The Sign of the Cross
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1 item from 2014


Sin City: A Dame to Kill | Review

21 August 2014 5:30 PM, PDT | ioncinema | See recent ioncinema news »

Love the Sinner: Miller & Rodriguez Bring Back Hyperstylized Noir with Mixed Results

It has been almost a decade since the visually innovative Sin City thrummed into theaters, cloaked in lascivious shades of film noir nightmares. In between now and then, co-director and creator Frank Miller stepped out on his own in 2008 with The Spirit, an abysmal record of why perhaps Robert Rodriguez was a necessary cohort to return on the sequel, Sin City: A Dame to Kill For. Suffering from the regular pitfalls of the overly ambitious sequel, this chapter will surely disappoint those hoping to experience the same level of creative vicissitudes because this go round is a brittle, wearied tethering of varied storylines. But, imperfect their latest creation may be, it isn’t without significant entertainment value. As cheaply as it tends to favor its multitudinous women, doling out an equal helping of misogyny with its crackpot male fantasy version of empowered females, »

- Nicholas Bell

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