Pecos Grant rides into a strange town only to find that everyone recognizes him, not as Pecos Grant, but as a presumed-dead man named Rawlins. Even Rawlins' wife thinks her husband has come back. Pecos sets out to solve the mystery.
The Eagle uses sky writing to make threats against a corporation. Nathan Gregory owns a traveling fairground and is thought to be the Eagle. Craig McCoy is a pilot who goes looking for the Eagle when Gregory turns up missing.
B. Reeves Eason
While at West Point Denton rebuffs Evelyn Palmer who shows up later as the wife of his commanding officer in Arizona. When he takes a shine to her sister Bonita, Evelyn accuses him of ... See full summary »
John Drury saves Duke, a wild horse accused of murder, and trains him. When he discovers that the real murderer, a bad guy known as The Hawk, is the town's leading citizen, Drury arrested on a fraudulent charge.
When Texas Grant rides into town people think the supposedly dead Jim Rawlings has returned. After a confrontation with Utah Becker, Grant learns Helen Rawlings is about to lose her ranch to Becker. Grant then decides to stay and pose as Rawlings in an effort to help her. Written by
Maurice VanAuken <email@example.com>
One of over a hundred Columbia features, mostly Westerns, sold to Hygo Television Films in the 1950s, who marketed them under the name of Gail Pictures; opening credits were redesigned, with some titles misspelled, the credit order of the players rearranged, some names misspelled, and new end titles attached, thus eliminating any evidence of their Columbia roots. Apparently, the original material was not retained in most of the cases, and the films have survived, even in the Sony library, only with these haphazardly created replacement opening and end credits. See more »
In the bunkhouse scene, the inexperienced Wayne is standing too close to Wallace MacDonald and Tim Mcoy. When MacDnald moves his head unexpectedly, his hat brim bangs right in Wayne's right eye. Wayne is momentarily stunned but continues on with the scene, which was evidently not reshot. See more »
[to Texas Grant]
I don't care who you are, Honey, but i'm awfully glad you're here.
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Tim McCoy Comes Back to Town and Pretends to be himself
I agree with the previous reviewer, if you can accept a very silly premise that a man could look and talk so much like a missing rancher who's from the town he rides into than you will enjoy Texas Cyclone. And of course you can see John Wayne in support of another cowboy hero Tim McCoy.
During this short stint with Columbia Pictures Wayne did two films with Tim McCoy. Both are directed by D. Ross Lederman, both written by William Coit McDonald, and both had a whole lot of the same cast members.
Repeating his role as villain is Wheeler Oakman and John Wayne is once again a cowhand, the only one it turns out who's honest and employed by Tim McCoy's 'widow' played by Sheila Terry. We also have for the first time Walter Brennan and John Wayne working in the same film. Brennan is the sheriff and he's made up to be quite a bit older than he was at the time. This may have been the beginning of all those old codger roles that Brennan played right up to when he was one.
Of course McCoy finds that Oakman is still up to no good just like when he left and he has to deal with all the problems Oakman is causing. With John Wayne's help all things are righted in the end and the reason for McCoy's absence is explained in a very typical movie fashion.
If it wasn't such a silly plot premise, I'd give the film a notch or two higher a rating. It's not bad for a B film and the young Duke is shown to great advantage here.
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