Aspirations and the lives of several people working at the gigantic Seacoast National Bank Building interweave in various plots. The most notable character is David Dwight, the womanizing bank owner who keeps his estranged wife happy by paying for her extravagant globetrotting. Dwight's long time secretary Sarah yearns for them to divorce so her affair with him can be legitimized. Sarah shows her good side by playing mother to the young innocent Lynn Harding, who she employs as an assistant. Beautiful Miss Harding is relentlessly pursued by extroverted bank teller Tom Sheppard, but he is frustrated when Dwight lures her away with power and wealth. Then Dwight ruins everyone's finances in a successful bid to get full control of his skyscraper by manipulating the company's stock price. Now there doesn't appear to be anyone who can prevent the power monger from taking advantage of the ingenue Harding-or is there? Written by
Gary Jackson <firstname.lastname@example.org>
Skyscraper Souls is a witty and provocative look at business in the 1930's
Skyscraper Souls is a witty and provocative look at business in the early 1930's. Full of risque and snappy comments, the movie is a fascinating look at a building and how its builder worked to keep it.
The cast is brilliant led by Warren William as an astute but unscrupulous banker. Verree Teasdale is very sharp as Williams' lovely adminstrative aide. Her mature attitude towards Williams' advances is a highlight of the picture. She accepts that she will never be his wife, even though she loves him. He is too busy maintaining appearences, even though his wife and he are never together. Hedda Hopper is delightful as the wife who maintains a relationship from another continent, but comes to see William for money from time to time.
A subplot involving Maureen O'Sullivan and Norman Foster is rather annoying.
There is social commentary here as the workers in the building attempt to make a living while the big businessmen play with millions of dollars.
The movie is sexy too. A scene with Jean Hersholt and Anita Page is very suggestive as are some scenes with Warren William and Verree Teasdale.
Overall, the movie is very interesting and moves very quickly.
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