Dying Joan Ames meets criminal Dan Hardesty on a luxury liner as he is being transported back to America by policeman Steve Burke to face execution. Joan and Dan fall in love, their fates unbeknownst to one another.
Suave Dan Hardesty, a convicted murderer, is apprehended by Steve Burke, a police detective, in Hong Kong and accompanied on the SS Maloa headed for San Francisco. On board, Dan romances Joan Ames, a terminally ill socialite. She is unaware that his ultimate destination is San Quentin. Both realize that their time together is fleeting so they make a pact to meet at a Mexican night club on New Years Eve. When they part in San Francisco they know that the odds are against them. Written by
Gary Jackson <firstname.lastname@example.org>
"Screen Director's Playhouse" broadcast a 30 minute radio adaptation of the movie on December 30, 1949 with William Powell reprising his film role. See more »
In the scene where Dan and Joan meet at a bar and toast one another, keep an eye on Dan's drink. (It's a rare concoction that appears cloudy when first poured.) There are many shots spliced together to show the ensuing dialogue and toast. In each, the cloudiness and quantity of Dan's drink change quite noticeably after a fateful spill and before he even takes a sip. See more »
Hong Kong Bartender:
[mixing a very complex drink]
I haven't made one of these since the fourth of July. I was making one when the quake hit Frisco. Believe me friend, I wouldn't go to all this trouble for any of these foreigners. Uh, uh, gotta wait a minute to let the oil sink in. There you are partner, you can tell your grandchildren about that one.
[before Dan can take a sip, the contents of the glass are knocked out of his hand by Joan backing into him]
Say what in the name of...
Why... I'm so sorry.
[...] See more »
A dying woman and a condemned man fall in love on an ocean liner; how's that for high concept, circa 1932. No, I'm not giving anything away about this tightly plotted, exquisitely produced melodrama. Upper class sophistication, personified by ever-glamorous Kay Francis and gentleman crook William Powell, characterizes the tragic aspect of the story, while ethic warmth and humor, in the classic Warner Bros. style, are perfectly supplied by Aline MacMahon, Warren Hymer, and Frank McHugh. Lots of marvelous small touches, not the least being the way McHugh plays the final scene. If it's on, don't miss it.
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