7.4/10
1,553
26 user 23 critic

One Hour with You (1932)

Passed | | Comedy, Musical, Romance | 25 March 1932 (USA)
An unhappily married couple try to come between a happy one.

Directors:

, (uncredited)
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Nominated for 1 Oscar. See more awards »
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Cast

Complete credited cast:
...
...
Colette Bertier
...
Mitzi Olivier
...
...
Professor Olivier
...
Mademoiselle Martel
...
Henri Dornier - Private Detective
Barbara Leonard ...
Mitzi's Maid
...
Police Commissioner
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Storyline

Andre and Colette Bertier are happily married. When Colette introduces her husband to her flirtatious best friend, Mitzi, he does his best to resist her advances. But she is persistent, and very cute, and he succumbs. Mitzi's husband wants to divorce her, and has been having her tailed. Andre gets caught, and must confess to his wife. But Colette has had problems resisting the attentions of another man herself, and they forgive each other. Written by John Oswalt <jao@jao.com>

Plot Summary | Add Synopsis

Taglines:

Chevalier! Captivating all the world with laughter and love! See more »


Certificate:

Passed
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Details

Country:

Language:

Release Date:

25 March 1932 (USA)  »

Also Known As:

Eine Stunde mit Dir  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Noiseless Recording)

Color:

(tinted)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The title song was later adapted as the theme song for Eddie Cantor's radio program. See more »

Quotes

Professor Olivier: When I married her, she was a brunette. Now you can't believe anything she says.
See more »

Connections

Version of The Marriage Circle (1924) See more »

Soundtracks

Oh That Mitzi
Music by Oscar Straus
Lyrics by Leo Robin
Sung by Maurice Chevalier
See more »

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User Reviews

 
Art Deco classic
31 August 2005 | by (Belgium) – See all my reviews

I first saw this film in 1955 at a tiny art cinema in Oxford. The print was in perfect condition and the shimmering dresses and art deco were fascinating. I sat through three showings and left on a wave of good feeling which has lasted ever since. (I can still sing "Three Times a Day" in which Chevalier as a doctor prescribes pills to his patient (with its the sexual innuendo). The comparison with Mamoulian's"Love me Tonight" with the same principals is very interesting. Mamoulian sends up the aristocratic Ruritanian musical comedy while Lubitsch adores the middle class. Both in their different ways are brilliant. Both use surrealist effects to heighten a sense of unreality. This is pure entertainment in a European tradition. Genevieve Tobin is a wonderful support but her career never really took off.


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