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Night World (1932)

 |  Drama  |  5 May 1932 (USA)
6.9
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Ratings: 6.9/10 from 133 users  
Reviews: 9 user | 2 critic

Story of the goings-on at a Prohibition-era nightclub.

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Writers:

(story), (screenplay), 1 more credit »
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Title: Night World (1932)

Night World (1932) on IMDb 6.9/10

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Cast

Complete credited cast:
...
...
Ruth Taylor
...
'Happy' MacDonald
Dorothy Revier ...
Jill MacDonald
Russell Hopton ...
Klauss
...
Mrs. Rand
...
Tim Washington, the Doorman
Dorothy Peterson ...
Edith Blair
Bert Roach ...
Tommy
...
Ed Powell
Gene Morgan ...
Joe
Huntley Gordon ...
Jim
Robert Emmett O'Connor ...
The Policeman
Arletta Duncan ...
Cigarette Girl
Edit

Storyline

"Happy" MacDonald and his unfaithful wife own a Prohibition era night club. On this eventful night, he is threatened by bootleggers, and the club's star dancer falls in love with a young socialite who drinks to forget a personal tragedy, among other incidents. Written by Anonymous

Plot Summary | Add Synopsis

Genres:

Drama

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Details

Country:

Language:

Release Date:

5 May 1932 (USA)  »

Also Known As:

Mundo Noturno  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Noiseless Recording Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The costumes of the chorus Girls in the second number (which ends act one) is reused from the "Happy Feet" number from King of Jazz (1930) See more »

Quotes

Ed Powell: How are ya, Daisy?
Daisy: Oh, I can't complain.
Ed Powell: But I bet you do.
See more »

Connections

References Frankenstein (1931) See more »

Soundtracks

Prisoner of Love
(uncredited)
Music by Russ Columbo and Clarence Gaskill
Lyrics by Leo Robin
See more »

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User Reviews

 
Nice work by all in unheralded little film
27 May 2007 | by (Glendale, CA) – See all my reviews

Yes, it's a cheap versions of GRAND HOTEL, but I think it works just fine. I'm going to disagree with some previous reviewers: I think Karloff is marvelous as the club owner, bringing a fierceness and bravado to it that others would lack. The rest of the cast is also good: Ayres, Marsh and Muse all register strongly. Hedda Hopper is indeed amazing as the bad mother. And George Raft stands out in his small part. A little of it is creaky and dated, but overall, I thought the camera-work was fluid and fine, the story moved fast and the characters were well-written. Nice little Busby Berkeley number near the top, too. Well worth checking out.


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