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Gregory La Cava
Lil works for the Legendre Company and causes Bill to divorce Irene and marry her. She has an affair with businessman Gaerste and uses him to force society to pay attention to her. She has another affair with the chauffeur Albert. Written by
Ed Stephan <firstname.lastname@example.org>
Jean Harlow wore a wig for this film. Because this film was filmed in black and white, to make up for the subtle change in hair color by the wig, her makeup was made more dramatic, to highlight the nature of her character. See more »
In the scene where Sally is removing her pajamas to give back to Lillian, the camera is constantly moving to keep the nudity out of the frame. However, when Sally removes her top and hands it to Lillian, you can easily see Jean Harlow's right breast fully bared for a half second. (About 12 frames between 0:17:18 to 0:17:19 on the DVD.) See more »
Well you son-of-a-sea-snake! Have you got on my new pajamas?
[Sally hesitates guiltily]
Yeah, well you shake right out of 'em, Hortence.
I'm too important these days to sleep informally.
[removes her blouse]
What if there'd be a fire?
You'd have to cover up to keep from being recognized.
[camera pans down to Lil's legs as Sally hands her the silk pajama pants]
[climbing into the pajamas]
Say love, let's have a little more respect from you, now that I belong to one of the fine old ...
[...] See more »
Lyrics by Ray Egan (as Raymond B. Egan)
Music by Richard A. Whiting
Played and sung by an unidentified man during the opening credits
Reprised by an unidentifed male singer in a nightclub See more »
Lillian, a girl from the wrong side of the tracks, knows exactly what she wants & how to get it. Right now, she wants her young, handsome, rich & very married boss. Using her considerable - one might almost say ostentatious - physical charms, Lillian lets few obstacles stand in her way for long. After all, she's THE RED-HEADED WOMAN, and she always gets her man...
Jean Harlow was a sensation in this immoral tale, which practically shouts its pre-Production Code status. This film solidified her stardom and helped define her screen persona for generations of viewers to come. She not only had the looks, but she proved herself to be a fine actress, as well.
While the plot revolves around Harlow, the rest of the cast acquit themselves very well: Chester Morris, stern-jawed but very vulnerable as Jean's conquest; Leila Hyams, quietly sympathetic as Morris' wife; canny old Lewis Stone as Morris' father - one of the few men able to see through Harlow's tricks; Henry Stephenson as a millionaire who falls easy prey to Harlow's wiles. The story is helped considerably by the addition of two tart-tongued character actresses, Una Merkel & May Robson, whose lively lines help spark the fun. That's Charles Boyer, not quite yet a star, as Jean's chauffeur/boyfriend at the end of the story.
Movie mavens will recognize Henry Armetta in an uncredited bit as a comic waiter.
Notice that for all her outrageous behavior, Harlow's character remains unpunished & unrepentant - a situation not allowed a couple of years later with the adoption of the Code.
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