Brothers Monte and Ray leave Oxford to join the Royal Flying Corps. Ray loves Helen; Helen enjoys an affair with Monte; before they leave on their mission over Germany they find her in still another man's arms.
Rico is a small-time hood who knocks off gas stations for whatever he can take. He heads east and signs up with Sam Vettori's mob. A New Year's Eve robbery at Little Arnie Lorch's casino ... See full summary »
Edward G. Robinson,
Douglas Fairbanks Jr.,
Shamsher Singh Rajput lives a poor lifestyle in British India along with his widowed mom, a sister, Asha, and makes a living through crime. He is in love with a gypsy dancer, Reshma, and ... See full summary »
Johnny Lovo rises to the head of the bootlegging crime syndicate on the south side of Chicago following the murder of former head, Big Louis Costillo. Johnny contracted Big Louis' bodyguard, Tony Camonte, to make the hit on his boss. Tony becomes Johnny's second in command. Johnny is not averse to killing anyone who gets in his and Johnny's way. As Tony is thinking bigger than Johnny and is not afraid of anyone or anything, Tony increasingly makes decisions on his own instead of following Johnny's orders, especially in not treading on the north side run by an Irish gang led by a man named O'Hara, of whom Johnny is afraid. Tony's murder spree increases, he taking out anyone who stands in his and Johnny's way of absolute control on the south side, and in Tony's view absolute control of the entire city. Tony's actions place an unspoken strain between Tony and Johnny to the point of the two knowing that they can't exist in their idealized world with the other. Tony's ultimate downfall may... Written by
This is one of the first films to feature the Thompson submachine gun, known to history as the "tommy gun." The characters never call it anything other than "machine gun," except when Poppy calls it a "bean shooter" and Tommy refers to the gun as a "typewriter" when he first sees one. Another name for a "tommy gun" was "Chicago typewriter." See more »
When the Northside guys throw a body out of the car, it lands face down, but when Tony and the others look at the body, it is face up. See more »
Insp. Ben Guarino:
I told you you'd show up this way. Get you in a jam without a gun and you squeal like a yellow rat. Come on, climb into this
See more »
"This picture is an indictment of gang rule in America and of the callous indifference of the government to this constantly increasing menace to our safety and our liberty. Every incident in this picture is the reproduction of an actual occurence, and the purpose of this picture is to demand of the government: "What are you going to do about it?". The government is your government. What are YOU going to do about it? See more »
Rat-rat-a-tat goes Hawks's direction, opening and closing with a bang, and what's in between is pretty sensational, too. Muni, who could be an awful ham, is just right here -- slick and sexy and a little stupid, a hot-tempered paisano unable to control his ambitions or passions. The incest subplot, never overtly stated but always close to the surface, makes the movie seem startlingly modern. And the dialogue goes snap, snap, snap. The only place the movie stumbles is in a civics-lesson scene where the self-important newspaper editor spells out exactly what's wrong with the criminal justice system of 1932 and delivers his dull speech straight to the camera, like a high school lecture. It's the briefest of lulls in one of the most exciting early talkies, and certainly one of the greatest of all gangster flicks.
33 of 44 people found this review helpful.
Was this review helpful to you?