Multi-millionaire Ezra Ounce wants to start a campaign against 'filthy' forms of entertainment, like Broadway-Shows. He comes to his relatives families and makes them members of his ... See full summary »
Sophisticated comedy: a trio of money hungry women who all have sugar daddies who keep them in the lap of luxury, even as they drive the men crazy. Each woman represents a different ... See full summary »
Prizefighter Mason loses his opening fight so wife Rose leaves him for Hollywood. Without her around Mason trains and starts winning. Rose comes back and wants Mason to dump his manager Regan and replace him with her secret lover Lewis.
A gang of crooks evade the police by moving their operations to a small town. There the gang's leader, John Madison, encounters a faith healer and uses him to scam the gullible public of ... See full summary »
Norman Z. McLeod
Bill McCaffery, a plumber, wins big at the racetrack but then his luck runs out and almost ruins his business. Molly Gilbert, his manicurist girlfriend, stands by him and helps him readjust to life as a plumber.
Casino operator Johnny Lamb hires down-on-her-luck socialite Lucille Sutton as his casino hostess, in order to help her and to improve casino income. But Lamb's pals fear he may follow ... See full summary »
Rich playboy Pike Winslow dons the mantle of 'The Reckoner', a mysterious avenger, when he learns that his lady friend Barbara Gerry's father has been framed in a bank embezzlement scandal.... See full summary »
Art student John Hayden interrupts his studies in Greece to head his father's meat packing business on his father's death. He marries social climber Martha who taunts him for his ideals ... See full summary »
Alfred E. Green
Edward G. Robinson,
"Happy" MacDonald and his unfaithful wife own a Prohibition era night club. On this eventful night, he is threatened by bootleggers, and the club's star dancer falls in love with a young socialite who drinks to forget a personal tragedy, among other incidents. Written by
Poor Mae Clark was in loads of films yet is most known for getting a grapefruit in the kisser from James Cagney in 'Public Enemy.' So it's nice to see her in a part with a few more brains. She is just part of an odd mixed-salad of a cast. Some, like Boris Karloff as an awkwardly gangly night-club owner, and Bert Roach as a silly drunk, seem to be in strange waters. Others, like Lew Ayers and George Raft, get roles typical of their young careers. Though she has only one scene in this very short film, Hedda Hopper steals the show as the world's worst mother.
The only character to really warm to is The Doorman, Tim Washington (Clarence Muse). He is clearly in a horrible situation which those around pity at best and ignore at worst. So many African-American roles in the white films of the '30s are painful to watch, but Muse brings something special to this thankless part.
Cinematographer Merritt Gerstad shows an inventive eye both in the opening montage and in scenes that would otherwise be nothing to look at. And of course, we get brief Busby Berkeley numbers, which would never really work in a night club, but allowances must be made for Hollywood.
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