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Scarface (1932)
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Overview
User Rating:
Directors:
Writers:
Release Date:
9 April 1932 (USA)
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Plot:
An ambitious and near insanely violent gangster climbs the ladder of success in the mob, but his weaknesses prove to be his downfall. full summary | full synopsis
Plot Keywords:
Awards:
1 win
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NewsDesk:
(2 articles)
Film School 101: Protagonists
(From Atomic Popcorn. 1 November 2009, 4:57 AM, PST)
Gabriel Byrne: The Hollywood Interview
(From The Hollywood Interview. 10 April 2009, 2:49 PM, PDT)
(From Atomic Popcorn. 1 November 2009, 4:57 AM, PST)
Gabriel Byrne: The Hollywood Interview
(From The Hollywood Interview. 10 April 2009, 2:49 PM, PDT)
User Comments:
Say Hello to the Original Scarred Madman...
more (86 total)
Cast
(Complete credited cast)| Paul Muni | ... | Antonio 'Tony' Camonte | |
| Ann Dvorak | ... | Francesca 'Cesca' Camonte | |
| Karen Morley | ... | Poppy | |
| Osgood Perkins | ... | John 'Johnny' Lovo | |
| C. Henry Gordon | ... | Insp. Ben Guarino | |
| George Raft | ... | Guino Rinaldo | |
| Vince Barnett | ... | Angelo | |
| Boris Karloff | ... | Gaffney | |
| Purnell Pratt | ... | Mr. Garston, publisher | |
| Tully Marshall | ... | Managing editor | |
| Inez Palange | ... | Mrs. Camonte | |
| Edwin Maxwell | ... | Chief of detectives |
Additional Details
Also Known As:
Parents Guide:
Runtime:
93 min
Country:
Color:
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Certification:
UK:15 (video rating) |
UK:A (original rating) |
Finland:K-15 (2005) (DVD) |
Netherlands:6 (DVD rating) |
Brazil:14 |
West Germany:16 (f) |
Germany:16 (DVD rating) |
Norway:16 (1984) |
Spain:13 |
Sweden:15 |
USA:PG (re-release) |
USA:Passed (original rating)
Company:
Fun Stuff
Trivia:
The film's release was delayed almost a year due to producer Howard Hughes' protracted battles with the Hays Office and regional censor boards.
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Goofs:
Continuity: When the Northside guys throw a body out of the car, it lands face down, but when Tony and the others look at the body, it is face up.
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Quotes:
Tony Camonte:
[smashes the window] Just changing the name on the door.
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Movie Connections:
Referenced in A Decade Under the Influence (2003)
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Soundtrack:
Some of These Days
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FAQ
This FAQ is empty. Add the first question.more (86 total)
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The early 1930's produced a whirlwind of mobster films, commenting on the real-life problem of organized crime throughout Prohibition America. LITTLE CAESAR and PUBLIC ENEMY were the first significant films of the genre, but not until Howard Hawks tour-de-force smash, SCARFACE, did the public get to see what was going on. Hawks' film came out in 1932 and has been a mainstay in filmmaker's minds and fans alike ever since. Scorsese, Coppola, and especially De Palma, have all drawn inspiration (and the '83 remake) from Hawks and Ben Hecht, the picture's screenwriter. Paul Muni was loosely based on Al Capone, and SCARFACE begins with yet another message to the government telling them to get off their butts and rid the country of Tony Carmontes everywhere. I think the picture works more as brutal, realistic entertainment than moral message. In hindsight, SCARFACE made it all look fun.
This searing flick looks so spooky and dark, you truly get the feeling of the real "underworld" and how uncompromising it was and still is. Some brilliant images grace the screen: the passage of dates on a calendar by machine gun; Muni's gruesome scar; an opening murder scene done with such subtly the mere sound of Muni's whistle triggers doom; a sideshow of possible incest between "Tony" and his tortured sister. No joke. It appears almost blatantly in varying scenes of building jealousy and murder. Many of the elements show up in De Palma's remake, such as the sister, her relationship with Tony's best friend, and his disapproving mother. The original packs more substance into a shorter film and is clearly better than the flashy remake (which I also loved).
This was one of Howard Hawks' 1st films and he continued to make pictures that differed so completely, one after the other. SCARFACE is his landmark film, a must-see that was considered by many to be unreleasable to the audiences of 1932. It is a predictable rise and fall portrait of a brooding goon, however the techniques and blunt force of the film make you come back for more. Watch it before the Pacino remake and see what you think. They are excellent representatives of Hollywood storytelling then and now. Keep an eye out for a svelte Boris Karloff in civilian clothing (a rarity) as a sinister enemy of the scarred one. He rolls quite a memorable strike in a bowling alley. A masterpiece of character, story, mood, and bullets flying.
RATING: 10 of 10