IMDb > Scarface (1932)
Scarface
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Scarface (1932) More at IMDbPro »

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Scarface -- Generally regarded to be the best of the classic gangster films, Scarface tells the exciting story of organized crime's brutal control over Chicago during the Prohibition era.

Overview

User Rating:
7.8/10   18,220 votes »
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Up 7% in popularity this week. See why on IMDbPro.
Directors:
Writers:
Armitage Trail (novel)
Ben Hecht (screen story)
(more)
Contact:
View company contact information for Scarface on IMDbPro.
Release Date:
9 April 1932 (USA) See more »
Plot:
An ambitious and near insanely violent gangster climbs the ladder of success in the mob, but his weaknesses prove to be his downfall. Full summary » | Full synopsis »
Plot Keywords:
Awards:
2 wins See more »
NewsDesk:
(17 articles)
Review: 'Boardwalk Empire' - 'Devil You Know'
 (From Hitfix. 12 October 2014, 7:00 PM, PDT)

Watch ‘Pre-Code’ Hollywood films on TCM all month
 (From SoundOnSight. 3 September 2014, 8:24 PM, PDT)

Pre-Code Classics Coming to TCM
 (From Thompson on Hollywood. 2 September 2014, 3:54 PM, PDT)

User Reviews:
Muni, Robinson and Cagney See more (276 total) »

Cast

  (in credits order) (verified as complete)

Paul Muni ... Tony

Ann Dvorak ... Cesca
Karen Morley ... Poppy
Osgood Perkins ... Johnny Lovo
C. Henry Gordon ... Inspector Guarino

George Raft ... Rinaldo
Vince Barnett ... Angelo

Boris Karloff ... Tom Gaffney
Purnell Pratt ... Publisher

Tully Marshall ... Managing Editor
Inez Palange ... Tony's Mother

Edwin Maxwell ... Detective Chief
rest of cast listed alphabetically:
Henry Armetta ... Pietro - Barber (uncredited)
Gus Arnheim ... Orchestra Leader (uncredited)
Eugenie Besserer ... Citizens Committee Member (uncredited)
Maurice Black ... Jim - Headwaiter (uncredited)
William Burress ... Judge (alternate ending) (uncredited)

Gino Corrado ... Waiter at Columbia Cafe (uncredited)
Virginia Dabney ... Mabel (uncredited)
William B. Davidson ... Citizens Committee Member (uncredited)
James Durkin ... Newspaper Man (uncredited)
Eddie Fetherston ... Reporter (uncredited)

Paul Fix ... Hood with Gaffney (uncredited)
Francis Ford ... Prison Guard (alternate ending) (uncredited)
Gus Arnheim and His Orchestra ... Paradise Club Orchestra (uncredited)

Jean Harlow ... Blonde at Paradise Club - Cameo appearance in nightclub (uncredited)

Howard Hawks ... Man on Bed (uncredited)
Brandon Hurst ... Citizens Committee Member (uncredited)
John Kelly ... One of Costillo's Hoods (uncredited)
Hank Mann ... Stag Party Janitor (uncredited)
Dennis O'Keefe ... Night Club Patron (uncredited)
Jack Perry ... One of Costillo's Hoods (uncredited)
Pedro Regas ... Tony - Bodyguard (uncredited)
Warner Richmond ... Cesca's Dance Partner (uncredited)
Constantine Romanoff ... Henchman (uncredited)
Bert Starkey ... Epstein - Lawyer (uncredited)
Charles Sullivan ... One of Costillo's Hoods (uncredited)
Harry Tenbrook ... One of Costillo's Hoods (uncredited)
Helen C. Thompson ... Sadie Thompson (uncredited)
Nick Thompson ... One of Costillo's Hoods (uncredited)
Ellinor Vanderveer ... Theatregoer (uncredited)
Harry J. Vejar ... Big Louis Costillo (uncredited)
Douglas Walton ... Cesca's Boyfriend (uncredited)

Directed by
Howard Hawks 
Richard Rosson (co-director)
 
Writing credits
Armitage Trail (novel "Scarface")

Ben Hecht (screen story)

Seton I. Miller (continuity) &
John Lee Mahin (continuity) &
W.R. Burnett (continuity)

