The first part tells the story of Moses leading the Jews from Egypt to the Promised Land, his receipt of the tablets and the worship of the golden calf. The second part shows the efficacy ... See full summary »
Cecil B. DeMille
Charles de Rochefort,
Angela and Bob Brooks are an upper class couple. Unfortunately, Bob is an unfaithful husband. But Angela has a plan to win back her husband's affections. An elaborate masquerade ball is to ... See full summary »
Lieutenant Niki of the Austrian royal guard has a new girlfriend, Franzi. He's crazy about her and is smiling at her while on duty in the street. King Adolf and his daughter Princess Anna ... See full summary »
Four passengers escape their bubonic plague-infested ship and land on the coast of a wild jungle. In order to reach safety they have to trek through the jungle, facing wild animals and attacks by primitive tribesmen.
Cecil B. DeMille
Jim Wyngate, an English aristocrat, comes to the American West under a cloud of suspicion for embezzlement actually committed by his cousin Lord Henry. In Wyoming, Wyngate runs afoul of ... See full summary »
Cecil B. DeMille
Jerry Stafford, a businessman, is in love with his secretary but she deserts him for another man. When she realizes her mistake, she goes back to him. Doris Brown is her girlfriend who is in love with a man named Monty Dunn.
After burning Rome, Emperor Nero decides to blame the Christians, and issues the edict that they are all to be caught and sent to the arena. Two old Christians are caught, and about to be hauled off, when Marcus, the highest military official in Rome, comes upon them. When he sees their stepdaughter Mercia, he instantly falls in love with her and frees them. Marcus pursues Mercia, which gets him into trouble with Emperor (for being easy on Christians) and with the Empress, who loves him and is jealous. Written by
John Oswalt <email@example.com>
Fredric March was "hit on" by Charles Laughton, who most people in the film business knew was gay, during the filming of this picture. March recalled to writer Lawrence Quirk that Laughton always made him very nervous and uncomfortable, especially when he used to try to look up his toga. See more »
In the Coliseum, we see a woman tied up and is at the mercy of a gorilla. Europeans had no knowledge of gorillas' existence until more than 15 centuries later. See more »
[the Empress, soaking naked in a tub of ass's milk and calling to her handmaiden]
Dacia, you're a butterfly with the sting of a wasp. Take off your clothes. Get in here and tell me all about it.
See more »
Christian Hymn No.1
Music and Lyrics by Rudolph G. Kopp
Sung a cappella by Christians at the meeting
Reprised by them after their capture and at the arena
Sung a cappella by Elissa Landi and Tommy Conlon
Played and sung offscreen at the end See more »
"The Sign of the Cross" was originally a play by Wilson Barrett, who had bought the English rights to "Quo Vadis" from Henrik Sienkiewicz and shortened and simplified the plot. My great-grandfather William Haggar's theatrical company performed the play in the 1890s, changing the title to "The Shadow of the Cross" to avoid having to pay a copyright fee of £3 3s. per performance. When William went into making films to show to his own audiences on the fairgrounds, after three years of gradually lengthening films, in 1904 he made "The Sign of the Cross", in an epic 700 feet (lasting about 11 minutes), which A.C. Bromhead, the founder of Gaumont-GB, later recalled, in a lecture to the British Kinematograph Society, amazed everyone by its length. William's film was then duped and shown in the USA in 1905 by Sigmund Lubin. For a biography of William Haggar and more details of his film career, see my book, "William Haggar, fairground film-maker", to be published in May 2007 by Accent Press Ltd., and visit www.williamhaggar.co.uk
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