A businessman's daughter runs away from an arranged marriage, only to find herself penniless and suspected of theft after she becomes the victim of a bag thief in the train. When she ... See full summary »

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(story) (as Hermann Kosterlitz), (story) | 3 more credits »
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Cast

Cast overview:
...
Owen Nares ...
Max
Carol Goodner ...
Jerry Verno ...
Clark - the chauffeur
Mignon O'Doherty ...
Mme. Duchaine
Roland Culver ...
Jacques
Carroll Gibbons ...
Himself - Leader, Savoy Orpheans
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Storyline

A businessman's daughter runs away from an arranged marriage, only to find herself penniless and suspected of theft after she becomes the victim of a bag thief in the train. When she refuses to tell him who she really is, her accuser decides to take her home where he can keep an eye on her until 12 o'clock the next day, the time at which she has calculated that it will be safe to tell the truth! But when his fiancée arrives unexpectedly and then his 'guest' is mistaken for her, it all gets rather embarrassing... Written by Igenlode Wordsmith

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Release Date:

13 January 1933 (UK)  »

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(RCA Photophone)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Film debut of David Niven. See more »

Quotes

[doorbell rings]
Max: It's her!
Annette Marquand: Who?
Max: My fiancée!
[They look out of the window]
Max: It's her!
Annette Marquand: So *that's* your fiancée.
Max: Yes.
Annette Marquand: There is no accounting for taste.
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Soundtracks

I'll Stay With You
(uncredited)
Composed by Fred Raymond
Lyrics by Clifford Grey
Performed by Jessie Matthews
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User Reviews

 
Lightweight frothy farce
3 March 2007 | by (England) – See all my reviews

"There goes the Bride" is essentially and simply a farce (albeit one set -- for no very clear reason -- in France). As such, the plot makes about as much sense as in any other of the many films in which the heroine proves herself irresistible by making the leading man's life a complete misery; and it contrives to be considerably less irritating than most of them.

As the pert and wilful Annette, Jessie Matthews is all big eyes and eloquent reaction; it is interesting to note that she has already established the character without any real dialogue to speak of until after the first few scenes. In fact, for an early sound film this shows a notable willingness to tell its story through visuals in addition to the laughs obtained by an often genuinely funny script; there were moments when the audience were literally shouting with laughter.

It has to be said that Miss Matthews, in her first leading screen role, sometimes overacts. If she were not already in possession of top billing one might assume that she is doing her best here to steal the show! However, it is hard to say where the actress's cinematic inexperience begins and the impudent Annette's 'putting on an act' ends; certainly her charm is more than enough to excuse any exaggeration. Conversely, Owen Nares has been criticised for lack of charisma, although I couldn't see it -- I did notice one or two flat line readings on his part that sounded as if they should have gone for a retake.

All in all I found this surprisingly good entertainment: undemanding fluff in a polished production that manages to be witty without being annoying, ridiculous without stupidity, and sneaks in a good deal of conscious naughtiness into the bargain. I'm frankly amazed that this apparently rated a 'U' rather than an 'A' ('Adult') certificate on release, as I'd have thought parts of it were quite risqué!


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