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Scarface (1932)

Passed  -  Action | Crime | Drama  -  9 April 1932 (USA)
7.8
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Ratings: 7.8/10 from 16,861 users  
Reviews: 268 user | 63 critic

An ambitious and near insanely violent gangster climbs the ladder of success in the mob, but his weaknesses prove to be his downfall.

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(novel), (screen story), 8 more credits »
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Title: Scarface (1932)

Scarface (1932) on IMDb 7.8/10

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Cast

Complete credited cast:
...
...
Karen Morley ...
Osgood Perkins ...
Johnny Lovo
C. Henry Gordon ...
Inspector Guarino
...
Rinaldo
Vince Barnett ...
Angelo
...
Tom Gaffney
Purnell Pratt ...
Publisher
Tully Marshall ...
Managing Editor
Inez Palange ...
Tony's Mother
...
Detective Chief
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Storyline

Johnny Lovo rises to the head of the bootlegging crime syndicate on the south side of Chicago following the murder of former head, Big Louis Costillo. Johnny contracted Big Louis' bodyguard, Tony Camonte, to make the hit on his boss. Tony becomes Johnny's second in command. Johnny is not averse to killing anyone who gets in his and Johnny's way. As Tony is thinking bigger than Johnny and is not afraid of anyone or anything, Tony increasingly makes decisions on his own instead of following Johnny's orders, especially in not treading on the north side run by an Irish gang led by a man named O'Hara, of whom Johnny is afraid. Tony's murder spree increases, he taking out anyone who stands in his and Johnny's way of absolute control on the south side, and in Tony's view absolute control of the entire city. Tony's actions place an unspoken strain between Tony and Johnny to the point of the two knowing that they can't exist in their idealized world with the other. Tony's ultimate downfall may... Written by Huggo

Plot Summary | Plot Synopsis

Plot Keywords:

police | mob | murder | gangster | beer | See All (151) »


Certificate:

Passed | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

9 April 1932 (USA)  »

Also Known As:

Scarface, the Shame of the Nation  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

At one point, a list of prior offenses is read, including possession/use of brass knuckles and "saps". Saps, or sap gloves, are gloves with lead or steel granules sewn into the knuckles and backs of the hands. See more »

Goofs

As Cesca enters the room to shoot Tony near the end of the film, the gun barrel is just a steel tube. This changes to a regular gun in subsequent shots. See more »

Quotes

Tony Camonte: I don't know nothin'. I don't see nothin'. I don't hear nothin'. When I do I don't tell the cops. Understand?
See more »

Crazy Credits

"This picture is an indictment of gang rule in America and of the callous indifference of the government to this constantly increasing menace to our safety and our liberty. Every incident in this picture is the reproduction of an actual occurence, and the purpose of this picture is to demand of the government: "What are you going to do about it?". The government is your government. What are YOU going to do about it? See more »

Connections

Featured in The Great Depression (1993) See more »

Soundtracks

St. Louis Blues
(1914)
Written by W.C. Handy
Played by Gus Arnheim and His Orchestra for dancing
See more »

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User Reviews

 
Arguably superior to De Palma's remake
8 November 2004 | by (United States) – See all my reviews

Many purists would jump at this as being the definitive "Sacrface," but so much had changed in the fifty-one years between the two movies that it is nearly impossible. Whereas the Al Pacino cult classic spanned close to three hours and included almost every imaginable cause of death, this version is a mere hour and a half, give or take a few minutes, and unlike the remake, takes place entirely in Chicago.

Made as an anti-gangster film, with a message buried under the many bodies that pile up, this is a surprisingly brutal movie for its time, and got a reputation as such. This was just before the so-called "Golden Age" of cinema, and in a time like that, chances are a movie this unapologetic wouldn't get made. But it is a masterful gangster film.

Paul Muni is Tony Camonte, a pseudo-Capone psycho who believes in doing the dirty work himself, is a sleazebag. He talks in a lisp that holds him apart from the gangsters of Cagney and Bogart as a man who, even then, seems ethnic. To boot, his "secretary" is an immigrant who is only semi-literate and can't hear people well on the phone. Boris Karloff shows up as an Irish gangster, Gaffney, who falls under Camonte's gun. Aside from an entire segment where Camonte goes seemingly from point A to point B with the same tommy gun and kills off the competition, this is a brilliant milestone in the gangster genre, and probably the best of the era. Even now, it proves what people could accomplish by mere suggestion, sparing much of the language that is in movies (and, indeed, used in real life) today.


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the remake is obviously 'better'... nakuk
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