Seton I. Miller (dialogue) &
John Lee Mahin (dialogue) &
W.R. Burnett (dialogue)

Howard Hawks  uncredited
Fred Pasley  adaptation (uncredited)

Produced by
Howard Hawks .... producer (uncredited)
Howard Hughes .... producer (uncredited)
 
Original Music by
Adolph Tandler (uncredited)
 
Cinematography by
Lee Garmes 
L. William O'Connell  (as L.W. O'Connell)
 
Film Editing by
Edward Curtiss 
Lewis Milestone (uncredited)
 
Set Decoration by
Harry Oliver (settings)
 
Production Management
Charles Stallings .... production manager
 
Sound Department
William Snyder .... sound engineer
 
Visual Effects by
Howard A. Anderson .... process photography (uncredited)
 
Stunts
Frances Miles .... stunt double: Ann Dvorak (uncredited)
 
Camera and Electrical Department
Charles Bohny .... assistant camera (uncredited)
Roy Clark .... camera operator (uncredited)
Warner Cruze .... assistant camera (uncredited)
Eugene Kornman .... still photographer (uncredited)
Warren Lynch .... camera operator (uncredited)
 
Editorial Department
Douglass Biggs .... editorial advisor
 
Music Department
Gus Arnheim .... musical director
Adolph Tandler .... musical director
 
Other crew
W.R. Burnett .... continuity
Howard Hughes .... presenter
John Lee Mahin .... continuity
Seton I. Miller .... continuity
E.B. Derr .... supervisor (uncredited)
Howard Hughes .... direction supervisor (uncredited)
Lincoln Quarberg .... general press representative (uncredited)
 
Crew verified as complete


Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
Runtime:
93 min
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (Western Electric Sound System)
Certification:
Australia:PG | Brazil:14 | Finland:K-16 (1998) | Germany:16 (DVD rating) | Ireland:PG | Netherlands:6 (DVD rating) | Norway:16 (1984) | Spain:13 | Sweden:15 | UK:A (original rating) | UK:15 (video rating) | USA:Passed (original rating) | USA:PG (re-release) | West Germany:16 (f)

Did You Know?

Trivia:
At one point, a list of prior offenses is read, including possession/use of brass knuckles and "saps". Saps, or sap gloves, are gloves with lead or steel granules sewn into the knuckles and backs of the hands.See more »
Goofs:
Revealing mistakes: Closeup of score sheet in bowling alley scene defies all rules of traditional scoring.See more »
Quotes:
Insp. Ben Guarino:I told you you'd show up this way. Get you in a jam without a gun and you squeal like a yellow rat. Come on, climb into this
[handcuffs]
See more »
Movie Connections:
Featured in Italians in America (1998) (TV)See more »
Soundtrack:
St. Louis BluesSee more »

FAQ

This FAQ is empty. Add the first question.
18 out of 19 people found the following review useful.
Muni, Robinson and Cagney, 4 April 2006
Author: sryder-1 from United States

Inevitably, Scarface will be compared with the near-contemporary gangster films, Little Caesar and Public Enemy, and Paul Muni with their stars Edward G. Robinson and James Cagney. What does it tell us about that era: that all three careers took off with portrayals of gang leaders? The three performances significantly differ. Robinson rises to the top by the use of a crafty intelligence as well as violence; Cagney by a type of shrewdness and personal charisma. Paul Muni's Tony Comonte is neither intelligent nor personable; his manners are crude; and at times he is almost childlike in his behavior: for instance, when he is enjoying a play and is interrupted after the second act, summoned to do another killing,and leaves a henchman behind, who can tell him later how it came out, then is delighted to hear that the "guy with the collar" didn't get the girl; rather, the rougher suitor. He can be described as cunning and animistic: a young wolf who eliminates any rival who stands in his way; finally the leader of the pack One can be moved by Robinson's last words, "Is this the end of Little Caesar?" or by Cagney's body falling through the open door of his family home, he having been killed off-screen. Comonte's death is that of a trapped or cornered animal, wordless in a beautifully staged sequence,as brutal as his life, depicted for the audience in every detail. Of the three portrayals, Muni's comes across to me as the most chilling, in its enactment of instinctive evil. How ironic that He would later win his greatest fame for his performances as Emile Zola and Louis Pasteur.

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