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Scarface (1932)

Passed  -  Action | Crime | Drama  -  9 April 1932 (USA)
7.8
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Ratings: 7.8/10 from 16,855 users  
Reviews: 268 user | 63 critic

An ambitious and near insanely violent gangster climbs the ladder of success in the mob, but his weaknesses prove to be his downfall.

Writers:

(novel), (screen story), 8 more credits »
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Title: Scarface (1932)

Scarface (1932) on IMDb 7.8/10

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Cast

Complete credited cast:
...
...
Karen Morley ...
Osgood Perkins ...
Johnny Lovo
C. Henry Gordon ...
Inspector Guarino
...
Rinaldo
Vince Barnett ...
Angelo
...
Tom Gaffney
Purnell Pratt ...
Publisher
Tully Marshall ...
Managing Editor
Inez Palange ...
Tony's Mother
...
Detective Chief
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Storyline

Johnny Lovo rises to the head of the bootlegging crime syndicate on the south side of Chicago following the murder of former head, Big Louis Costillo. Johnny contracted Big Louis' bodyguard, Tony Camonte, to make the hit on his boss. Tony becomes Johnny's second in command. Johnny is not averse to killing anyone who gets in his and Johnny's way. As Tony is thinking bigger than Johnny and is not afraid of anyone or anything, Tony increasingly makes decisions on his own instead of following Johnny's orders, especially in not treading on the north side run by an Irish gang led by a man named O'Hara, of whom Johnny is afraid. Tony's murder spree increases, he taking out anyone who stands in his and Johnny's way of absolute control on the south side, and in Tony's view absolute control of the entire city. Tony's actions place an unspoken strain between Tony and Johnny to the point of the two knowing that they can't exist in their idealized world with the other. Tony's ultimate downfall may... Written by Huggo

Plot Summary | Plot Synopsis

Plot Keywords:

police | mob | murder | gangster | beer | See All (151) »


Certificate:

Passed | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

9 April 1932 (USA)  »

Also Known As:

Scarface, the Shame of the Nation  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

In the book this film is based on ("Scarface" by Armitage Trail), Antonio 'Tony' Camonte is born Antonio 'Tony' Guarino with his brother Ben Guarino. After several crimes the police are looking for him so he goes off to war, gets his scar, and when he returns he finds out he had been reported dead and no one recognizes him because of his scar. He becomes Antonio 'Tony' Camonte and starts a new life. This is where the film begins. That means if we're staying true to the book, Insp. Ben Guarino is his brother. See more »

Goofs

When the Northside guys throw a body out of the car, it lands face down, but when Tony and the others look at the body, it is face up. See more »

Quotes

[Angelo is answering the phone for Tony]
Tony Camonte: Hey, hey. Get a name. Get a name.
Angelo: [speaking into telephone] What's your name? No, no, I no wanna know what's your brother's name, I wanna know what's your name.
[angrily]
Angelo: Oh, you do, huh? Listen, I come on over there, I smack you right in the teeth! I get you, you brother...
Tony Camonte: Hey! What's the matter? That's no way to talk. Talk nice. Tell him to state his business.
Angelo: Go state your business!
[hangs up phone]
See more »

Crazy Credits

"This picture is an indictment of gang rule in America and of the callous indifference of the government to this constantly increasing menace to our safety and our liberty. Every incident in this picture is the reproduction of an actual occurence, and the purpose of this picture is to demand of the government: "What are you going to do about it?". The government is your government. What are YOU going to do about it? See more »

Connections

Featured in Hollywoodism: Jews, Movies and the American Dream (1998) See more »

Soundtracks

Wreck of the Old 97
Written by G. B. Grayson and Henry Whitter
[Sung by Ann Dvorak to George Raft]
See more »

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User Reviews

 
Ugly and brilliant
15 October 2001 | by See all my reviews

Rat-rat-a-tat goes Hawks's direction, opening and closing with a bang, and what's in between is pretty sensational, too. Muni, who could be an awful ham, is just right here -- slick and sexy and a little stupid, a hot-tempered paisano unable to control his ambitions or passions. The incest subplot, never overtly stated but always close to the surface, makes the movie seem startlingly modern. And the dialogue goes snap, snap, snap. The only place the movie stumbles is in a civics-lesson scene where the self-important newspaper editor spells out exactly what's wrong with the criminal justice system of 1932 and delivers his dull speech straight to the camera, like a high school lecture. It's the briefest of lulls in one of the most exciting early talkies, and certainly one of the greatest of all gangster flicks.


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