IMDb > They Call It Sin (1932)
They Call It Sin
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They Call It Sin (1932) More at IMDbPro »

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Overview

User Rating:
6.4/10   398 votes »
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Popularity: ?
Up 13% in popularity this week. See why on IMDbPro.
Director:
Writers:
Alberta Stedman Eagan (based on a novel by)
Lillie Hayward (screen play) ...
(more)
Contact:
View company contact information for They Call It Sin on IMDbPro.
Release Date:
5 November 1932 (USA) See more »
Genre:
Plot:
With time on his hands during a business trip, Jimmy Decker (who's engaged to his boss's daughter) romances small-town church organist Marion Cullen... See more » | Add synopsis »
User Reviews:
They left the sin on the cutting room floor See more (20 total) »

Cast

  (in credits order) (verified as complete)

Loretta Young ... Marion Cullen

George Brent ... Dr. Travers

Una Merkel ... Dixie Dare
David Manners ... Jimmy Decker

Helen Vinson ... Enid Hollister

Louis Calhern ... Ford Humphries
Joseph Cawthorn ... Mr. Hollister (as Joe Cawthorne)

Nella Walker ... Mrs. Hollister
Elizabeth Patterson ... Mrs. Cullen

Erville Alderson ... Mr. Cullen
rest of cast listed alphabetically:

Irving Bacon ... First Hotel Clerk (uncredited)
Marion Byron ... Soda Jerk (uncredited)

Roscoe Karns ... Brad - Rehearsal Director (uncredited)
John Marston ... Doctor (uncredited)
Miki Morita ... Moto - Decker's Butler (uncredited)
Clarence Nordstrom ... Singer (uncredited)
Bradley Page ... Ford's Nightclub Friend (uncredited)

Bert Roach ... Mr. Goodrich (uncredited)
Gloria Shea ... Humphries' receptionist (uncredited)

Frank Sheridan ... Police Chief (uncredited)
Sheila Terry ... Telephone Operator (uncredited)
Dorothy Coonan Wellman ... Chorus Girl (uncredited)

Directed by
Thornton Freeland 
 
Writing credits
Alberta Stedman Eagan (based on a novel by)

Lillie Hayward (screen play) &
Howard J. Green (screen play)

Produced by
Hal B. Wallis .... producer (uncredited)
 
Cinematography by
James Van Trees (photography)
 
Film Editing by
James Gibbon 
 
Art Direction by
Jack Okey 
 
Costume Design by
Orry-Kelly (gowns)
 
Music Department
Leo F. Forbstein .... conductor: Vitaphone Orchestra
 
Crew verified as complete


Production CompaniesDistributors

Additional Details

Also Known As:
Runtime:
69 min
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Certification:
USA:Approved (PCA #2639-R, 3 September 1936 for re-release)

Did You Know?

Trivia:
Early in the film, Loretta Young's character refers to herself as "just a farmer's daughter." Fifteen years later, Miss Young won an Oscar for "The Farmer's Daughter."See more »
Quotes:
Dr. Tony Travers:[to Jimmy] ... If you're going to insist on being a jackass, I'm going to turn your case over to a veterinary.See more »
Soundtrack:
Where Are You?See more »

FAQ

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3 out of 4 people found the following review useful.
They left the sin on the cutting room floor, 25 October 2013
Author: judy t from United States

The film's title, taken from a popular novel of the day, is misleading as there's no sin on display, unless you think Una Merkel in her undies is censorable. This is one of the 4 films on Forbidden Hollywood Vol 4, and the provocative title led me to expect a story of unwed motherhood, ala Constance Bennett, and so I came close to not watching it. But luckily I did pop it into the DVD player.

The film has an interesting script that doesn't go where you think it will and the 3 male leads, who are all vying for the love of Loretta, even the suave Calhern before he turns vindictive, are likable. Despite 2 unbelievable episodes - Loretta's confession followed by Calhern's confession - my enjoyment of this film remained intact. And the major deliverer of enjoyment is Loretta. No wonder 3 men are in love with this beautiful, talented songwriter, who is also very nice. But there's more to Loretta's character than a pretty face, talent, and a sweet disposition. This girl has confidence, courage, and determination, just what a cinema role model should possess, which apparently are qualities Loretta possessed off screen as well, qualities that raised her from ingenue to star. While Loretta's expressive face is good to look at, with the fresh and lively dialogue written for her, she's good to listen to as well. And it was a pleasure to see Loretta behave well under the onslaught of various shocks and setbacks. Happily, in the end, due to our heroine's abundance of common sense and goodness, she won for herself a worthy husband, and, I feel certain, regained ownership of her hit song.

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