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One Way Passage (1932)

Unrated  |   |  Comedy, Drama, Romance  |  22 October 1932 (USA)
8.2
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Ratings: 8.2/10 from 2,275 users  
Reviews: 37 user | 16 critic

A terminally ill woman and a debonair murderer facing execution meet and fall in love on a trans-Pacific crossing, each without knowing the other's secret.

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(screen play), (screen play), 2 more credits »
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Title: One Way Passage (1932)

One Way Passage (1932) on IMDb 8.2/10

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Cast

Complete credited cast:
...
...
Aline MacMahon ...
Frank McHugh ...
Warren Hymer ...
Frederick Burton ...
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Storyline

Suave Dan Hardesty, a convicted murderer, is apprehended by Steve Burke, a police detective, in Hong Kong and accompanied on the SS Maloa headed for San Francisco. On board, Dan romances Joan Ames, a terminally ill socialite. She is unaware that his ultimate destination is San Quentin. Both realize that their time together is fleeting so they make a pact to meet at a Mexican night club on New Years Eve. When they part in San Francisco they know that the odds are against them. Written by Gary Jackson <garyjack5@cogeco.ca>

Plot Summary | Add Synopsis

Taglines:

Romance...reaching the Heights of Heaven!

Genres:

Comedy | Drama | Romance

Certificate:

Unrated | See all certifications »
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Details

Country:

Language:

Release Date:

22 October 1932 (USA)  »

Also Known As:

S.S. Atlantic  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(TCM print)

Sound Mix:

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Although the character's name would change, Frank McHugh plays the same part in the remake titled 'Til We Meet Again (1940). See more »

Goofs

When Dan and Steve fall off the cruise ship they are handcuffed together. But if you watch closely, as they hit the water, there appears to be no handcuffs and the two are separate. See more »

Quotes

[first lines]
Hong Kong Bartender: [mixing a very complex drink] I haven't made one of these since the fourth of July. I was making one when the quake hit Frisco. Believe me friend, I wouldn't go to all this trouble for any of these foreigners. Uh, uh, gotta wait a minute to let the oil sink in. There you are partner, you can tell your grandchildren about that one.
Dan: [before Dan can take a sip, the contents of the glass are knocked out of his hand by Joan backing into him] Say what in the name of...
Joan: Why... I'm so sorry.
Dan:
Joan:
Dan:
Joan: [...]
See more »

Connections

Referenced in This Property Is Condemned (1966) See more »

Soundtracks

Theme
(1932) (uncredited)
(published in 1939 as "Where Was I?")
Music by W. Franke Harling
In the score when Dan and Joan first meet and often throughout the picture
See more »

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User Reviews

 
Best Romantic Film of the 30s
27 November 2005 | by (United States) – See all my reviews

This is an update of an earlier comment. One Way Passage is likely the most underrated romance picture of all time! The stars--William Powell and Kay Francis--are superb. The supporting players--Aline MacMahon, Frank McHugh, and Warren Hymer--have never been better. The music score is a classic; the story a perfect gem. Francis is dying from a rare malady; Powell is going home to face execution. They meet and fall in love.

From the opening shot at a Far East bar, complete with a marvelous singing trio (Jane Jones is one of the singers), to the final, heartbreaking moment, this film is the perfect 1930s concoction of great stars and a ridiculously silly plot made totally believable and palatable. Kay Francis was one of the top stars of the decade, and this is one of her best films; William Powell, always underrated, has never been more suave. Both deserved Oscar nominations for this great film, as did MacMahon and McHugh for support (not a category for another few years).

Kay Francis did everything during her reign as a top star. It's amazing how she was able to go from fragile heroine to hard-edged woman and then throw in a comedy. A truly versatile and wonderful star rescued by TCM from obscurity. William Powell would hit his stride a few years after this film in The Thin Man. He started out in silent films as a villain (When Knighthood Was in Flower in 1922) but talkies turned him into the epitome of the debonair gent.

Two great stars, but neither Powell nor Francis would ever win an Oscar.


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