Number 17 (1932)
"Number Seventeen" (original title)

TV-PG  |   |  Crime, Mystery, Thriller  |  18 July 1932 (UK)
Your rating:
    1 2 3 4 5 6 7 8 9 10 -/10 X  
Ratings: 5.9/10 from 3,346 users  
Reviews: 54 user | 20 critic

A gang of thieves gather at a safe house following a robbery, but a detective is on their trail.



(as J. Jefferson Farjeon) , (play) (as J. Jefferson Farjeon) , 3 more credits »
0Check in

Watch Now

$0.00 with Prime Video

Learn more

People who liked this also liked... 

The Skin Game (1931)
    1 2 3 4 5 6 7 8 9 10 5.8/10 X  

An old traditional family and a modern family battle over land in a small English village and almost destroy each other.

Director: Alfred Hitchcock
Stars: Edmund Gwenn, Jill Esmond, C.V. France
Comedy | Romance | Thriller
    1 2 3 4 5 6 7 8 9 10 5.9/10 X  

Believing that an unexpected inheritance will bring them happiness, a married couple instead finds their relationship strained to the breaking point.

Director: Alfred Hitchcock
Stars: Henry Kendall, Joan Barry, Percy Marmont
Murder! (1930)
Crime | Mystery | Thriller
    1 2 3 4 5 6 7 8 9 10 6.4/10 X  

A juror in a murder trial, after voting to convict, has second thoughts and begins to investigate on his own before the execution.

Director: Alfred Hitchcock
Stars: Herbert Marshall, Norah Baring, Phyllis Konstam
The Manxman (1929)
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 6.3/10 X  

A fisherman and a rising young lawyer, who grew up as brothers, fall in love with the same girl.

Director: Alfred Hitchcock
Stars: Anny Ondra, Carl Brisson, Malcolm Keen
Secret Agent (1936)
Mystery | Thriller
    1 2 3 4 5 6 7 8 9 10 6.6/10 X  

After three British agents are assigned to assassinate a mysterious German spy during World War I, two of them become ambivalent when their duty to the mission conflicts with their consciences.

Director: Alfred Hitchcock
Stars: John Gielgud, Madeleine Carroll, Robert Young
Comedy | Drama | Romance
    1 2 3 4 5 6 7 8 9 10 6.1/10 X  

After his daughter weds, a middle-aged widower with a profitable farm decides to remarry but finds choosing a suitable mate a problematic process.

Director: Alfred Hitchcock
Stars: Jameson Thomas, Lillian Hall-Davis, Gordon Harker
Crime | Mystery | Romance
    1 2 3 4 5 6 7 8 9 10 7/10 X  

Man on the run from a murder charge enlists a beautiful stranger who must put herself at risk for his cause.

Director: Alfred Hitchcock
Stars: Nova Pilbeam, Derrick De Marney, Percy Marmont
Sabotage (1936)
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

A Scotland Yard undercover detective is on the trail of a saboteur who is part of a plot to set off a bomb in London. But when the detective's cover is blown, the plot begins to unravel.

Director: Alfred Hitchcock
Stars: Sylvia Sidney, Oskar Homolka, Desmond Tester
Blackmail (1929)
Crime | Thriller
    1 2 3 4 5 6 7 8 9 10 7/10 X  

Alice White is the daughter of a shopkeeper in 1920's London. Her boyfriend, Frank Webber is a Scotland Yard detective who seems more interested in police work than in her. Frank takes ... See full summary »

Director: Alfred Hitchcock
Stars: Anny Ondra, John Longden, Sara Allgood
Crime | Mystery | Thriller
    1 2 3 4 5 6 7 8 9 10 6.9/10 X  

A man and his wife receive a clue to an imminent assassination attempt, only to learn that their daughter has been kidnapped to keep them quiet.

Director: Alfred Hitchcock
Stars: Leslie Banks, Edna Best, Peter Lorre
The Ring I (1927)
Drama | Romance | Thriller
    1 2 3 4 5 6 7 8 9 10 6.3/10 X  

Two boxers compete for the love of a woman.

Director: Alfred Hitchcock
Stars: Carl Brisson, Lillian Hall-Davis, Ian Hunter
Biography | Music | Romance
    1 2 3 4 5 6 7 8 9 10 6.1/10 X  

The story of Johann Strauss the elder and younger.

Director: Alfred Hitchcock
Stars: Edmund Gwenn, Jessie Matthews, Fay Compton


Complete credited cast:
Leon M. Lion ...
Nora Brant - the Girl
John Stuart ...
Barton - the Detective
Donald Calthrop ...
Brant - Nora's Escort
Henry Doyle
Ann Casson ...
Rose Ackroyd
Henry Caine ...
Mr. Ackroyd
Garry Marsh ...


