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The Sign of the Cross (1932)

Passed  -  Drama | History  -  10 February 1933 (USA)
7.0
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Ratings: 7.0/10 from 1,323 users  
Reviews: 55 user | 14 critic

A Roman soldier becomes torn between his love for a Christian woman and his loyalty to Emperor Nero.

Director:

(as Cecil B. De Mille)

Writers:

(screen play), (screen play), 3 more credits »
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Title: The Sign of the Cross (1932)

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Nominated for 1 Oscar. See more awards »
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Cast

Cast overview, first billed only:
...
Marcus
...
...
...
Ian Keith ...
Arthur Hohl ...
Titus
Harry Beresford ...
Favius
Tommy Conlon ...
Stephan
Ferdinand Gottschalk ...
Vivian Tobin ...
William V. Mong ...
Licinius
Joyzelle Joyner ...
Ancaria (as Joyzelle)
Richard Alexander ...
Viturius
...
Strabo
Clarence Burton ...
Servillius
Edit

Storyline

After burning Rome, Emperor Nero decides to blame the Christians, and issues the edict that they are all to be caught and sent to the arena. Two old Christians are caught, and about to be hauled off, when Marcus, the highest military official in Rome, comes upon them. When he sees their stepdaughter Mercia, he instantly falls in love with her and frees them. Marcus pursues Mercia, which gets him into trouble with Emperor (for being easy on Christians) and with the Empress, who loves him and is jealous. Written by John Oswalt <jao@jao.com>

Plot Summary | Add Synopsis

Plot Keywords:

nero | soldier | empress | arena | cat | See All (68) »

Taglines:

A picture which will proudly lead all the entertainments the world has ever seen

Genres:

Drama | History

Certificate:

Passed | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

10 February 1933 (USA)  »

Also Known As:

Im Zeichen des Kreuzes  »

Filming Locations:

 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(without intermission)

Sound Mix:

(Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
See  »
Edit

Did You Know?

Trivia

One of over 700 Paramount productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by MCA ever since. The 1944 re-release version was chosen for this television package and was not replaced with the original uncut version until the 1990's. See more »

Goofs

In the Coliseum, we see a woman tied up and is at the mercy of a gorilla. Europeans had no knowledge of gorillas' existence until more than 15 centuries later. See more »

Quotes

[the Empress, soaking naked in a tub of ass's milk and calling to her handmaiden]
Poppaea: Dacia, you're a butterfly with the sting of a wasp. Take off your clothes. Get in here and tell me all about it.
See more »

Connections

References Whence Does He Come? (1901) See more »

Soundtracks

Ancaria's Song and Dance (The Naked Moon)
(1932) (uncredited)
Music by Rudolph G. Kopp
Lyrics by Sidney Buchman
Played at the orgy and danced and sung by Joyzelle Joyner
See more »

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User Reviews

 
Wonderful film
16 March 2004 | by (United States) – See all my reviews

First, this film is high camp. One need only know some of the backstage events to know that all the actors had a great deal of fun in making the film. March tells in his biography that Claudette Colbert spurned his attempts to flirt by chewing several garlic cloves before each close up between the two of them. The famed Chicago World's Fair fan dancer Sally Rand has an uncredited role (according to her family members) as the woman who is about to have her head bitten off by an alligator near the end. There is a close up of Sally's face. With such goings-on, what's not to like here?

I found Fredric March as Marcus Superbus (the Prefect of Rome and man upon whom Empress Poppea has her eyes) convincingly full of himself through the first three quarters of the film. He shows a believable change of heart towards the end. Colbert is charmingly over-the-top as Poppea, as is Charles Laughton, who plays Nero. The ingenue Christian girl, Mercia, is played with restraint by Elissa Landi. While this may make her seem to be overshadowed by Colbert, Marcus states that he is "tired" of overpowering patrician women and, thus, Landi's cool understatement entrances him.

Despite the violence, which is standard fare in tales about early Christians in Rome, there are moments of good acting, not only by the main characters, but by the bit players. Some of the group scenes and interactions among the Christians as they await the arena are well-played, indeed.

There is nothing to dismiss here. At very least, the film is worth a viewing as a landmark epic sporting some of the Hollywood elite of the mid-1930s.


18 of 27 people found this review helpful.  Was this review helpful to you?

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