6.9/10
209
9 user 3 critic

No More Orchids (1932)

Passed | | Drama, Romance | 25 November 1932 (USA)
At the urging of her curmudgeon old grandfather Jerome Cedric (C. Aubrey Smith), spoiled rich kid Annie Holt (Carole Lombard) is forced to marry into royalty in order to save her banker ... See full summary »

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(story), (screenplay) | 1 more credit »
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Cast

Cast overview:
...
...
Tony Gage
...
Bill Holt
Louise Closser Hale ...
Grandma Holt
Allen Vincent ...
Dick
Ruthelma Stevens ...
Rita
...
Jerome Cedric
Arthur Housman ...
Serge
William V. Mong ...
Burkehart
...
Prince Carlos
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Storyline

At the urging of her curmudgeon old grandfather Jerome Cedric (C. Aubrey Smith), spoiled rich kid Annie Holt (Carole Lombard) is forced to marry into royalty in order to save her banker father, Bill Holt (Walter Connolly), from financial ruin. The man she really desires is Tony Gage (Lyle Talbot). It takes a well-written insurance policy and a sacrificial act on the part of a close relative to re-unite Annie and Tony. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

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BEAUTIFUL! PAMPERED! EXTRAVAGANT! (original poster - all caps) See more »

Genres:

Drama | Romance

Certificate:

Passed
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Details

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Language:

Release Date:

25 November 1932 (USA)  »

Also Known As:

Echec au prince  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
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User Reviews

 
Great Cast
21 October 2008 | by (New York City) – See all my reviews

A wonderful cast of supporting character actors enlivens a soap opera about how Carole Lombard falls in love with reverse-snob Lyle Talbot and thwarts the plans of her grandfather -- played by the wonderful C. Aubrey Smith -- to marry his family into European royalty. In the meantime her father -- played by Walter Connolly -- is about to see his bank fail.

It seems apparent that the novel on which this book is based is a lot more complex than this movie. The dialogue is competent, but not great, and people tend to play types rather than individuals. But while this is not a great movie, the wonderful players make it far more enjoyable than anyone would expect it to be. Even Lyle Talbot, usually confined to a simple juvenile lead at his home base of Warner Brothers in this period, is excellent, if a tad declamatory.


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