A woman travels to a French penal colony in Indo China to be with her fiancée, the commander. She arrives to find that he is now an alcoholic.

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Cast

Complete credited cast:
...
Therese Du Flos
...
Capt. Remy Bandoin
...
Capt. Andre Verlaine
Ian Maclaren ...
Colonel Du Flos (as Ian MacLaren)
Guy Bates Post ...
Major
Rollo Lloyd ...
Capt. Emil de Fontenac
...
Nham
Tetsu Komai ...
Sergeant
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Storyline

A woman travels to a French penal colony in Indo China to be with her fiancée, the commander. She arrives to find that he is now an alcoholic.

Plot Summary | Add Synopsis

Genres:

Adventure | Drama

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

22 January 1932 (USA)  »

Also Known As:

Prestigio  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(RCA Photophone System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Local girl Eunice Coleman was hired as Ann Harding's photo double, leading to much coverage in the local press. Coleman, who had training as a circus performer, did some stunt work with elephants for the film. See more »

Quotes

Lt.: Tell me, what sort of a trip did you have, eh? Pretty rough?
Capt. Remy Baudoin: Not bad. There was an episode with some crocodiles. I thought for a moment I was gone. But it appears they prefer dark meat.
Lt.: Boatman?
[casually]
Lt.: Too bad.
See more »

Connections

Referenced in Hollywood Mouth (2008) See more »

Soundtracks

La Marseillaise
(1792) (uncredited)
Written by Claude Joseph Rouget de Lisle
Played in the score when "L'Armee de la Republique" sign is shown
See more »

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User Reviews

 
The "Prestige" of the White Man
7 October 2014 | by (United States) – See all my reviews

"Race" has become a Hot Topic in the Media brought to the Forefront by the Election of the First Black President of the United States. Of Course the Scourge of Bigotry is Still Around, but We sure have Come Along Way.

Colonial Rule in South East Asia is On Display in this Pre-Code Film and is Considered Honorable, Patriotic, and the Movie Makes it Clear that to Uphold the "Prestige" of the White Man is a Noble and Proud Thing, and the Darker Races are Less than Human.

Director Tay Garnett Makes All of this "Artistic" with a Fluid Camera. Like a Kid with a New Toy, He uses the, Recently Released from its Immobility, Camera to Dolly Continuously and it Adds a New Dimension to the Art of Cinema and Considering the Cumbersome Technical Tools of the Time, it is Rather an Amazing Display of Daring.

Overly Empathetic Viewers will Cringe and May have a Tough Time Sitting through the Ethnocentricities of the Film. There is Torture, Executions, and Generally the Locals are Treated like Animals. There's Some Creepy Stuff here and it Reminds of "Island of Lost Souls" (1933) with its Third Act as the Natives become Restless and are Out for Revenge.

The Power, or "Prestige" if You will, of the White Man is Brought Home with Melvyn Douglas Beating Off a Horde of Haughty Types with Nothing More than a Belt and a Dirty Look.

The Movie is So Much a Sign of its Time and is Recommended for a Sweaty and Sometimes Depressing Peak at Attitudes of the Day through the Adventurous Setting Worlds Away from the Homeland, but Not Really.


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