5.7/10
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5 user 1 critic

The Son-Daughter (1932)

Passed | | Drama | 23 December 1932 (USA)
A large group of Chinese immigrants in San Francisco is clandestinely donating whatever money they earn to smuggle arms into China for the rebels in their fight against the centuries old ... See full summary »

Directors:

, (uncredited)

Writers:

(screen play) (as John Goodrich), (screen play) | 3 more credits »
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Cast

Complete credited cast:
...
...
Tom Lee
...
Dr. Dong Tong
...
Fen Sha
...
Fang Fou Hy
Louise Closser Hale ...
Toy Yah
...
Sin Kai
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Storyline

A large group of Chinese immigrants in San Francisco is clandestinely donating whatever money they earn to smuggle arms into China for the rebels in their fight against the centuries old Manchurian imperial oppressors. The secrecy of their mission is to hide their identities from anyone supporting the imperial regime. One of the immigrants supporting the rebels is Dr. Dong Tong. His only offspring, the demure Lien Wha, who also supports the cause, is in love with poor university student, Tom Lee, the two who, after meeting formally, want to get married, which Dr. Tong supports. However, Dr. Tong learns that the rebel backers are short $100,000 for the latest shipment of arms, and are asking the four men within the group with eligible daughters to donate $25,000 apiece, that money to be raised by selling their daughters into marriage to a wealthy buyer. Dr. Tong is one of the four, Lien Wha the daughter to be sold. Simultaneously, Dr. Tong learns of Tom's true identity as the son of ... Written by Huggo

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Passed
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Details

Country:

Language:

Release Date:

23 December 1932 (USA)  »

Also Known As:

Canção do Oriente  »

Box Office

Budget:

$423,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
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Trivia

The play opened in New York City, New York, USA on 19 November 1919 and had 223 performances. Writer George Scarborough filed a lawsuit against M-G-M over alterations in his play, but the outcome of the suit has not been determined. See more »

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User Reviews

Outdated melodrama that is still atmospheric and entertaining
23 December 2002 | by (Columbus OH) – See all my reviews

The setting is Chinatown in 1911. Residents are split over the revolution that is happening back in China. Some are supporting the revolutionaries by sending money and supplies, while others, loyal to the Emperor, are taking measures to stop such aid. Lewis Stone is Dr. Dong Tong, who has already given all he can to the revolutionaries, but he is pressured to give more. Stone's daughter, Helen Hayes, has fallen in love with young Tom Lee (Ramon Novarro), who we later discover is actually a revolutionary in exile (I think; this plotpoint was a bit blurry, but he's definitely a "good guy"). Stone approves of the match, but when the need to raise money becomes urgent, he decides he has to auction Hayes off as a bride to the highest bidder. She is shocked at first, but gives in to help her father. Warner Oland is a cruel Royalist who winds up buying Hayes. When she finds out that Oland is involved in some theft and murders that have affected her family, she exacts her own form of revenge.

The movie looks good, ripe with shadowy and exotic atmosphere. Virtually every major character is Chinese, but all are played by Caucasian actors. Once you get used to this, it's not terribly distracting, except in the case of Hayes; it never feels like she's really into the part, and to compensate, she overacts the general passivity of her character (until the last half when the character shows that she is made of stronger stuff). Navarro seems more vaguely "foreign" rather than Chinese, but he is handsome here and is very good, the best acting I've seen from him in a talkie. The real affront here for many modern viewers won't be the outdated use of non-Chinese actors, but the fact that Hayes is constantly apologizing to Stone for being a daughter rather than a son. I realize it's a reflection of real cultural values, but still it is bothersome when Hayes does take control near the end, she does it not as a strong woman, but as, in her words, a "son-daughter." If you can get past that, there is some old-fashioned charm and atmopshere to be had in this melodrama.


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