Lil works for the Legendre Company and causes Bill to divorce Irene and marry her. She has an affair with businessman Gaerste and uses him to force society to pay attention to her. She has ... See full summary »
After accidentally killing the man who raped her and forced her into prostitution, a New Orleans woman flees to a Caribbean island. While she awaits her fiancé, the vicious local police chief sets his sights on her.
William A. Wellman
A young woman is on trial for murder. In flashback, we learn of her struggles to overcome poverty as a teenager -- a mistaken arrest and prison term for shoplifting and lack of employment ... See full summary »
Racketeer Tony Gazotti is thankful that lawyer Jackson Durant helps him beat a murder rap, but Durant just does it for the thrill of it and refuses payment. Durant's defense of mobsters ... See full summary »
W.S. Van Dyke
Raymond Dabney returns to his family after trouble with the law. He convinces the sheriff to give him a job watching the house and furniture of widow Crystal Wetherby without knowing she is... See full summary »
Frisco Jenny was orphaned by the 1906 earthquake and fire and has become the madame of a prosperous bawdy house. She puts her son up for adoption and he rises to prominence as district ... See full summary »
William A. Wellman
Helen Jerome Eddy
Lil works for the Legendre Company and causes Bill to divorce Irene and marry her. She has an affair with businessman Gaerste and uses him to force society to pay attention to her. She has another affair with the chauffeur Albert. Written by
Ed Stephan <email@example.com>
Jean Harlow's first line is "So gentlemen prefer blondes, do they?" which was written by Anita Loos for the movie. Loos' most famous work was the 1925 novel "Gentlemen Prefer Blondes". See more »
In the scene where Sally is removing her pajamas to give back to Lillian, the camera is constantly moving to keep the nudity out of the frame. However, when Sally removes her top and hands it to Lillian, you can easily see Jean Harlow's right breast fully bared for a half second. (About 12 frames between 0:17:18 to 0:17:19 on the DVD.) See more »
You got all the furniture you need?
Well, I still have a few Louis XV tables to get, and a couple of Jacobean bedsteads, and an English highboy...
Say, I thought you were gonna be on the level, now that you're married!
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Lillian, a girl from the wrong side of the tracks, knows exactly what she wants & how to get it. Right now, she wants her young, handsome, rich & very married boss. Using her considerable - one might almost say ostentatious - physical charms, Lillian lets few obstacles stand in her way for long. After all, she's THE RED-HEADED WOMAN, and she always gets her man...
Jean Harlow was a sensation in this immoral tale, which practically shouts its pre-Production Code status. This film solidified her stardom and helped define her screen persona for generations of viewers to come. She not only had the looks, but she proved herself to be a fine actress, as well.
While the plot revolves around Harlow, the rest of the cast acquit themselves very well: Chester Morris, stern-jawed but very vulnerable as Jean's conquest; Leila Hyams, quietly sympathetic as Morris' wife; canny old Lewis Stone as Morris' father - one of the few men able to see through Harlow's tricks; Henry Stephenson as a millionaire who falls easy prey to Harlow's wiles. The story is helped considerably by the addition of two tart-tongued character actresses, Una Merkel & May Robson, whose lively lines help spark the fun. That's Charles Boyer, not quite yet a star, as Jean's chauffeur/boyfriend at the end of the story.
Movie mavens will recognize Henry Armetta in an uncredited bit as a comic waiter.
Notice that for all her outrageous behavior, Harlow's character remains unpunished & unrepentant - a situation not allowed a couple of years later with the adoption of the Code.
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