Detective Gilbert is searching for a necklace robbed by a gang of thieves. In the beginning, the gang is in a house in London, then they are running away from police. It will not be easy for the detective to recover the jewel. Written by Claudio Sandrini <>

Plot Summary | Add Synopsis


TV-PG | See all certifications »




Release Date:

18 July 1932 (UK)  »

Also Known As:

No 17  »

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

Aspect Ratio:

1.20 : 1
See  »

Did You Know?


Alfred Hitchcock did not want to make this film. He had wanted to direct a prestige production of John Van Druten's play "London Wall," but to punish Hitchcock for the financial failure of his previous film East of Shanghai (1931), British International Pictures head John Maxwell took him off "London Wall" and put him on this film instead. Hitchcock himself has referred to the film as "a terrible picture . . . very cheap melodrama". See more »


Barton and Nora's hands are tied to the railing behind them, but after they fall backwards through it they're hanging with their hands in front of them. See more »


[first lines]
Ben: Oh! Oh, Gawd! Oh, Gawd! Oh, Gawd! Oh!
Fordyce/Barton: How do you feel? Now, where's that candle? Here, have some of this.
See more »


Featured in Agatha Christie: Poirot: The ABC Murders (1992) See more »


I Don't Need a Television
Music by Harry Shalson
Lyrics by John Malvern
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

"'Eavy messin' about department"
25 January 2008 | by (Ruritania) – See all my reviews

Number 17 was made at a crossroads point in Alfred Hitchcock's career. After the success of crime thrillers Blackmail and Murder!, and the mediocrities of stage adaptations Juno and The Paycock and The Skin Game, he now knew where his real strength lay. Unfortunately for him, his bosses hadn't quite caught on yet, which is why his early 30s output is rather uneven. For this, his return to the crime genre, he was lumbered with another adapted play, and a plodding and cliché-ridden one at that.

However, Hitch knew full well that Number 13 was daft pot-boiler material and so, rather than attempt to take it seriously, he and his wife (and then, closest collaborator) Alma Reville stirred it up into a farcical self-parody – adding yet more clichés, camping up the villains and piling plot twists upon plot twists. Hitchcock also used the film as an arena for technical experimentation, and as such it contains a number of Hitchcock "firsts".

By this point it was becoming increasingly important in a Hitchcock picture to immediately rope the audience in with a series of attention-grabbing, dialogue-free images, and in Number 17 the opening sequence is actually the strongest piece of film-making in the whole piece. We open with an eerie, wind-blasted street scene, into which comes an anonymous man – his back to the camera. We then follow the mystery man to the front door of the titular "Number 17" and, in a single, smooth tracking shot follow him inside. It's a neat trick to bring the audience into the action, having us become the camera and discover the environment, and yet at the same time keeping the man's identity and purpose unknown.

What follows is a steady descent into the depths of farce, with exaggerated performances, sped-up fist fights and too many ridiculous plot twists and character introductions to really keep up with. In tone it borders on that of Bride of Frankenstein. A couple of nods to the cast are in order - Donald Calthrop is the archetypal upper class criminal, and Leon Lion plays the ultimate "Lord-love-a-duck" cockney rogue. Leon Lion, who also produced Number 17, was actually a playwright.

Along the way however, Hitch gets to experiment. Silly as it is, this is really the first of Hitch's adventure thrillers, what I call the clinging-to-the-side-of-trains pictures. This type of thriller – as oppose to the more domestic crime stories of Blackmail and Murder! – would make up the best part of his late 30s work and would eventually result in North by Northwest twenty-five years later. It's also the first of his films to be mostly set in one location (like the later Lifeboat, Rope and Rear Window), although this seems to be more coincidental rather than the start of a trend. On top of that it's the first time Hitch gets to play with scale models, and the beginning of his recurring association with trains. Oh, and there's even the first true MacGuffin in the form of a stolen necklace.

The trouble is, because this picture is done as a genre spoof, you can't expect any of the suspense elements to work. Number 17 may contain motifs and techniques used to great effect in, say, The 39 steps and The Lady Vanishes, but it's nowhere near as exciting as those classics. And, although it's a credit to Hitch's playful touch and self-awareness, with the exception of the occasional great line from Leon Lion Number 17 isn't really very funny. It's worth watching for anyone studying Hitchcock, as a prime example of his most experimental and innovative period, but it doesn't stand up on its own as entertainment.

12 of 15 people found this review helpful.  Was this review helpful to you?

Message Boards

Recent Posts
Actually pretty good! poefan
Cameo appearance muswellmovies
one aspect that bothered me Rheli
aspect ratio ? dLLund
Discuss Number 17 (1932) on the IMDb message boards »

Contribute to This Page

Create a character page for: