Dowdy Sylvia accepts her boss' marriage proposal, even though he only asked her to avoid marriage to another woman. As a wealthy wife, Sylvia changes from ugly duckling to uninhibited swan ... See full summary »
Paul, a young man whose father was once lieutenant Governor of California before his untimely death, has a strange, recurring dream in which his mother falls in love with a dangerous man (... See full summary »
Yates and Sarah Martin are barely getting by in a Colorado boom town grocery store. Sudden wealth leads to greater prosperity and political power. In Denver Yates buys a mansion and builds ... See full summary »
Alfred E. Green
Edward G. Robinson,
When a hot young prosecutor learns that a man he got convicted and executed was in fact innocent, he quits his DA job and becomes a defense attorney. He grows rich and powerful defending ... See full summary »
Letitia "Tish" Carberry, an eccentric New England spinster, lives with her nephew, Charlie Sands, and her two cronies, Aggie Pilkington and Lizzie Wilkins, live in a near-by boarding house.... See full summary »
Mary Herries is a rich woman with a habit of contributing to those less fortunate than her. On her way home from a concert on Christmas Eve she discovers a poor, would-be artist outside her... See full summary »
George B. Seitz
Prizefighter Jimmy Dolan accidentally kills a man at a party and escapes. He hides out at a health farm for invalid children and begins to lose his cynicism under the influence of the ... See full summary »
Douglas Fairbanks Jr.,
Mary, a writer working on a novel about a love triangle, is attracted to her publisher. Her suitor Jimmy is determined to break them up; he introduces Mary to the publisher's wife without ... See full summary »
There ought to be a movement to bring this one back from the dead. This is a film for which the term "revival" seems to have been invented. No matter a certain staginess -- its humor and topicality, not to mention its place in history as the first collaboration between George S Kaufman and Moss Hart, make it a "must see." It's not only connected to other early Thirties films like What Price Hollywood, but also to the much adulated Singin' In the Rain. If the latter is a Fifties musical displaying the well-scrubbed brightness of that era's sensibilities, then Once In A Lifetime is its counterpoint, betraying a Depression-era, acerbic grasp of the absurdity of the movie business and of "human business" in general. It ought to be on a double bill with Harlow's Bombshell -- another clever and entertaining early 1930s view of Hollywood and the "geniuses" who ran it.
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