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Polly of the Circus (1932)

Approved | | Comedy, Drama | 27 February 1932 (USA)
When Polly Fisher, a circus aerialist, is hurt while performing, she is taken to the house of a nearby minister, John Hartley. As she recuperates, they fall in love with each other and ... See full summary »

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Writers:

(play), (adaptation) | 1 more credit »
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Cast

Complete credited cast:
...
...
Rev. John Hartley
...
Rev. James Northcott
...
Downey
David Landau ...
Beef
Ruth Selwyn ...
Mitzi
...
Mrs. Jennings
'Little Billy' Rhodes ...
Half-Pint (as Little Billy)
...
Eric (as Guinn Williams)
...
Don
Lillian Elliott ...
Mrs. McNamara
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Storyline

When Polly Fisher, a circus aerialist, is hurt while performing, she is taken to the house of a nearby minister, John Hartley. As she recuperates, they fall in love with each other and secretly marry. But when the truth leaks out , John's congregation rebels at having a circus woman as their minister's wife, and he is fired. Polly decides to leave John in hopes of giving back to him the calling that means so much to him. But fate steps in and rearranges all plans. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Add Synopsis

Genres:

Comedy | Drama

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

27 February 1932 (USA)  »

Also Known As:

Atriz do Circo  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Aerialist stunts performed by Alfredo Codona and Vera Bruce. See more »

Connections

Featured in Captured on Film: The True Story of Marion Davies (2001) See more »

Soundtracks

Wedding of the Winds
(1897) (uncredited)
Music by John T. Hall
Played by the band during both trapeze acts
See more »

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User Reviews

 
Marion Davies' worst talkie.....

is not her fault. The script is second-rate and although she and Clark Gable try hard to inject some life into this film, they can't do it. Lots of possibilities for snappy lines as in other Davies vehicles ("Cain and Mabel," "Ever Since Eve," "Page Miss Glory," etc.) but the scripters settle on the dull and boring aspects of Davies (a circus star) trying to become a goody-two-shoes to please Gable (a minister). Even supporting stars like C. Aubrey Smith and Maude Eburne don't get much to do. Watch for a young Ray Milland in the church scenes. One compensation: Davies looks great!


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