A charming and very daring thief known as Arsene Lupin is terrorizing the wealthy of Paris, he even goes so far as to threaten the Mona Lisa. But the police, led by the great Guerchard, ... See full summary »
Polio breaks out in Rio de Janeiro, the serum is in Santiago and there's only one way to get the medicine where it's desperately needed: flown in by daring pilots who risk the treacherous weather and forbidding peaks of the Andes.
Carl Bellairs and Lindsey Lane, his daughter, meet many years after he deserted her and her mother. They don't much like each other, but wind up working in the same nightclub. Bellairs ... See full summary »
Ernest B. Schoedsack
As Europe looms on the edge of war in 1913, the family and members of the court of the Russian czar Nicholas come under the sway of a mysterious mystic named Rasputin. When Rasputin miraculously appears to cure the czar's son Alyosha of his hemophilia, the monk's reputation is cemented, particularly in the mind of the princess Natasha. Natasha's fiancé (and, later, husband) Prince Paul Chegodieff, however, suspects Rasputin is a charlatan who will cause the downfall of the royal family and perhaps of Russia itself. Written by
Jim Beaver <firstname.lastname@example.org>
This film received its USA television premiere in Los Angeles Thursday 15 November 1956 on KTTV (Channel 11), followed by Philadelphia Monday 10 December 1956 on WFIL (Channel 6) and by Pittsburgh 30 December 1956 on KDKA (Channel 2) ; in New York City it was first telecast 29 May 1957 on WCBS (Channel 2), and in San Francisco 4 May 1958 on KGO (Channel 7). See more »
The fact that the Tsarevich was sick was not announced publicly as portrayed in the movie. It was kept a secret. See more »
This is our destiny, my dear.
I know. What have we done to these people of yours, Nicky, that they'd hate us so,
Nothing, Alex. Everybody loves you, you know that.
No. But, you love me, Nicky. That's enough for any Empress.
See more »
By now, everyone - but everyone - has commented on what bad history this movie is. Fine, I won't argue the point. But, what about it as drama? In my opinion, this is one of the most powerful tales of tragedy of it's time. ( This is particularly noteworthy given MGM's later penchant for frivolousness. ) Part of it has do do with the sincerity and conviction of the story. [ Alhough Charles MacArtur and others are given credit for the screenplay, I believe the original story - I have read a copy of the book - was written by a Russian émigré who fled the revolution. Unfortunately, I am presently unable to locate my copy. ] Nonetheless, this would go a long way towards explaining the movie's passion.
As for the acting; it features an outstanding cast, including the three Barrymores, as well as an assemblage of first rate supporting actors of the time. ( Anyone notice Edwarld Arnold as Dr. Remezov? ) Of course, much of it seems dated by today's standards. ( This was 1932, after all. ) Keep in mind that this is high melodrama. In that context, Lionel Barrymore exudes pure evil as the scheming, mad monk. He also brings out the crudity and vulgarity of the man, which generally jibes with historical accounts. Just try not to dwell on the fake beard.
John is fine and properly earnest as Prince Chegodieff, although his performance does seem a bit old-fashioned next to Lionel's. He really lets it all hang out in the murder scene, however. Ethel seems a trifle stiff, but Ralph Morgan is just right as Nicholas. In fact, sincerity and seriousness of purpose seem to be the hallmarks of the entire ensemble. And through it all, there is this sense of tragic inevitability; of events that, once set in motion, cannot be reversed.
One other thing that warrants a mention is the music. The Russian Orthodox liturgical music used in the celebratory scene near the beginning is moving and powerful. It could well put one in mind of the the wedding scene in Michael Cimino's "The Deer Hunter" ( 1978 ). Later, there is a medley of martial music, accompanied by historical footage, as Russia mobilizes for The Great War. Here we hear "God Save the Tsar", a tune which Mikhail Glinka featured in his opera, "A Life for the Tsar", but which was routinely banned during Soviet performances. All in all, exciting stuff.
This is a movie well worth watching, historical accuracy notwithstanding.
17 of 19 people found this review helpful.
Was this review helpful to you?