Ryoichi and Chikako are brother and sister. They live together. Chikako works during the day in a office and at night she prostitutes herself to fund her brother studies in univesity. ... See full summary »
In post-war Japan, a man brings a lost boy to his tenement. No one wants to take the child for even one night; finally, a sour widow, Tané, does. The next day, complaining, she takes the ... See full summary »
In 1923, in the province of Shinshu, the widow and simple worker of a silk factory Tsune Nonomiya (O-Tsune) decides to send her only son to Tokyo for having a better education. Thirteen ... See full summary »
An affluent medical professor, Komiya, and his bossy wife, Tokio, are to look after Setsuko, their high-spirited niece from Osaka. Setsuko is a liberated woman who does what she wants, ... See full summary »
Ozu revisits the dichotomy between schoolboy idealism and working world realities, this time focusing on four college friends, one of whom (Tatsuo Saito) happens to be the son of a corporate executive; the son takes over upon his father's death, and his friends come seeking employment. Their friendship clearly isn't the same under this new working relationship, the subordinates become yes-men to the point that one of them says nothing when Saito casts an eye on his fiance. This leads to a climax even more violent than those of A HEN IN THE WIND or THE MUNEKATA SISTERS, a minute-long beating served by one friend to another that is all the more stunning in that the other two friends passively look on. Startlingly raw and deeply unresolved, this is perhaps Ozu's most disturbing exploration of social inequality and the damage it unleashes even among the most loyal friends.
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