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Secrets of the French Police (1932)

Passed  -  Crime  -  2 December 1932 (USA)
5.8
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Ratings: 5.8/10 from 121 users  
Reviews: 8 user | 5 critic

A burglar is recruited to aid the police in finding his kidnapped girlfriend, a lovely but impoverished flower girl. Meanwhile, a deranged Russian emigre has been claiming that his ward is ... See full summary »

Director:

(as Edward Sutherland)

Writers:

(screen play), (screen play), 1 more credit »
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Title: Secrets of the French Police (1932)

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Cast

Complete credited cast:
Gwili Andre ...
Gregory Ratoff ...
Han Moloff
...
François St. Cyr
John Warburton ...
Leon Renault
Rochelle Hudson ...
K-31
Christian Rub ...
Anton Dorain
Murray Kinnell ...
Bertillon
Arnold Korff ...
Grand Duke Maxim
Kendall Lee ...
Rena Harka
Lucien Prival ...
Lomzoi
Guido Trento ...
Count de Marsay
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Storyline

A burglar is recruited to aid the police in finding his kidnapped girlfriend, a lovely but impoverished flower girl. Meanwhile, a deranged Russian emigre has been claiming that his ward is actually Princess Anastasia, last survivor of the Tsar's family--but she seems to behave strangely in the presence of flowers. Written by David S. Smith

Plot Summary | Add Synopsis

Taglines:

This marble image that was once a living form. See more »

Genres:

Crime

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

2 December 1932 (USA)  »

Also Known As:

Os Segredos da Polícia Francesa  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Photophone System)

Aspect Ratio:

1.37 : 1
See  »

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User Reviews

a good look at Gwili Andre
27 October 2014 | by (United States) – See all my reviews

Gwili Andre looked like a cross between Joan Crawford and Myrna Loy with hints of Garbo and Dietrich, but with none of their magnetism or acting ability. All four of those superstars evolved over several years before they achieved the look and manner by which we know them today. Andre, one of the more notable Hollywood career failures of the early talkie era, was just a hastily packaged commodity meant to resemble others, but with no substance. Perhaps if she had been given more chances she might have developed into a competent performer, but instead she faded out almost as quickly as she came in, dying in obscurity in 1959.

Andre's presence is the major object of interest in this routine crime drama. Otherwise, there is Gregory Ratoff in one of his rare incarnations as a cold-blooded villain—specifically, a dastardly Russian émigré who kidnaps flower girl Andre off the streets of Paris and hypnotizes her into believing she is the missing Grand Duchess Anastasia in order to convince exiled Russian nobility that she is the real deal and walk off with the loot from her inheritance as the only surviving member of the Tsar's immediate family. Ratoff has a deeply menacing, inhuman quality that reminds one of Bela Lugosi in "Dracula" or "White Zombie," particularly in conjunction with his domination of entranced and attractive young females.

The versatile Frank Morgan plays one of the police of the title and chain smokes his way through the film.

Near the end there is a well-staged auto crash which reminds us how far automobile construction has come since the days of steel chassis and brittle glass windows.


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