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The Old Dark House (1932)

7.4
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Ratings: 7.4/10 from 4,268 users  
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Seeking shelter from a storm, five travelers are in for a bizarre and terrifying night when the stumble upon the Femm family estate.

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(from the novel by), (screen play), 1 more credit »
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Title: The Old Dark House (1932)

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Cast

Complete credited cast:
...
...
Penderel
...
Sir William Porterhouse
Lilian Bond ...
Gladys (as Lillian Bond)
...
Horace Femm
Eva Moore ...
Rebecca Femm
...
Philip Waverton
...
Margaret Waverton
Elspeth Dudgeon ...
Sir Roderick Femm (as John Dudgeon)
Brember Wills ...
Saul Femm
Edit

Storyline

Seeking shelter from a pounding rainstorm in a remote region of Wales, several travellers are admitted to a gloomy, foreboding mansion belonging to the extremely strange Femm family. Trying to make the best of it, the guests must deal with their sepulchral host, Horace Femm and his obsessive, malevolent sister Rebecca. Things get worse as the brutish manservant Morgan gets drunk, runs amuck and releases the long pent-up brother Saul, a psychotic pyromaniac who gleefully tries to destroy the residence by setting it on fire. Written by Doug Sederberg <vornoff@sonic.net>

Plot Summary | Plot Synopsis

Taglines:

Beware the night!

Genres:

Comedy | Horror

Certificate:

TV-G | See all certifications »
Edit

Details

Country:

Language:

Release Date:

20 October 1932 (USA)  »

Also Known As:

A Casa Sinistra  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System Noiseless Recording)

Aspect Ratio:

1.37 : 1
See  »
Edit

Did You Know?

Trivia

This film was not included in the "Shock Theatre" package with the other Universal horror films. See more »

Goofs

Roger and Gladys go to a barn to get liquor from the car stored there during the driving rainstorm. When they are coming back to the house, there is a large puddle of water in front of the house but no rain is falling. Roger, carrying Gladys gets almost to the door when the water is turned back on. Rain pours near the door but not on the rest of the area in front of the house. See more »

Quotes

Rebecca Femm: [feels the fabric of Margaret Waverton's low-cut gown] ... fine stuff, but it'll rot.
Rebecca Femm: [touches Margaret's skin above the neckline] ... finer stuff still, but it'll rot too!
See more »

Crazy Credits

After the introductory credits there is a 'producer's note' (but it comes before EVERYTHING, including the studio logo, on the version shown by Turner Classic Movies): 'Karloff, the mad butler in this production, is the same Karloff who created the part of the mechanical monster in "Frankenstein". We explain this to settle all disputes in advance, even though such disputes are a tribute to his great versatility.' See more »

Connections

Referenced in Cinemassacre's Monster Madness: House of Dracula (2011) See more »

Soundtracks

Here Comes the Bride
(uncredited)
Music by Richard Wagner
Hummed by Melvyn Douglas
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Superb sets and photography but ultimately just a well played farce
7 June 2006 | by (The Dutch Mountains) – See all my reviews

Director James Whale and his cast probably had a good time making this film. After the opening credits there's a "producer's note": 'Karloff, the mad butler in this production, is the same Karloff who created the part of the mechanical monster in "Frankenstein". We explain this to settle all disputes in advance, even though such disputes are a tribute to his great versatility.'

So you're know what you're in for, at least modern audiences should. Back then it must have been quite daring to openly "expose" and perhaps even undermine the potential scariness of the film, especially Karloff's role as the butler. I think many executives at Universal frowned upon this as well, in particular Carl Laemmle Sr., but Carl Laemmle Jr. probably shared the same kind of humor as Whale, so they let him get away with it.

The film is very loyal to J.B. Priestley's novel "Benighted" and took most of the wonderful dialogs and one-liners directly from the book. As one would expect from James Whale en co, the sharply written dialog is definitely one of the highlights with the best lines being handed to Thesiger, as in THE BRIDE OF FRANKENSTEIN. This supposedly being a send-up of Universal's horror conventions, it's not particularly engaging as a horror film. Eerie things do happen, absolutely, but they are so bizarre and sometimes so utterly over the top, that you either stop caring about the characters or simply lose track of the proceedings at all. But no complaints about the acting, especially the incomparable Ernest Thesiger who is a standout in a first rate cast. And the sets and photography are absolutely superb as is the whole atmosphere in general, largely due to the continuously (and well timed) stormy soundtrack, which greatly adds to the fun.

Many have pointed out that Whale presents us some kind of parody of the horror movie or some kind of archetypal English household. This seems a very modern, almost anachronistic vision to me. What things did he attempt to mock or make fun of? Essentially THE OLD DARK HOUSE is a well acted sometimes very funny stagy farce with a horror atmosphere at best. He certainly had the last laugh because he probably never intended it that way, although most of the critical acclaim came after his death.

A final note on the Special Collector's Edition DVD: Besides the obligatory stills gallery, nothing of particular interest. A six-minute interview with Curtis Harrington about him saving the original copy of the film. Good thing he did it but that's all we need to know. And truly worthless commentary tracks, James Curtis comments like he's reading a list with all kinds of facts about the movie. Suitable for a booklet, not for an audio commentary.

Camera Obscura --- 8/10


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