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Number 17 (1932)
"Number Seventeen" (original title)

 -  Crime | Mystery | Thriller  -  18 July 1932 (UK)
5.9
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Ratings: 5.9/10 from 2,977 users  
Reviews: 55 user | 20 critic

A gang of thieves gather at a safe house following a robbery, but a detective is on their trail.

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Title: Number 17 (1932)

Number 17 (1932) on IMDb 5.9/10

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Cast

Complete credited cast:
Leon M. Lion ...
Ben
...
Nora - the Girl
John Stuart ...
Barton - the Detective
Donald Calthrop ...
Brant - Nora's Escort
...
Henry Doyle
Ann Casson ...
Rose Ackroyd
Henry Caine ...
Mr. Ackroyd
Garry Marsh ...
Sheldrake
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Storyline

Detective Gilbert is searching for a necklace robbed by a gang of thieves. In the beginning, the gang is in a house in London, then they are running away from police. It will not be easy for the detective to recover the jewel. Written by Claudio Sandrini <pulp99@geocities.com>

Plot Summary | Add Synopsis


Certificate:

TV-PG | See all certifications »
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Details

Country:

Language:

Release Date:

18 July 1932 (UK)  »

Also Known As:

Number 17  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.20 : 1
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Did You Know?

Trivia

This was Alfred Hitchcock's last film as director for British International Pictures, though he made one more film for them as producer: Lord Camber's Ladies (1932), directed by Benn W. Levy. See more »

Goofs

Barton and Nora's hands are tied to the railing behind them, but after they fall backwards through it they're hanging with their hands in front of them. See more »

Quotes

[first lines]
Ben: Oh! Oh, Gawd! Oh, Gawd! Oh, Gawd! Oh!
Fordyce/Barton: How do you feel? Now, where's that candle? Here, have some of this.
See more »

Connections

Version of Number 17 (1920) See more »

Soundtracks

I Don't Need a Television
(uncredited)
Music by Harry Shalson
Lyrics by John Malvern
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
This movie is bananas!
8 November 2007 | by (United States) – See all my reviews

Hitchcock's Number Seventeen has to be his most experimental film by far and it's actually quite an enjoyable watch from a technical perspective if you can get beyond the confusing plot. The film is basically divided into to parts (2 acts almost - this movie runs just over an hour) the first taking place in a deserted house and the second being a wacky chase between a bus and a train. During the first part the use of shadows in the lighting is incredibly bold. It's reminiscent of a German Expressionist films and there are even some subtle shapes formed in the shadows possibly intended as subliminal tension builders. Editing is what shines in the second half during the chase. It's gleefully frantic and honestly makes some of Michael Bay's work seem slow. The action frantically cuts back and forth between different people and locations. So be warned: Number Seventeen strength lies in it's technical bravery - not really in anything else.


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