Joe Sullivan is itching to get out of prison. He's taken the rap for Rick, who owes him $50 Grand. Rick sets up an escape for Joe, knowing that Joe will be caught escaping and be shot or ... See full summary »
Johnny Ramirez rises from bouncer to partner in Charlie Roark's border town casino. Charlie's wife Marie loves Johnny, but Johnny loves society woman Dale. Marie kills her husband, making ... See full summary »
Johnny Lovo rises to the head of the bootlegging crime syndicate on the south side of Chicago following the murder of former head, Big Louis Costillo. Johnny contracted Big Louis' bodyguard, Tony Camonte, to make the hit on his boss. Tony becomes Johnny's second in command. Johnny is not averse to killing anyone who gets in his and Johnny's way. As Tony is thinking bigger than Johnny and is not afraid of anyone or anything, Tony increasingly makes decisions on his own instead of following Johnny's orders, especially in not treading on the north side run by an Irish gang led by a man named O'Hara, of whom Johnny is afraid. Tony's murder spree increases, he taking out anyone who stands in his and Johnny's way of absolute control on the south side, and in Tony's view absolute control of the entire city. Tony's actions place an unspoken strain between Tony and Johnny to the point of the two knowing that they can't exist in their idealized world with the other. Tony's ultimate downfall may... Written by
In the book this film is based on ("Scarface" by Armitage Trail), Antonio 'Tony' Camonte is born Antonio 'Tony' Guarino with his brother Ben Guarino. After several crimes the police are looking for him so he goes off to war, gets his scar, and when he returns he finds out he had been reported dead and no one recognizes him because of his scar. He becomes Antonio 'Tony' Camonte and starts a new life. This is where the film begins. That means if we're staying true to the book, Insp. Ben Guarino is his brother. See more »
As Cesca enters the room to shoot Tony near the end of the film, the gun barrel is just a steel tube. This changes to a regular gun in subsequent shots. See more »
There's only one thing that gets orders and gives orders.
[points to Tommy Gun]
And this is it. That's how I got the south side for you, and that's how I'm gonna get the north side for you. It's a typewriter. I'm gonna write my name all over this town with it, in big letters!
John 'Johnny' Lovo:
Hey, stop him somebody!
Get out of my way Johnny, I'm gonna spit!
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"This picture is an indictment of gang rule in America and of the callous indifference of the government to this constantly increasing menace to our safety and our liberty. Every incident in this picture is the reproduction of an actual occurence, and the purpose of this picture is to demand of the government: "What are you going to do about it?". The government is your government. What are YOU going to do about it? See more »
Film chronicles the rise and fall of Tony Camonte (Paul Muni) an ugly, stupid and violent gangster.
This film was originally shot in 1930 but was held from release until 1932 because the censor demanded cuts. Watching it, I can only imagine how bad the missing material was. The film is full of shootouts and gun fights--they're quick, violent and just incredible. The body count has to be in the triple digits. The best scene has Boris Karloff as a gangster (!!!) shot to death in a bowling alley. As incredible as the violence is, the film condemns it--they make it clear that Scarface and his gang are cold-blooded killers and nothing more.
Also the film has PLENTY of sexual innuendo. Ann Dvorak plays Scarface's sister and it is made clear that she and her brother are VERY interested in each other. Also she does a very sexy dance in front of George Raft which is more than a little suggestive. I'm surprised that the censors let all this get by! The acting is superb. Muni plays Scarface as dumb, stupid, violent and ugly--and, in a way, very sexy. When he shoots down people it seems that he's actually getting a sexual charge from it! Also Muni, a very handsome man, was purposely made to look ugly. He looks more like an ape than human. George Raft as his best friend is also good--cold-blooded and heartless. Dvorak overplays it a bit but she is incredibly sexy. Hell, even Karloff is good as a gangster! The film is very well-directed by Hoaward Hawks--he pulls no punches. The script is quick and intelligent--it never stops moving.
After it was released (to great acclaim) in 1932 it was abruptly pulled--many people said glamorized gangsters (which is just ridiculous). It didn't surface until 1979 (Francis Ford Coppola helped get it re-released) and it was finally recognized for the classic it is.
Quite simply a GREAT film. Don't miss this one!
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