At the Elk's Head Hotel bellhops torment the lobby, each other and guests. The elevator is powered by a stubborn horse. A sham robbery turns into a real one. And there is a chase on a ... See full summary »
Roscoe 'Fatty' Arbuckle
Roscoe 'Fatty' Arbuckle,
Al St. John
The widow Wilson and her daughter Mary have just learned that old Mr. Middleton, who held the mortgage on their home, has passed away. They are now visited by Middleton's lawyer, Cribbs, ... See full summary »
Edward F. Cline
Elmer owns a gas station out in the California desert. Soon he has a business rival in Jim, who opens up another station, and is also trying to steal Elmer's girlfriend. She plays both ... See full summary »
Star-packed promotional short subject intended to raise funds for the National Variety Artists tuberculosis sanatorium, produced in association with a cigarette company! Plot involves the ... See full summary »
Naive, bookish Professor Post (of Potts College) inherits a huge amount of money and decides that now he can afford to go out and enjoy life. He falls for a dancer in a bad stage show, and with his new money decides to buy the show and take it to Broadway. Will the Professor prove too nice to succeed in show business? Or will he triumph over bill-collectors, critics, and sexy vamp Eleanor Espere? Written by
Ken Yousten <firstname.lastname@example.org>
Despite an onscreen copyright statement, a copyright was never registered; the movie is in the Public Domain. See more »
While Professor Post (Buster Keaton) is dragged by the train, clutching his luggage, his hat flies off and he is unable to grab it. In the next shot, his hat is once again firmly on his head. See more »
Fascinating for Keaton Fans, Unwatchable for Others
There have been a lot of very perceptive comments made by previous reviewers and I don't have much to add.
I have to agree with those who said it was a rather flat comedy with flashes of wit and charm.
Keaton gives an interesting performance as Professor Post. It seems a bit of a parody on Harold Lloyd, but also a precursor to Danny Kay's professor character. The movie is wise when it centers itself around him, but it seems that the scriptwriter wrote it for Keaton to improvise wildly, only to find Keaton sticking to the script. I imagine there was some tension between him and the director, with Keaton simply giving in and following the director's orders.
Thelma Todd stands out. She lights up the screen and exudes a knowing sophistication that only a few other actresses (Jean Harlow, Mae West and Katherine Hepburn) reached.
Again, I don't think that anybody but Buster Keaton fans will enjoy the movie and only Buster Keaton fans will have a few laughs out of it.
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