The first part tells the story of Moses leading the Jews from Egypt to the Promised Land, his receipt of the tablets and the worship of the golden calf. The second part shows the efficacy ... See full summary »
Cecil B. DeMille
Charles de Rochefort,
Four passengers escape their bubonic plague-infested ship and land on the coast of a wild jungle. In order to reach safety they have to trek through the jungle, facing wild animals and attacks by primitive tribesmen.
Cecil B. DeMille
Bea Pullman and her daughter Jessie have had a hard time making ends meet since Bea's husband died. Help comes in the form of Delilah Johnson, who agrees to work as Bea's housekeeper in ... See full summary »
After burning Rome, Emperor Nero decides to blame the Christians, and issues the edict that they are all to be caught and sent to the arena. Two old Christians are caught, and about to be hauled off, when Marcus, the highest military official in Rome, comes upon them. When he sees their stepdaughter Mercia, he instantly falls in love with her and frees them. Marcus pursues Mercia, which gets him into trouble with Emperor (for being easy on Christians) and with the Empress, who loves him and is jealous. Written by
John Oswalt <email@example.com>
A gorilla is seen menacing a chained Christian woman in the arena but in reality gorilla's where not seen until 1856-59 when explorer Paul Du Chaillu became the first westerner to see a live gorilla during his travel through western equatorial Africa . See more »
My head is splitting... the wine last night, the music... the delicious debauchery!
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Christian Hymn No.1
Music and Lyrics by Rudolph G. Kopp
Sung a cappella by Christians at the meeting
Reprised by them after their capture and at the arena
Sung a cappella by Elissa Landi and Tommy Conlon
Played and sung offscreen at the end See more »
The Sign of the Cross is clearly a movie about the Roman way of living more than the virtues of Christianity. There are scenes of graphic violence, debauchery and nudity as well as overtones of lesbianism - intermingled with scenes displaying the morality of Christian followers. It is a movie which perhaps the Christian community of that time would have been proud of. The character of Mercia (Elissa Landi) is portrayed as a Christian martyr whose sole aim in life is to follow her faith.
On the other hand, there are too many scenes in which Cecil B DeMille lets his imagination run riot and too many beautifully portrayed characterizations of evil for this film to be a religious film. It plays like a biblical epic but its content is very different from its silent predecessors. The characterizations of Poppaea (Claudette Colbert) and Emperor Nero (Charles Laughton) are perfectly realised as a personification of evil. The scenes of brutality in the arena and scenes during Marcus' (Frederic March) banquet leave us without doubt that this movie is for the voyeur.
The direction by De Mille is inspired, as are Laughton and Colbert's performances. However, Frederic March has the difficult task of standing up to these two egos as well as acting alongside an ineffective leading lady. It is not surprising that his performance suffers because of this.
Overall, the movie is very interesting because of the era it was made in, because of the wonderful direction, and because it has stood the test of time - it can still shock audiences now!
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