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Rain (1932)

Passed  -  Drama  -  12 October 1932 (USA)
6.9
Your rating:
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Ratings: 6.9/10 from 1,544 users  
Reviews: 47 user | 21 critic

A prostitute finds redemption in Pago Pago thanks to a hard missionary man.

Director:

(uncredited)

Writers:

(play), (play), 2 more credits »
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Cast

Complete credited cast:
Fred Howard ...
Hodgson (as Frederic Howard)
Ben Hendricks Jr. ...
Griggs (as Ben Hendricks)
William Gargan ...
Sergeant O'Hara
Mary Shaw ...
Guy Kibbee ...
Kendall Lee ...
...
Matt Moore ...
...
Walter Catlett ...
...
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Storyline

For residents on the idyllic South Seas island of Pago Pago, life is simple until a boat arrives carrying two couples, the Davidsons (who are missionaries), the MacPhails and a prostitute named Sadie Thompson. Davidson is more than just a religious zealot; he's a mad man. When the boat, which was en route to another port, is temporarily stranded on the island due to a possible Cholera outbreak on-board, Sadie spends her time "partying" with the American soldiers stationed on the island. Her behavior, however, is more than the Davidsons can stand and soon Mr. Davidson confronts Sadie about her evil ways and offers salvation. When Sadie rebels and the attempted redemption does not go as planned, Davidson arranges to have her sent back to San Francisco, where she fled some years ago due to mysterious personal issues. Davidson soon becomes unhinged and thus begins a series of surprising events which culminate in disaster. Written by Eva1-1

Plot Summary | Plot Synopsis

Taglines:

A woman without shame. A woman without soul.

Genres:

Drama

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

12 October 1932 (USA)  »

Also Known As:

Regn  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(Turner library print) | (1938 Atlantic Reissue)

Sound Mix:

(Western Electric Wide Range Noiseless Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Costumer Milo Anderson bought Crawford's checkered dress at a department store, and later recalled that the dress required extensive alteration, being far too large for Crawford everywhere except in the shoulders. Still new to the business, Anderson did not realize that multiple copies would be needed of a costume worn so extensively throughout the film. When it came time for a second copy, Anderson discovered that the dress had sold out and was now not available anywhere. Nor could the checkered fabric be located. Since the dress had already been seen in numerous scenes, the only solution was to have the design laboriously painted onto cloth and then have the dress duplicated. The dress had originally been store-bought to save money--and ultimately, with all the work, it added considerably to the film's budget. See more »

Goofs

Camera's shadow falls across the backs of the missionaries as they sit around the table in the general store. See more »

Quotes

Mrs. Davidson: [complaining about the dancers] Mr. Horn, is this sort of thing general in your store?
Joe Horn: Well, it's a general store, maam.
See more »

Connections

Referenced in Road to Bali (1952) See more »

Soundtracks

Wabash Blues
(1921) (uncredited)
Music by Fred Meinken
Lyrics by Dave Ringle
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

A basically underrated movie
30 April 2000 | by (New York City, NY) – See all my reviews

Unlike most people, I like both this movie and Crawford's performance, though the sudden and complete change to and from her religion-inspired catatonic state is a bit too rash and unconvincing (not due only to her acting: the film is so constructed). Huston plays a very sinister character. His brainwash on Sadie Thompson is appalling, and the scene when she succumbs while he recites the Lord's Prayer is most disturbing. Milestone's dynamic camera work is indeed overdone, but it is clear that it was a somewhat naïve attempt to counteract the tendency to sluggishness of the early talkies (compare with 'Anna Christie' with Garbo, for instance). The director gives the rain an important role as a powerful surrounding element of nature, almost trying to treat it as a living character, much like what Sjostrom did in 'The Wind'(1929); it doesn't entirely come through, but it was a worthy effort. The quick editing on Crawford's entrance (repeated in the end) is also impressive.


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