| Boris Karloff | ... | Morgan | |
| Melvyn Douglas | ... | Penderel | |
| Charles Laughton | ... | Sir William Porterhouse | |
| Lilian Bond | ... | Gladys (as Lillian Bond) | |
| Ernest Thesiger | ... | Horace Femm | |
| Eva Moore | ... | Rebecca Femm | |
| Raymond Massey | ... | Philip Waverton | |
| Gloria Stuart | ... | Margaret Waverton | |
| Elspeth Dudgeon | ... | Sir Roderick Femm (as John Dudgeon) | |
| Brember Wills | ... | Saul Femm |
Directed by | |||
| James Whale | |||
Writing credits | ||
| J.B. Priestley | (novel "Benighted") (as J.B. Priestly) | |
| Benn W. Levy | (screenplay) | |
| R.C. Sherriff | additional dialogue (uncredited) | |
Produced by | |||
| Carl Laemmle Jr. | .... | producer | |
| E.M. Asher | .... | associate producer (uncredited) | |
Cinematography by | |||
| Arthur Edeson | |||
Film Editing by | |||
| Clarence Kolster | |||
Set Decoration by | |||
| Russell A. Gausman | (uncredited) | ||
Makeup Department | |||
| Otto Lederer | .... | makeup artist (uncredited) | |
| Jack P. Pierce | .... | makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Joseph A. McDonough | .... | assistant director (uncredited) | |
Art Department | |||
| Charles D. Hall | .... | interior designer | |
Sound Department | |||
| William Hedgcock | .... | sound recordist (uncredited) | |
| C. Roy Hunter | .... | sound supervisor (uncredited) | |
Special Effects by | |||
| John P. Fulton | .... | special effects (uncredited) | |
Camera and Electrical Department | |||
| Jack Eagan | .... | assistant camera (uncredited) | |
| Roman Freulich | .... | still photographer (uncredited) | |
| King D. Gray | .... | camera operator (uncredited) | |
Editorial Department | |||
| Maurice Pivar | .... | supervising editor (uncredited) | |
Music Department | |||
| David Broekman | .... | composer: title music (uncredited) | |
| Bernhard Kaun | .... | composer: stock music (uncredited) | |
| Heinz Roemheld | .... | composer: stock music (uncredited) | |
Other crew | |||
| Carl Laemmle | .... | president: Universal Pictures Corp. | |
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| Clue | Mr. & Mrs. Smith | Agatha Christie's 'Ten Little Indians' | The Boogeyman | Giant |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
While perfectly enjoyable as a camp comedy of manners (that element comes courtesy of director James Whale) and as an elegant, low-key horror, The Old Dark House can best be appreciated when you know a little about JB Priestley, author of the source play Benighted. (Or was it originally a novel? It definitely exists as a stage play, at any rate.)
Priestley was an English playwright, novelist, radio broadcaster and journalist who became very well known in Britain in the 1930s and 1940s for presenting a kindly, commonsensical version of socialism and community spirit to a nation battling through the Great Depression, the Second World War and its aftermath. Several of his plays combine a supernatural or at least mysterious strain with an allegorical message about the importance of unselfishness and people working together to help one another. If you watch The Old Dark House with these points in mind you may see it in a more moving and profound light. Dangerous Corner and An Inspector Calls are similar examples of his work, still popular in Britain with amateur drama groups and touring theatre companies.
If you can, see Old Dark House and Whale's later Bride of Frankenstein as a home video double bill and compare Ernest Thesiger's delightfully feline and remarkably similar performances as Horace Femm and Dr Praetorius. "Have a potato" and "Have some gin" may well become part of your private family language for ever after.