The movie chronicles the events of history's "man of mystery," Rasputin. Although not quite historically accurate and little emphasis is put on the politics of the day, Rasputin's rise to ... See full summary »
John has lead a solitary life for thirty years since the death of Moonyeen Clare. But now Owens, a close friend, insists that he care for his niece, Kathleen, orphaned when her parents were... See full summary »
Dorothy Hunter is an heiress of untold wealth. She believes no one will love her for herself and not for her money, so she pretends to be her secretary Sylvia while Sylvia pretends to be ... See full summary »
Polio breaks out in Rio de Janeiro, the serum is in Santiago and there's only one way to get the medicine where it's desperately needed: flown in by daring pilots who risk the treacherous weather and forbidding peaks of the Andes.
A charming and very daring thief known as Arsene Lupin is terrorizing the wealthy of Paris, he even goes so far as to threaten the Mona Lisa. But the police, led by the great Guerchard, ... See full summary »
As Europe looms on the edge of war in 1913, the family and members of the court of the Russian czar Nicholas come under the sway of a mysterious mystic named Rasputin. When Rasputin miraculously appears to cure the czar's son Alyosha of his hemophilia, the monk's reputation is cemented, particularly in the mind of the princess Natasha. Natasha's fiancé (and, later, husband) Prince Paul Chegodieff, however, suspects Rasputin is a charlatan who will cause the downfall of the royal family and perhaps of Russia itself. Written by
Jim Beaver <firstname.lastname@example.org>
The model for the character of Princess Natasha in the movie was Princess Irina Romanoff Youssoupoff. She filed a lawsuit against Thalberg and MGM, claiming invasion of privacy and libel in portraying her as a mistress and, later, a rape victim of Grigory Rasputin. She won an award of $127,373 in an English court and an out-of-court settlement in New York with MGM, reportedly $1 million. As a result of the success of Princess Youssoupoff's lawsuit against MGM over this movie, Hollywood studios began inserting the disclaimer "This motion picture is a work of fiction and any resemblance to persons living or dead is purely coincidental" in the credits of virtually every film released since. See more »
In the movie Rasputin is showed how he was giving the Tsar advices to go to WW1. However in real life he wasn't giving these advices during World War 1. See more »
I don't like him. I never shall.
You never tried to.
Oh, it isn't that. There's something, clammy about him. I can't explain it. I've had the same feeling, brushing against something on a dark night.
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The only film featuring all three Barrymores preserves an acting style that was once considered top-line and now looks rather over-emphatic. Certainly Lionel is the biggest ham, looking like Alec Guinness in "Oliver Twist" and rolling his eyes, laughing maniacally, and all but twirling his cape as the contemptible, going-mad Rasputin. By contrast, Ethel is stately as the Empress Alexandra, but also rather uninteresting, mainly emphasizing womanly dignity and reserve, as she so often did. Often she and Diana Wynyard seem to be in a contest to see who can employ a more highfalutin pronunciation style. So it falls to John to give the best performance: He's comparatively naturalistic and understated, and seems most comfortable in front of a camera. The director, Richard Boleslawski, goes in for needlessly arty compositions and drags out the playing time, and Herbert Stothart, the composer, seems the hardest worker: so much Russian-cliché music, and so loud. Charles MacArthur's screenplay is literate but wordy and inaccurate (and resulted in an expensive lawsuit against MGM). But as a distillation of the Barrymore acting style in miniature, it's a valuable artifact, and pretty entertaining on its own terms.
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