Idealistic attorney Anton Adam makes headlines when he successfully prosecutes a prominent New York racketeer named Gilmurry. Adam's sudden renown attracts the attention of high-profile ... See full summary »
In 1902, medicine show con man Dan Thompson settles down with the daughter he hardly knows in a New York theatrical boarding house full of eccentric characters. Forced to take a job in an ... See full summary »
The City of Chicago is gripped by an Axe Murderer. The streets are empty at night as there has been six murders and six people have been caught, but they are lunatics. Only one person has ... See full summary »
Eric Wainwright (Van Johnson), a busy impresario, is besieged by hordes of wannabe concert stars, eager for their big break. One of them is Cynthia Potter (June Allyson), a talented pianist... See full summary »
Mike Morgan creates the illusions that magicians use in their shows. While his business is Miracles for Sale, his hobby is exposing fake spiritualists. At the club, he is invited to attend ... See full summary »
Suave Dan Hardesty, a convicted murderer, is apprehended by Steve Burke, a police detective, in Hong Kong and accompanied on the SS Maloa headed for San Francisco. On board, Dan romances Joan Ames, a terminally ill socialite. She is unaware that his ultimate destination is San Quentin. Both realize that their time together is fleeting so they make a pact to meet at a Mexican night club on New Years Eve. When they part in San Francisco they know that the odds are against them. Written by
Gary Jackson <firstname.lastname@example.org>
"Screen Director's Playhouse" broadcast a 30 minute radio adaptation of the movie on December 30, 1949 with William Powell reprising his film role. See more »
When Dan and Steve fall off the cruise ship they are handcuffed together. But if you watch closely, as they hit the water, there appears to be no handcuffs and the two are separate. See more »
Hong Kong Bartender:
[mixing a very complex drink]
I haven't made one of these since the fourth of July. I was making one when the quake hit Frisco. Believe me friend, I wouldn't go to all this trouble for any of these foreigners. Uh, uh, gotta wait a minute to let the oil sink in. There you are partner, you can tell your grandchildren about that one.
[before Dan can take a sip, the contents of the glass are knocked out of his hand by Joan backing into him]
Say what in the name of...
Why... I'm so sorry.
[...] See more »
In the grim year of 1932, with Warner Bros. losing money like all the major studios except MGM (RKO and Paramount both went into receivership thanks to the Depression), along comes the movie One Way Passage, dealing with what seems are the petty cares of grifters on a Pacific cruise. Only this movie is not a screwball comedy or a story about rich people in tuxedos chitchatting when they are not dancing. Writer Robert Lord's frequent writing partner in 1932 and 1933, Wilson Mizner, specialized in stories about people on the margins of society, peaking with the great Heroes For Sale. In one way or another, most of the characters in One Way Passage are nearing the end of their line. When Frank McHugh's character Skippy drinks alone at a bar in Agua Caliente on New Year's Eve, there is no longer the usual smile on his face as he stares at his drink. The opening credits of the movie put Kay Francis' name above the title, but she is just one of several Warners stock company actors at their peak in this movie, including Warren Hymer as the tough detective who always gets his man.
The year 1939 is described as Hollywood's peak year, when movies like Gone With The Wind and Gunga Din were in release. But judging movies by how they stand the test of time, movies released in 1932 and 1933 stand up better. One Way Passage is proof of that. Warner Bros. may have treated its employees like slaves, working stars and crew until 2:00 AM (with no overtime) to meet the 12 day production time limit the studio imposed on most movies, with a 6 day work week, but look at the results. One Way Passage. Baby Face. Mystery of the Wax Museum. Lady Killer. Joan Blondell described Warners Bros. studio then as a place where things were "really cooking." And now, almost 75 years later, One Way Passage can still hold a viewer's attention with its story of some passengers on a last voyage before everything changes.
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