Johnny Ramirez rises from bouncer to partner in Charlie Roark's border town casino. Charlie's wife Marie loves Johnny, but Johnny loves society woman Dale. Marie kills her husband, making ... See full summary »
Joe Sullivan is itching to get out of prison. He's taken the rap for Rick, who owes him $50 Grand. Rick sets up an escape for Joe, knowing that Joe will be caught escaping and be shot or ... See full summary »
Hard, withdrawn city cop Jim Wilson roughs up one too many suspects and is sent upstate to help investigate the murder of a young girl in the winter countryside. There he meets Mary Malden,... See full summary »
Johnny Lovo rises to the head of the bootlegging crime syndicate on the south side of Chicago following the murder of former head, Big Louis Costillo. Johnny contracted Big Louis' bodyguard, Tony Camonte, to make the hit on his boss. Tony becomes Johnny's second in command. Johnny is not averse to killing anyone who gets in his and Johnny's way. As Tony is thinking bigger than Johnny and is not afraid of anyone or anything, Tony increasingly makes decisions on his own instead of following Johnny's orders, especially in not treading on the north side run by an Irish gang led by a man named O'Hara, of who Johnny is afraid. Tony's murder spree increases, he taking out anyone who stands in his and Johnny's way of absolute control on the south side, and in Tony's view absolute control of the entire city. Tony's actions place an unspoken strain between Tony and Johnny to the point of the two knowing that they can't exist in their idealized world with the other. Tony's ultimate downfall may ... Written by
About one hour into the film, upon entering the Paradise Club, Tony, i.e. Paul Muni is greeted by a blonde who looks suspiciously like Jean Harlow. Harlow biographer David Stenn claims that this is indeed Jean Harlow herself, in an uncredited cameo appearance, but Harlow biographer Mark Vieira authoritatively states that it cannot be Harlow, because she was away from Hollywood at the time the scene was filmed, and so the actress in question must be a Harlow lookalike, deliberately positioned to look like her. See more »
When Tony throws a spittoon through the glass door of the First Ward Social Club, pattern of shattered glass before he enters club is far different from that as he goes into room. See more »
"This picture is an indictment of gang rule in America and of the callous indifference of the government to this constantly increasing menace to our safety and our liberty. Every incident in this picture is the reproduction of an actual occurence, and the purpose of this picture is to demand of the government: "What are you going to do about it?". The government is your government. What are YOU going to do about it? See more »
Action-wise, this movie was 60 years ahead of its time, at least in terms of the amount of action in it. I think it's safe to say most classic films, including the crime movies, are much slower in pace than today's fare. Not this one.
Since they didn't show much blood in these old films, it isn't gory but it is action- packed with few lulls. Paul Muni, as "Tony Camonte," the head gangster, is compelling and fun to watch. He's tough-as-nails until the end. The women n here - Ann Dvoark and Karen Morely - are interesting, too, as is one of Muni's sidekicks, a big dumb guy who was funny. Don't be fooled by the billing of George Raft and Boris Karloff. They got it because they turned out to be big names later. In this film, they have very small roles.
This is Muni's show, though, all the way and few actors could ham it up in his day like him. It's a wild ride for the full 93 minutes.
p.s. To anyone misreading my opening remarks: more action doesn't always mean more interesting. Some times it does; some times it doesn't.
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