Minutes before her wedding to Duke Otto Von Seibenheim, Countess Helene Mara flees, on a whim, to Monte Carlo, where she hopes her luck will save her poor financial state. There, Count ... See full summary »
The small kingdom of Marshovia has a little problem. The main tax-payer, the wealthy widow Sonia (who pays 52 0f the taxes) has left for Paris So Count Danilo is sent to Paris, to stop her ... See full summary »
Edward Everett Horton
Against her better judgement, happily married Jill Baker is persuaded to see a popular psychoanalyst about her psychosomatic hiccups. Soon, she's disillusioned about husband Larry; and one ... See full summary »
Andre and Colette Bertier are happily married. When Colette introduces her husband to her flirtatious best friend, Mitzi, he does his best to resist her advances. But she is persistent, and very cute, and he succumbs. Mitzi's husband wants to divorce her, and has been having her tailed. Andre gets caught, and must confess to his wife. But Colette has had problems resisting the attentions of another man herself, and they forgive each other. Written by
John Oswalt <email@example.com>
I first saw this film in 1955 at a tiny art cinema in Oxford. The print was in perfect condition and the shimmering dresses and art deco were fascinating. I sat through three showings and left on a wave of good feeling which has lasted ever since. (I can still sing "Three Times a Day" in which Chevalier as a doctor prescribes pills to his patient (with its the sexual innuendo). The comparison with Mamoulian's"Love me Tonight" with the same principals is very interesting. Mamoulian sends up the aristocratic Ruritanian musical comedy while Lubitsch adores the middle class. Both in their different ways are brilliant. Both use surrealist effects to heighten a sense of unreality. This is pure entertainment in a European tradition. Genevieve Tobin is a wonderful support but her career never really took off.
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