and boards the train where the police (it certainly takes them long enough to figure out what's going on) have secreted Dunne until they apprehend Loy. The climax--with a dagger-wielding Loy chasing the terrorized Dunne through one car to the next--is a corker--meticulously copied and working equally well a half a century later in the climax of "Terror Train" (with Jamie Lee Curtis duking it out with a transvestite psycho). Even chopped to 59 minutes, "Thirteen Women" is still a landmark horror film. The most baffling mystery is why audiences rejected it in 1932. Perhaps it was ahead of its time. Depression-era loved mysteries--but uncensored exercises in sheer terror like "Thirteen Women" were too scary for comfort (even today, it provokes an unsettling series of shocks that make it the "Psycho" of the '30s--and even the "Psycho" of 30 years later had to overcome initial critical pans before audiences pounced on it and lapped up every sick, terrifying minute.) Hopefully, the 15 minutes a worried RKO cut from the original prints of "Thirteen Women" will be discovered and restored so we may someday see this unexpected treasure as it was intended to be seen. Meanwhile, even the expurgated version (shown occasionally on Turner Classic Movies--check the listings) is as dazzling and brazen a shocker Hollywood turned out in the early 1930s--before the Hayes Office took over and thwarted any further movie from going as gleefully and sadistically over-the-top as the delicious "Thirteen Women." (Even MGM had to severely edit "Freaks" to placate horrified censors and audiences.)
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