Rico is a small-time hood who knocks off gas stations for whatever he can take. He heads east and signs up with Sam Vettori's mob. A New Year's Eve robbery at Little Arnie Lorch's casino ... See full summary »
Edward G. Robinson,
Douglas Fairbanks Jr.,
A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
A feud, the origins of which can barely be remembered, has been boiling for decades between two sheltered mountain families, the Tollivers and the Falins. With plans to build a railroad ... See full summary »
Johnny Lovo rises to the head of the bootlegging crime syndicate on the south side of Chicago following the murder of former head, Big Louis Costillo. Johnny contracted Big Louis' bodyguard, Tony Camonte, to make the hit on his boss. Tony becomes Johnny's second in command. Johnny is not averse to killing anyone who gets in his and Johnny's way. As Tony is thinking bigger than Johnny and is not afraid of anyone or anything, Tony increasingly makes decisions on his own instead of following Johnny's orders, especially in not treading on the north side run by an Irish gang led by a man named O'Hara, of whom Johnny is afraid. Tony's murder spree increases, he taking out anyone who stands in his and Johnny's way of absolute control on the south side, and in Tony's view absolute control of the entire city. Tony's actions place an unspoken strain between Tony and Johnny to the point of the two knowing that they can't exist in their idealized world with the other. Tony's ultimate downfall may... Written by
When the Northside guys throw a body out of the car, it lands face down, but when Tony and the others look at the body, it is face up. See more »
This picture is an indictment of gang rule in America and of the callous indifference of the government to this constantly increasing menace to our safety and our liberty. Every incident in this picture is the reproduction of an actual occurrence, and the purpose of this picture is to demand of the government: 'What are you going to do about it?' The government is your government. What are YOU going to do about it?
See more »
"This picture is an indictment of gang rule in America and of the callous indifference of the government to this constantly increasing menace to our safety and our liberty. Every incident in this picture is the reproduction of an actual occurence, and the purpose of this picture is to demand of the government: "What are you going to do about it?". The government is your government. What are YOU going to do about it? See more »
Film chronicles the rise and fall of Tony Camonte (Paul Muni) an ugly, stupid and violent gangster.
This film was originally shot in 1930 but was held from release until 1932 because the censor demanded cuts. Watching it, I can only imagine how bad the missing material was. The film is full of shootouts and gun fights--they're quick, violent and just incredible. The body count has to be in the triple digits. The best scene has Boris Karloff as a gangster (!!!) shot to death in a bowling alley. As incredible as the violence is, the film condemns it--they make it clear that Scarface and his gang are cold-blooded killers and nothing more.
Also the film has PLENTY of sexual innuendo. Ann Dvorak plays Scarface's sister and it is made clear that she and her brother are VERY interested in each other. Also she does a very sexy dance in front of George Raft which is more than a little suggestive. I'm surprised that the censors let all this get by! The acting is superb. Muni plays Scarface as dumb, stupid, violent and ugly--and, in a way, very sexy. When he shoots down people it seems that he's actually getting a sexual charge from it! Also Muni, a very handsome man, was purposely made to look ugly. He looks more like an ape than human. George Raft as his best friend is also good--cold-blooded and heartless. Dvorak overplays it a bit but she is incredibly sexy. Hell, even Karloff is good as a gangster! The film is very well-directed by Hoaward Hawks--he pulls no punches. The script is quick and intelligent--it never stops moving.
After it was released (to great acclaim) in 1932 it was abruptly pulled--many people said glamorized gangsters (which is just ridiculous). It didn't surface until 1979 (Francis Ford Coppola helped get it re-released) and it was finally recognized for the classic it is.
Quite simply a GREAT film. Don't miss this one!
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